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Father Payne

It was a good many years ago, soon after I left Oxford, when I was twenty-three years old, that all this happened. I had taken a degree in Classics, and I had not given much thought to my future profession. There was no very obvious opening for me, no family business, no influence in any particular direction. My father had been in the Army, but was long dead. My mother and only sister lived quietly in the country. I had no prosaic and practical uncles to push me into any particular line; while on coming of age I had inherited a little capital which brought me in some two hundred a year, so that I could afford to wait and look round. My only real taste was for literature. I wanted to write, but I had no very pressing aspirations or inspirations. I may confess that I was indolent, fond of company, but not afraid of comparative solitude, and I was moreover an entire dilettante. I read a good many books, and tried feverishly to write in the style of the authors who most attracted me, I settled down at home, more or less, in a country village where I knew everyone; I travelled a little; and I paid occasional visits to London, where several of my undergraduate and school friends lived, with a vague idea of getting to know literary people; but they were not very easy to meet, and, when I did meet them, they did not betray any very marked interest in my designs and visions.

I was dining one night at a restaurant with a College friend of mine, Jack Vincent, whose tastes were much the same as my own, only more strenuous; his father and mother lived in London, and when I went there I generally stayed with them. They were well-to-do, good-natured people; but, beyond occasionally reminding Jack that he ought to be thinking about a profession, they left him very much to his own devices, and he had begun to write a novel, and a play, and two or three other masterpieces.

That particular night his father and mother were dining out, so we determined to go to a restaurant. And it was there that Vincent told me about "Father" Payne, as he was called by his friends, though he was a layman and an Anglican. He had heard all about him from an Oxford man, Leonard Barthrop, some years older than ourselves, who was one of the circle of men whom Father Payne had collected about him. Vincent was very full of the subject. He said that Father Payne was an elderly man, who had been for a good many years a rather unsuccessful teacher in London, and that he had unexpectedly inherited a little country estate in Northamptonshire. He had gradually gathered about him a small knot of men, mainly interested in literature, who were lodged and boarded free, and were a sort of informal community, bound by no very strict regulations, except that they were pledged to produce a certain amount of work at stated intervals for Father Payne's inspection. As long as they did this, they were allowed to work very much as they liked, and Father Payne was always ready to give criticism and advice. Father Payne reserved the right of dismissing them if they were idle, quarrelsome, or troublesome in any way, and exercised it decisively. But Barthrop had told him that it was a most delightful life; that Father Payne was a very interesting, good-natured, and amusing man; and that the whole thing was both pleasant and stimulating. There were certain rules about work and hours, and members of the circle were not allowed to absent themselves without leave, while Father Payne sometimes sent them off for a time, if he thought they required a change. "I gather," said Vincent, "that he is an absolute autocrat, and that you have to do what he tells you; but that he doesn't preach, and he doesn't fuss. Barthrop says he has never been so happy in his life." He went on to say that there were at least two vacancies in the circle--one of the number had lately married, and another had accepted a journalistic post. "Now what do you say," said Vincent, "to us two trying to go there for a bit? You can try it, I believe, without pledging yourself, for two or three months; and then if Father Payne approves, and you want to go on, you can regularly join."

I confess that it seemed to me a very attractive affair, and all that Vincent told me of the place, and particularly of Father Payne, attracted me. Vincent said that he had mentioned me to Barthrop, and that Barthrop had said that I might have a chance of getting in. It appeared that we should have to go down to the place to be interviewed.

We made up our minds to apply, and that night Vincent wrote to Barthrop. The answer was favourable. Two days later Vincent received a note from Father Payne, written in a big, finely-formed hand, to the effect that he would be glad to see Vincent any night that he could come down, and that I might also arrange an interview, if I wished, but that we were to come separately. "Mind," said the letter, "I can make no promises and can give no reasons; but I will not keep either of you waiting."

Vincent went first. He spent a night at Aveley Hall, as the place was called. I continued my visit to his people, and awaited his return with great interest.

He told me what had happened. He had been met at the station by an odd little trap, had driven up to the house--a biggish place, close to a small church, on the outskirts of a tiny village. It was dark when he arrived, and he had found Father Payne at tea with four or five men, in a flagged hall. There had been a good deal of talk and laughter. "He is a big man, Father Payne, with a beard, dressed rather badly, like a country squire, very good-natured and talkative. Everyone seemed to say pretty much what they liked, but he kept them in order, too, I could see that!" Then he had been carried off to a little study and questioned. "He simply turned me inside out," said Vincent, "and I told him all my biography, and everything I had ever done and thought of. He didn't seem to look at me much, but I felt he was overhauling me somehow. Then I went and read in a sort of library, and then we had dinner--just the same business. Then the men mostly disappeared, and Barthrop carried me off for a talk, and told me a lot about everything. Then I went to my room, a big, ugly, comfortable bedroom; and in the morning there was breakfast, where people dropped in, read papers or letters, did not talk, and went off when they had done. Then I walked about in a nice, rather wild garden. There seemed a lot of fields and trees beyond, all belonging to the house, but no park, and only a small stable, with a kitchen-garden. There were very few servants that I saw--an old butler and some elderly maids--and then I came away. Father Payne just came out and shook hands, and said he would write to me. It seemed exactly the sort of thing I should like. I only hope we shall both get in."

It certainly sounded attractive, and it was with great curiosity that I went off on the following day, as appointed, for my own interview.

Father Payne uttered a short, loud laugh at this, and said: "Is there any chance of meeting your aunt?" "No, sir, she is long since dead!" "Blew off too much steam, perhaps," said Father Payne. "That woman must have had the steam up! I should have liked to have known her--a remarkable woman! Have you any more stories of the same sort about her?"

"Not to-day," said Rose, smiling.

"Quite right," said Father Payne. "You keep them for an acceptable time. Never tell strings of stories--and, by the way, my young friends, that's the art of writing. Don't cram in good things--space them out, Barthrop!"

"I think I can spread the butter as thin as anyone," said Barthrop, smiling.

"So you can, so you can!" said Father Payne enthusiastically, "and very thin slices too! I give you full credit for that!"

The men had begun to drift away, and I was presently left alone with Father Payne. "Now you come along of me!" he said to me; and when I got up, he took my arm in a pleasant fashion, led me to a big curtained archway at the far end of the hall, under the gallery, and along a flagged passage to the right. As we went he pointed to the doors--"Smoking-room--Library"--and at the end of the passage he opened a door, and led me into a small panelled room with a big window, closely curtained. It was a solid and stately place, wholly bare of ornament. It had a writing-table, a bookcase, two armchairs of leather, a fine fireplace with marble pillars, and an old painting let into the panelling above it. There was a bright, unshaded lamp on the table. "This is my room," he said, "and there's nothing in it that I don't use, except those pillars; and when I haul on them, like Samson, the house comes down. Now you sit down there, and we'll have a talk. Do you mind the light? No? Well, that's all right, as I want to have a good look at you, you know! You can get a smoke afterwards--this is business!"

He sate down in the chair opposite me, and stirred the fire. He had fine, large, solid hands, the softness of which, like silk, had struck me when I shook hands with him; and, though he was both elderly and bulky, he moved with a certain grace and alertness. "Tell me your tale from the beginning," he said, "Don't leave out any details--I like details. Let's have your life and death and Christian sufferings, as the tracts say."

He heard me with much patience, sometimes smiling, sometimes nodding, when I had finished, he said: "Now I must ask you a few questions--you don't mind if they are plain questions--rather unpleasant questions?" He bent his brows upon me and smiled. "No," I said, "not at all." "Well, then," he said, "where's the vocation in all this? This place, to be brief, is for men who have a real vocation for writing, and yet never would otherwise have the time or the leisure to train for it. You see, in England, people think that you needn't train for writing--that you have just got to begin, and there you are. Very few people have the money to wait a few years--they have to write, not what they want to write, but what other people want to read. And so it comes about that by the time that they have earned the money and the leisure, the spring is gone, the freshness is gone, there's no invention and no zest. Writing can't be done in a little corner of life. You have to give up your life to it--and then that means giving up your life to a great deal of what looks like pure laziness--loafing about, looking about, travelling, talking, mooning; that is the only way to learn proportion; and it is the only way, too, of learning what not to write about--a great many things that are written about are not really material for writing at all. And all this can't be done in a drivelling mood--you must pick your way if you are going to write. That's a long preface; but I mean this place to be a place to give men the right sort of start. I happen to be able to teach people, more or less, how to write, if they have got the stuff in them--and to be frank, I'm not sure that you have! You think this would be a pleasant sort of experience--so it can be; but it isn't done on slack and chattering lines. It is just meant to save people from hanging about at the start, a thing which spoils a lot of good writers. But it's deadly serious, and it isn't a dilettante life at all. Do you grasp all that?"

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