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Thomas Carlyle’s “The French Revolution: A History” is a sweeping, essay‑like chronicle that begins with a vivid, almost theatrical monologue from President Hénault. The opening passage sets the tone by juxtaposing the pomp of royal titles, such as Louis XV “Bien‑aimé”, with the stark reality of a king’s illness and the indifferent bustle of Paris. Carlyle weaves together a litany of court figures, scandals, and the broader social currents that presage the collapse of the ancien régime, all while framing the narrative as a meditation on the mutable nature of power and the “sick‑room” of France itself.

The work bears Carlyle’s characteristic 19th‑century prose: dense, rhetorical, and richly allusive, with a voice that oscillates between historian, philosopher, and dramatist. Readers who relish a demanding, literary approach to history, those who appreciate long, ornate sentences and a moral‑philosophical lens on events, will find this book rewarding. It appeals especially to students of French history, admirers of Victorian historiography, and anyone drawn to a contemplative, almost poetic reconstruction of the revolutionary era.

Who appears in The French Revolution

  • President HénaultMiddle‑aged French magistrate, powdered wig, dark coat with gold embroidery, solemn expression
  • Louis XVElderly king, opulent powdered wig, velvet robe, jeweled scepter, regal bearing

The opening · free to read

So stands it written; in lasting memorial of that year 1744. Thirty other years have come and gone; and “this great Prince” again lies sick; but in how altered circumstances now! Churches resound not with excessive groanings; Paris is stoically calm: sobs interrupt no prayers, for indeed none are offered; except Priests’ Litanies, read or chanted at fixed money-rate per hour, which are not liable to interruption. The shepherd of the people has been carried home from Little Trianon, heavy of heart, and been put to bed in his own Château of Versailles: the flock knows it, and heeds it not. At most, in the immeasurable tide of French Speech (which ceases not day after day, and only ebbs towards the short hours of night), may this of the royal sickness emerge from time to time as an article of news. Bets are doubtless depending; nay, some people “express themselves loudly in the streets.”[2] But for the rest, on green field and steepled city, the May sun shines out, the May evening fades; and men ply their useful or useless business as if no Louis lay in danger.

Dame Dubarry, indeed, might pray, if she had a talent for it; Duke d’Aiguillon too, Maupeou and the Parlement Maupeou: these, as they sit in their high places, with France harnessed under their feet, know well on what basis they continue there. Look to it, D’Aiguillon; sharply as thou didst, from the Mill of St. Cast, on Quiberon and the invading English; thou, “covered if not with glory yet with meal!” Fortune was ever accounted inconstant: and each dog has but his day.

Forlorn enough languished Duke d’Aiguillon, some years ago; covered, as we said, with meal; nay with worse. For La Chalotais, the Breton Parlementeer, accused him not only of poltroonery and tyranny, but even of concussion (official plunder of money); which accusations it was easier to get “quashed” by backstairs Influences than to get answered: neither could the thoughts, or even the tongues, of men be tied. Thus, under disastrous eclipse, had this grand-nephew of the great Richelieu to glide about; unworshipped by the world; resolute Choiseul, the abrupt proud man, disdaining him, or even forgetting him. Little prospect but to glide into Gascony, to rebuild Châteaus there,[3] and die inglorious killing game! However, in the year 1770, a certain young soldier, Dumouriez by name, returning from Corsica, could see “with sorrow, at Compiègne, the old King of France, on foot, with doffed hat, in sight of his army, at the side of a magnificent phaeton, doing homage to the—Dubarry.”[4]

Much lay therein! Thereby, for one thing, could D’Aiguillon postpone the rebuilding of his Château, and rebuild his fortunes first. For stout Choiseul would discern in the Dubarry nothing but a wonderfully dizened Scarlet-woman; and go on his way as if she were not. Intolerable: the source of sighs, tears, of pettings and pouting; which would not end till “France” (La France, as she named her royal valet) finally mustered heart to see Choiseul; and with that “quivering in the chin (tremblement du menton)” natural in such case,[5] faltered out a dismissal: dismissal of his last substantial man, but pacification of his scarlet-woman. Thus D’Aiguillon rose again, and culminated. And with him there rose Maupeou, the banisher of Parlements; who plants you a refractory President “at Croe in Combrailles on the top of steep rocks, inaccessible except by litters,” there to consider himself. Likewise there rose Abbé Terray, dissolute Financier, paying eightpence in the shilling,—so that wits exclaim in some press at the playhouse, ‘Where is Abbé Terray, that he might reduce us to two-thirds!’ And so have these individuals (verily by black-art) built them a Domdaniel, or enchanted Dubarrydom; call it an Armida-Palace, where they dwell pleasantly; Chancellor Maupeou “playing blind-man’s-buff” with the scarlet Enchantress; or gallantly presenting her with dwarf Negroes;—and a Most Christian King has unspeakable peace within doors, whatever he may have without. “My Chancellor is a scoundrel; but I cannot do without him.”[6]

Beautiful Armida-Palace, where the inmates live enchanted lives; lapped in soft music of adulation; waited on by the splendours of the world;—which nevertheless hangs wondrously as by a single hair. Should the Most Christian King die; or even get seriously afraid of dying! For, alas, had not the fair haughty Châteauroux to fly, with wet cheeks and flaming heart, from that Fever-scene at Metz; driven forth by sour shavelings? She hardly returned, when fever and shavelings were both swept into the background. Pompadour too, when Damiens wounded Royalty “slightly, under the fifth rib,” and our drive to Trianon went off futile, in shrieks and madly shaken torches,—had to pack, and be in readiness: yet did not go, the wound not proving poisoned. For his Majesty has religious faith; believes, at least in a Devil. And now a third peril; and who knows what may be in it! For the Doctors look grave; ask privily, If his Majesty had not the small-pox long ago?—and doubt it may have been a false kind. Yes, Maupeou, pucker those sinister brows of thine, and peer out on it with thy malign rat-eyes: it is a questionable case. Sure only that man is mortal; that with the life of one mortal snaps irrevocably the wonderfulest talisman, and all Dubarrydom rushes off, with tumult, into infinite Space; and ye, as subterranean Apparitions are wont, vanish utterly,—leaving only a smell of sulphur!

These, and what holds of these may pray,—to Beelzebub, or whoever will hear them. But from the rest of France there comes, as was said, no prayer; or one of an opposite character, “expressed openly in the streets.” Château or Hôtel, were an enlightened Philosophism scrutinises many things, is not given to prayer: neither are Rossbach victories, Terray Finances, nor, say only “sixty thousand _Lettres de Cachet_” (which is Maupeou’s share), persuasives towards that. O Hénault! Prayers? From a France smitten (by black-art) with plague after plague, and lying now in shame and pain, with a Harlot’s foot on its neck, what prayer can come? Those lank scarecrows, that prowl hunger-stricken through all highways and byways of French Existence, will they pray? The dull millions that, in the workshop or furrowfield, grind fore-done at the wheel of Labour, like haltered gin-horses, if blind so much the quieter? Or they that in the Bicêtre Hospital, “eight to a bed,” lie waiting their manumission? Dim are those heads of theirs, dull stagnant those hearts: to them the great Sovereign is known mainly as the great Regrater of Bread. If they hear of his sickness, they will answer with a dull Tant pis pour lui; or with the question, Will he die?

Yes, will he die? that is now, for all France, the grand question, and hope; whereby alone the King’s sickness has still some interest.

Chapter 1.1.II. Realised Ideals.

Such a changed France have we; and a changed Louis. Changed, truly; and further than thou yet seest!—To the eye of History many things, in that sick-room of Louis, are now visible, which to the Courtiers there present were invisible. For indeed it is well said, “in every object there is inexhaustible meaning; the eye sees in it what the eye brings means of seeing.” To Newton and to Newton’s Dog Diamond, what a different pair of Universes; while the painting on the optical retina of both was, most likely, the same! Let the Reader here, in this sick-room of Louis, endeavour to look with the mind too.

Time was when men could (so to speak) of a given man, by nourishing and decorating him with fit appliances, to the due pitch, make themselves a King, almost as the Bees do; and what was still more to the purpose, loyally obey him when made. The man so nourished and decorated, thenceforth named royal, does verily bear rule; and is said, and even thought, to be, for example, “prosecuting conquests in Flanders,” when he lets himself like luggage be carried thither: and no light luggage; covering miles of road. For he has his unblushing Châteauroux, with her band-boxes and rouge-pots, at his side; so that, at every new station, a wooden gallery must be run up between their lodgings. He has not only his Maison-Bouche, and Valetaille without end, but his very Troop of Players, with their pasteboard coulisses, thunder-barrels, their kettles, fiddles, stage-wardrobes, portable larders (and chaffering and quarrelling enough); all mounted in wagons, tumbrils, second-hand chaises,—sufficient not to conquer Flanders, but the patience of the world. With such a flood of loud jingling appurtenances does he lumber along, prosecuting his conquests in Flanders; wonderful to behold. So nevertheless it was and had been: to some solitary thinker it might seem strange; but even to him inevitable, not unnatural.

For ours is a most fictile world; and man is the most fingent plastic of creatures. A world not fixable; not fathomable! An unfathomable Somewhat, which is Not we; which we can work with, and live amidst,—and model, miraculously in our miraculous Being, and name World.—But if the very Rocks and Rivers (as Metaphysic teaches) are, in strict language, made by those outward Senses of ours, how much more, by the Inward Sense, are all Phenomena of the spiritual kind: Dignities, Authorities, Holies, Unholies! Which inward sense, moreover is not permanent like the outward ones, but forever growing and changing. Does not the Black African take of Sticks and Old Clothes (say, exported Monmouth-Street cast-clothes) what will suffice, and of these, cunningly combining them, fabricate for himself an Eidolon (Idol, or Thing Seen), and name it Mumbo-Jumbo; which he can thenceforth pray to, with upturned awestruck eye, not without hope? The white European mocks; but ought rather to consider; and see whether he, at home, could not do the like a little more wisely.

So it was, we say, in those conquests of Flanders, thirty years ago: but so it no longer is. Alas, much more lies sick than poor Louis: not the French King only, but the French Kingship; this too, after long rough tear and wear, is breaking down. The world is all so changed; so much that seemed vigorous has sunk decrepit, so much that was not is beginning to be!—Borne over the Atlantic, to the closing ear of Louis, King by the Grace of God, what sounds are these; muffled ominous, new in our centuries? Boston Harbour is black with unexpected Tea: behold a Pennsylvanian Congress gather; and ere long, on Bunker Hill, DEMOCRACY announcing, in rifle-volleys death-winged, under her Star Banner, to the tune of Yankee-doodle-doo, that she is born, and, whirlwind-like, will envelope the whole world!

Sovereigns die and Sovereignties: how all dies, and is for a Time only; is a “Time-phantasm, yet reckons itself real!” The Merovingian Kings, slowly wending on their bullock-carts through the streets of Paris, with their long hair flowing, have all wended slowly on,—into Eternity. Charlemagne sleeps at Salzburg, with truncheon grounded; only Fable expecting that he will awaken. Charles the Hammer, Pepin Bow-legged, where now is their eye of menace, their voice of command? Rollo and his shaggy Northmen cover not the Seine with ships; but have sailed off on a longer voyage. The hair of Towhead (Tête d’étoupes) now needs no combing; Iron-cutter (Taillefer) cannot cut a cobweb; shrill Fredegonda, shrill Brunhilda have had out their hot life-scold, and lie silent, their hot life-frenzy cooled. Neither from that black Tower de Nesle descends now darkling the doomed gallant, in his sack, to the Seine waters; plunging into Night: for Dame de Nesle now cares not for this world’s gallantry, heeds not this world’s scandal; Dame de Nesle is herself gone into Night. They are all gone; sunk,—down, down, with the tumult they made; and the rolling and the trampling of ever new generations passes over them, and they hear it not any more forever.

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