Storieta
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About this book

The Grafters is a sprawling Western saga that intertwines railroad ambition, speculative boom‑town fever, and the gritty fallout of political corruption. It opens with the modest purchase of the “J‑lazy‑S” ranch, the seed from which the town of Gaston erupts into a bustling terminus for the Western Pacific line. Within a few pages the narrative charts the rapid rise of temporary sidings, a silver‑spike ceremony, and a flood of Argonauts erecting black‑roofed shelters, only to plunge into a catastrophic collapse when the railway’s second‑mortgage bonds trigger a market crash. The protagonist, David Kent, a New England‑trained attorney turned reckless real‑estate plunger, finds himself caught between the promise of a booming railroad and the inevitable “bubble‑burst” that leaves Gaston a deserted ghost town, setting the stage for a study of human desperation amid shattered dreams.

The novel’s voice is dense and melodramatic, echoing the turn‑of‑the‑century prose of early twentieth‑century American adventure fiction. Its sentences cascade with period‑specific diction, “front feet,” “bucaneers,” “the baleful flower of panic”, while the narrative pace mirrors the frenetic boom‑and‑bust cycles of frontier development. Readers who relish intricate depictions of rail‑driven expansion, the moral compromises of speculative capitalism, and the stark, almost cinematic portrait of a Western town in decline will find The Grafters compelling. Those who enjoy richly layered, historically flavored storytelling that blends romance, legal intrigue, and a cynical look at political graft will be most drawn to its sprawling, atmospheric sweep.

Characters in The Grafters

  • David KentTall New England lawyer in early 1900s dark frock coat, waistcoat, cravat, neat sideburns
  • HawkRugged frontier man with weather‑worn face, wide‑brimmed hat, leather duster, dusty boots
  • GuilfordMiddle‑aged businessman in crisp suit, pocket watch, round spectacles, silver‑threaded tie

The opening · free to read

This purchase of the "J-lazy-S" ranch by Hawk and Guilford marked the modest beginning of Gaston the marvelous. By the time the temporary sidings were down and the tank well was dug in the damp sands, it was heralded far and wide that the Western Pacific would make the city on the banks of Dry Creek--a city consisting as yet only of the Simsby ranch shacks--its western terminus. Thereupon followed one of the senseless rushes that populate the waste places of the earth and give the professional city-builder his reason for being. In a fortnight after the driving of the silver spike the dusty plain was dotted with the black-roofed shelters of the Argonauts; and by the following spring the plow was furrowing the cattle ranges in ever-widening circles, and Gaston had voted a bond loan of three hundred thousand dollars to pave its streets.

Then under the forced draft of skilful exploitation, three years of high pressure passed quickly; years named by the promoters the period of development. In the Year One the very heavens smiled and the rainfall broke the record of the oldest inhabitant. Thus the region round about lost the word "arid" as a qualifying adjective, and the picturesque fictions of the prospectus makers were miraculously justified. In Year Two there was less rain, but still an abundant crop; and Jethro Simsby, drifting in from some unnamed frontier of a newer cow-country, saw what he had missed, took to drink, and shot himself in the lobby of the Mid-Continent Hotel, an ornate, five-storied, brick-and-terra-cotta structure standing precisely upon the site of the "J-lazy-S" branding corral.

It was in this same Year Two, the fame of the latest of western Meccas for young men having penetrated to the provincial backgrounds of New Hampshire, that David Kent came.

By virtue of his diploma, and three years of country practice in the New Hampshire county town where his father before him had read Blackstone and Chitty, he had his window on the fourth floor of the Farquhar Building lettered "Attorney and Counselor at Law"; but up to the day in the latter part of the fateful Year Three, when the overdue crash came, he was best known as a reckless plunger in real estate--this, mind you, at a moment when every third man counted his gains in "front feet", and was shouting himself hoarse at the daily brass-band lot sales.

When the bottom fell out in the autumn of Year Three, Kent fell with it, though not altogether as far or as hard as many another. One of his professional hold-fasts--it was the one that afterward became the bread-tackle in the famine time--was his position as local attorney for the railway company. By reason of this he was among the first to have a hint of the impending cataclysm. The Western Pacific, after so long a pause on the banks of Dry Creek, had floated its second mortgage bonds and would presently build on to the capital, leaving Gaston to way-station quietude. Therefore and wherefore----

Kent was not lacking in native shrewdness or energy. He foresaw, not the pitiable bubble-burst which ensued, indeed, but the certain and inevitable end of the speculative era. Like every one else, he had bought chiefly with promises to pay, and his paper in the three banks aggregated a sum equal to a frugal New Hampshire competence.

"How long have I got?" was the laconic wire which he sent to Loring, the secretary of the Western Pacific Advisory Board in Boston, from whom his hint had come. And when Loring replied that the grading and track-laying contracts were already awarded, there was at least one "long" on the Gaston real estate exchange who wrought desperately night and day to "unload".

As it turned out, the race against time was both a victory and a defeat. On the morning when the Daily Clarion sounded the first note of public alarm, David Kent took up the last of his bank promises-to-pay, and transferred his final mortgaged holding in Gaston realty. When it was done he locked himself in his office in the Farquhar Building and balanced the account. On leaving the New Hampshire country town to try the new cast for fortune in the golden West, he had turned his small patrimony into cash--some ten thousand dollars of it. To set over against the bill of exchange for this amount, which he had brought to Gaston a year earlier, there were a clean name, a few hundred dollars in bank, six lots, bought and paid for, in one of the Gaston suburbs, and a vast deal of experience.

Kent ran his hands through his hair, opened the check-book and hastily filled out a check payable to himself for the remaining few hundreds. When he reached the Apache National on the corner of Colorado and Texas Streets, he was the one hundred and twenty-seventh man in the queue, which extended around the corner and doubled back and forth in the cross-street to the stoppage of all traffic. The announcement in the Clarion had done its work, and the baleful flower of panic, which is a juggler's rose for quick-growing possibilities, was filling the very air of the street with its acrid perfume--the scent of all others that soonest drives men mad.

Major James Guilford, the president of the Apache National, was in the cage with the sweating paying tellers, and it was to him that Kent presented his check when his turn came.

"What! You, too, Kent?" said the president, reproachfully. "I thought you had more backbone."

Kent shook his head.

"Gaston has absorbed nine-tenths of the money I brought here; I'll absorb the remaining tenth myself, if it's just the same to you, Major. Thank you." And the hundred and twenty-seventh man pocketed his salvage from the wreck and fought his way out through the jam at the doors. Two hours farther along in the forenoon the Apache National suspended payment, and the bank examiner was wired for.

For suddenness and thoroughgoing completeness the Gaston bubble-bursting was a record-breaker. For a week and a day there was a frantic struggle for enlargement, and by the expiration of a fortnight the life was pretty well trampled out of the civic corpse and the stench began to arise.

Flight upon any terms then became the order of the day, and if the place had been suddenly plague-smitten the panicky exodus could scarcely have been more headlong. None the less, in any such disorderly up-anchoring there are stragglers perforce: some left like stranded hulks by the ebbing tide; others riding by mooring chains which may be neither slipped nor capstaned. When all was over there were deserted streets and empty suburbs in ruthless profusion; but there was also a hungry minority of the crews of the stranded and anchored hulks left behind to live or die as they might, and presently to fall into cannibalism, preying one upon another between whiles, or waiting like their prototypes of the Spanish Main for the stray spoils of any luckless argosy that might drift within grappling distance.

Kent stayed partly because a local attorney for the railroad was as necessary in Gaston the bereaved as in Gaston the strenuous; partly, also, because he was a student of his kind, and the broken city gave him laboratory opportunities for the study of human nature at its worst.

He marked the raising of the black flag as the Gaston castaways, getting sorrily afloat one by one, cleared their decks for action. Some Bluebeard admiral there will always be for such stressful occasions, and David Kent, standing aside and growing cynical day by day, laid even chances on Hawk, the ex-district attorney, on Major Guilford, and on one Jasper G. Bucks, sometime mayor of Gaston the iridescent.

Afterward he was to learn that he had underrated the gifts of the former mayor. For when the famine time was fully come, and there were no more argosies drifting Gastonward for the bucaneers to sack and scuttle, it was Jasper G. Bucks who called a conference of his fellow werwolves, set forth his new cast for fortune, and brought the junto, the child of sheer desperation fiercely at bay, into being.

It was in the autumn of that first cataclysmic year that Secretary Loring, traveling from Boston to the State capital on a mission for the Western Pacific, stopped over a train with Kent. After a rather dispiriting dinner in the deserted Mid-Continent café, and some plowing of the field of recollection in Kent's rooms in the Farquhar Building, they took the deserted street in the golden twilight to walk to the railway station.

"It was a decent thing for you to do--stopping over a train with me, Grantham," said the host, when the five squares intervening had been half measured. "I have had all kinds of a time out here in this God-forsaken desert, but never until to-day anything approaching a chummy hour with a man I know and care for."

Kent had not spoken since they had felt their way out of the dark lower hall of the Farquhar Building. Up to this point the talk had been pointedly reminiscent; of the men of their university year, of mutual friends in the far-away "God's country" to the eastward, of the Gastonian epic, of all things save only two--the exile's cast for fortune in the untamed West, and one other.

"That brings us a little nearer to the things that be--and to your prospects, David," said the guest. "How are you fixed here?"

Kent shrugged.

"Gaston is dead, as you see; too dead to bury."

"Why don't you get out of it, then?"

"I shall some day, perhaps. Up to date there has been no place to go to, and no good way to arrive. Like some thousands of others, I've made an ass of myself here, Loring."

"By coming, you mean? Oh, I don't know about that. You have had some hard knocks, I take it, but if you are the same David Kent I used to know, they have made a bigger man of you."

"Think so?"

"I'd bet on it. We have had the Gaston epic done out for us in the newspapers. No man could live through such an experience as you must have had without growing a few inches. Hello! What's this?"

A turned corner had brought them in front of a lighted building in Texas Street with a straggling crowd gathered about the porticoed entrance. As Loring spoke, there was a rattle of snare drums followed by the dum-dum of the bass, and a brass band ramped out the opening measures of a campaign march.

"It is a rally," said Kent, when they had passed far enough beyond the zone of brass-throated clamorings to make the reply audible. "I told you that the Gaston wolf-pack had gone into politics. We are in the throes of a State election, and there is to be a political speech-making at the Opera House to-night, with Bucks in the title rôle. And there is a fair measure of the deadness of the town! When you see people flock together like that to hear a brass band play, it means one of two things: that the town hasn't outgrown the country village stage, or else it has passed that and all other stages and is well on its way to the cemetery."

"That is one way of putting it," Loring rejoined. "If things are as bad as that, it's time you were moving on, don't you think?"

"I guess so," was the lack-luster response. "Only I don't know where to go, or what to do when I get there."

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