Public-domain ebook
The Italians: A Novel
by Frances Minto Dickinson Elliot
English401 downloads on Project GutenbergDownload EPUB
Public-domain ebook sourced from Project Gutenberg #12385.
Public-domain ebook
by Frances Minto Dickinson Elliot
English401 downloads on Project GutenbergDownload EPUB
Public-domain ebook sourced from Project Gutenberg #12385.
The opening · free to read
We are at Lucca. It is the 13th of September, 1870--the anniversary of the festival of the Volto Santo--a notable day, both in city, suburb, and province. Lucca dearly loves its festivals--no city more; and of all the festivals of the year that of the Volto Santo best. Now the Volto Santo (Anglicè, Holy Countenance) is a miraculous crucifix, which hangs, as may be seen, all by itself in a gorgeous chapel--more like a pagoda than a chapel, and more like a glorified bird-cage than either--built expressly for it among the stout Lombard pillars in the nave of the cathedral. The crucifix is of cedar-wood, very black, and very ugly, and it was carved by Nicodemus; of this fact no orthodox Catholic entertains a doubt. But on what authority I cannot tell, nor why, nor how, the Holy Countenance reached the snug little city of Lucca, except by flying through the air like the Loretto house, or springing out of the earth like the Madonna of Feltri. But here it is, and here it has been for many a long year; and here it will remain as a miraculous relic, bringing with it blessings and immunities innumerable to the grateful city.
What a glorious morning it is! The sun rose without a cloud. Now there is a golden haze hanging over the plain, and glints as of living flame on the flanks of the mountains. From all sides crowds are pressing toward Lucca. Before six o'clock every high-road is alive. Down from the highest mountain-top of Pizzorna, overlooking Florence and its vine-garlanded campagna, comes the hermit, brown-draped, in hood and mantle; staff in hand, he trudges along the dusty road. And down, too, from his native lair among the pigs and the poultry, comes the black-eyed, black-skinned, matted-haired urchin, who makes mud pies under the tufted ilex-trees at Ponte a Moriano, and swears at the hermit.
They come! they come! From mountain-sides bordering the broad road along the Serchio--mountains dotted with bright homesteads, each gleaming out of its own cypress-grove, olive-patch, canebrake, and vine-arbor, under which the children play--they come from solitary hovels, hung up, as it were, in mid-air, over gloomy ravines, scored and furrowed with red earth, down which dark torrents dash and spray.
They come! they come! these Tuscan peasants, a trifle too fond of holiday-keeping, like their betters--but what would you have? The land is fertile, and corn and wine and oil and rosy flowering almonds grow almost as of themselves. They come--tens and tens of miles away, from out the deep shadows of primeval chestnut-woods, clothing the flanks of rugged Apennines with emerald draperies. They come--through parting rocks, bordering nameless streams--cool, delicious waters, over which bend fig, peach, and plum, delicate ferns and unknown flowers. They come--from hamlets and little burghs, gathered beside lush pastures, where tiny rivulets trickle over fresh turf and fragrant herbs, lulling the ear with softest echoes.
They come--dark-eyed mothers and smiling daughters, decked with gold pins, flapping Leghorn hats, lace veils or snowy handkerchiefs gathered about their heads, coral beads, and golden crosses as big as shields, upon their necks--escorted by lover, husband, or father--a flower behind his ear, a slouch hat on his head, a jacket thrown over one arm, every man shouldering a red umbrella, although to doubt the weather to-day is absolute sacrilege!
Carts clatter by every moment, drawn by swift Maremma nags, gay with brass harness, tinkling bells, and tassels of crimson on reins and frontlet.
The carts are laden with peasants (nine, perhaps, ranged three abreast)--treason to the gallant animal that, tossing its little head, bravely struggles with the cruel load. A priest is stuck in bodkin among his flock--a priest who leers and jests between pinches of snuff, and who, save for his seedy black coat, knee-breeches, worsted stockings, shoe-buckles, clerical hat, and smoothly-shaven chin, is rougher than a peasant himself.
Riders on Elba ponies, with heavy cloaks (for the early morning, spite of its glories, is chill), spur by, adding to the dust raised by the carts.
Genteel flies and hired carriages with two horses, and hood and foot-board--pass, repass, and out-race each other. These flies and carriages are crammed with bailiffs from the neighboring villas, shopkeepers, farmers, and small proprietors. Donkeys, too, there are in plenty, carrying men bigger than themselves (under protest, be it observed, for here, as in all countries, your donkey, though marked for persecution, suffers neither willingly nor in silence). Begging friars, tanned like red Indians, glide by, hot and grimy (thank Heaven! not many now, for "New Italy" has sacked most of the convent rookeries and dispersed the rooks), with wallets on their shoulders, to carry back such plunder as can be secured, to far-off convents and lonely churches, folded up tightly in forest fastnesses.
All are hurrying onward with what haste they may, to reach the city of Lucca, while broad shadows from the tall mountains on either hand still fall athwart the roads, and cool morning air breathes up from the rushing Serchio.
The Serchio--a noble river, yet willful as a mountain-torrent--flows round the embattled walls of Lucca, and falls into the Mediterranean below Pisa. It is calm now, on this day of the great festival, sweeping serenely by rocky capes, and rounding into fragrant bays, where overarching boughs droop and feather. But there is a sullen look about its current, that tells how wicked it can be, this Serchio, lashed into madness by winter storms, and the overflowing of the water-gates above, among the high Apennines--at the Abbetone at San Marcello, or at windy, ice-bound Pracchia.
How fair are thy banks, O mountain-bordered Serchio! How verdant with near wood and neighboring forest! How gay with cottage groups--open-galleried and garlanded with bunches of golden maize and vine-branches--all laughing in the sun! The wine-shops, too, along the road, how tempting, with snowy table-cloths spread upon dressers under shady arbors of lemon--trees; pleasant odors from the fry cooking in the stove, mixing with the perfume of the waxy flowers! Dear to the nostrils of the passers-by are these odors. They snuff them up--onions, fat, and macaroni, with delight. They can scarcely resist stopping once for all here, instead of waiting for their journey's end to eat at Lucca.
But the butterflies--and they are many--are wiser in their generation. The butterflies have a festival of their own to-day. They do not wait for any city. They are fixed to no spot. They can hold their festival anywhere under the blue sky, in the broad sunshine.
See how they dance among the flowers! Be it spikes of wild-lavender, or yellow down within the Canterbury bell, or horn of purple cyclamens, or calyx of snowy myrtle, the soft bosom of tall lilies or glowing petals of red cloves--nothing comes amiss to the butterflies. They are citizens of the world, and can feast wherever fancy leads them.
Meanwhile, on comes the crowd, nearer and nearer to the city of their pilgrimage, laughing, singing, talking, smoking. Your Italian peasant must sleep or smoke, excepting when he plays at morra (one, two, three, and away!). Then he puts his pipe into his pocket. The women are conversing in deep voices, in the patois of the various villages. The men, more silent, search out who is fairest--to lead her on the way, to kneel beside her at the shrine, and, most prized of all, to conduct her home. Each village has its belle, each belle her circle of admirers. Belles and beaux all have their own particular plan of diversion for the day. For is it not a great day? And is it not stipulated in many of the marriage contracts among the mountain tribes that the husband must, under a money penalty, conduct his wife to the festival of the Holy Countenance once at least in four years? The programme is this: First, they enter the cathedral, kneel at the glistening shrine of the black crucifix, kiss its golden slipper, and hear mass. Then they will grasp such goods as the gods provide them, in street, café, eating-house, or day theatre; make purchases in the shops and booths, and stroll upon the ramparts. Later, when the sun sinks westward over the mountains, and the deep canopy of twilight falls, they will return by the way that they have come, until the coming year.
Within the city, from before daybreak, church-bells--and Lucca abounds in belfries fretted tier upon tier, with galleries of delicate marble colonnettes, all ablaze in the sunshine--have pealed out merrily.
Every church-door, draped with gold tissue and silken stuffs, more or less splendid, is thrown wide open. Every shop is closed, save cafés, hotels, and tobacco-shops (where, by command of the King of New Italy, infamous cigars are sold). Eating-tables are spread at the corners of the streets and under the trees in the piazza, benches are ranged everywhere where benches can stand. The streets are filling every moment as fresh multitudes press through the city gates--those grand old gates, where the marble lions of Lucca keep guard, looking toward the mountains.
For a carriage to pass anywhere in the streets would be impossible, so tightly are flapping Leghorn hats, and veils, snowy handkerchiefs, and red caps and brigand hats, packed together. Bells ring, and there are waftings of military music borne through the air. Trumpet-calls at the different barracks answer to each other. Cannons are fired. Each man, woman, and child shouts, screams, and laughs. All down the dark, cavernous streets, in the great piazza, at the sindaco's, at college, at club, public offices, and hotels, at the grand old palaces, untouched since the middle ages--the glory of the city--at every house, great and small--flutter gaudy draperies; crimson, amber, violet, and gold, according to purse and condition, either of richest brocade, or of Eastern stuffs wrought in gold and needle-work, or--the family carpet or bed-furniture hung out for show. Banners wave from every house-top and tower, the Italian tricolor and the Savoy cross, white, on a red ground; flowers and garlands are wreathed on the fronts of the stern old walls. If peasants, and shopkeepers, and monks, priests, beggars, and hoi polloi generally, possess the pavement, overhead every balcony, gallery, terrace, and casement, is filled with company, representatives of the historic families of Lucca, the Manfredi, Possenti, Navascoes, Bernardini, dal Portico, Bocella, Manzi, da Gia, Orsetti, Ruspoli--feudal names dear to native ears. The noble marquis, or his excellency the count, lord of broad acres on the plains, or principalities in the mountains, or of hoarded wealth at the National Bank--is he not Lucchese also to the backbone? And does he not delight in the festival as keenly as that half-naked beggar, who rattles his box for alms, with a broad grin on his dirty face?
Resplendent are the ladies in the balconies, dressed in their best--like bands of fluttering ribbon stretched across the sombre-fronted palaces; aristocratic daughters, and dainty consorts. They are not chary of their charms. They laugh, fan themselves, lean over sculptured balustrades, and eye the crowded streets, talking with lip and fan, eye and gesture.
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