The Belfry

Of course this story can't be published as it stands just yet. Not--if I'm to be decent--for another generation, because, thank Heaven, they're still alive. (They've had me there, as they've always had me everywhere.) How they managed it I can't think. I don't mean merely at the end, though that was stupendous, but how they ever managed it. It seems to me they must have taken all the risks, always.

I suppose if you asked him he'd say, "That's how." It was certainly the way they managed the business of living. Perhaps it's why they managed it on the whole so well. I remember how when I was shilly-shallying about that last job of mine he said, "Take it. Take it. If you can risk living at all, my dear fellow, you can risk that."

And he added, "If I'd only your luck!"

Well, that's exactly what he did have. He had my luck, I mean the luck I ought to have had, all the time, from the beginning to the very end. But there is one thing he can't take from me, and that is the telling of this story. He can hold it up as long as he lives--as long as she lives--as he has held up pretty nearly everything where I was concerned. But he can't take it from me. He doesn't "want" it. Even he with his infernal talent couldn't do anything with it. Unscrupulous as he was, and I assure you he'd stick at nothing (he'd "take" his mother's last agony if he "wanted" it badly enough), indecent as he was, he'd stick at that.

I don't mean he couldn't take his wife, part of her, anyhow, at a pinch. And I don't mean he couldn't take himself, his own emotions, his own eccentricities, if he happened to want them, and his own meannesses, if nobody else's, so to speak, would do. But he couldn't and wouldn't take his own big things, particularly not that last thing.

When I say that I can't publish this story yet as it stands, I'm not forgetting that I have published the end of it already. But only in the way of business; to publish that sort of thing was what I went out for; it was all part of my Special Correspondent's job.

And when you think that it was just touch and go--Why, if I hadn't bucked up and taken that job when he told me to I might have missed him. No amount of hearing about him would have been the same thing. I had to see him.

What I wrote then doesn't count. I had to tell what I saw just after I had seen it. I had to take it as I saw it, a fragment snapped off from the rest of him, and dated October 11th, 1914, as if it didn't belong to him; as if he were only another splendid instance. And of course I had to leave her out.

Told like that, it didn't amount to much.

This is the real telling.

I must get away from the end, right back to the beginning.

I suppose, to be accurate, the very beginning was the day I first met him in nineteen-six--no, nineteen-five it must have been. It was at Blackheath Football Ground, the last match of the season, when Woolwich Arsenal played East Kent and beat them by two goals and a try. He was there as a representative of the Press, "doing" the match for some sporting paper.

He held me up at the barrier (yes, he held me up in the first moment of our acquaintance) while he fumbled for his pass. He had given the word "Press" with an exaggerated aplomb that showed he was young to his job, and the gate-keeper challenged him. It was, in fact, the exquisite self-consciousness of the little man that made me look at him. And he caught me looking at him; he blushed, caught himself blushing and smiled to himself with the most delicious appreciation of his own absurdity. And as he stood there fumbling, and holding me up while he argued with the gate-keeper, who didn't know him, I got his engaging twinkle. It was as if he looked at me and said, "See me swank just then? Funny, wasn't it?"

He hung about on the edge of the crowd for a while with his hands in his pockets, sucking his little blond moustache and looking dreamy and rather incompetent. I was a full-blown journalist even then, and I remember feeling a sort of pity for his youth. He was so obviously on his maiden trip, and obviously, I fancied, doomed never to arrive in any port.

Well--well; I came upon him afterwards at a crisis in the game. He was taking notes in shorthand with a sort of savagery between his tense and concentrated glares at the scrimmage that was then massed in the centre of the field. Woolwich Arsenal and East Kent, locked in each other's bodies, now struggled and writhed and butted like two immense beasts welded together by the impact of their battle, now swayed and quivered and snorted as one beast torn by a solitary and mysterious rage.

Self-consciousness had vanished from my man. He stood, leaning forward with his legs a little apart. His boyish face was deeply flushed; he had sucked and bitten his blond moustache into a wisp; he was breathing heavily, with his mouth ajar; his very large and conspicuous blue eyes glittered with a sort of passion. (He wore those eyes in his odd little ugly face like some inappropriate decoration.)

All these symptoms declared that he was "on." They made up a look that I was soon to know him by.

I remember marvelling at his excitement.

I remember also discussing the match with him as we went back to town. It must have been then that he began to tell me about himself: that his name was James Tasker Jevons; that he lived, or hoped to live, by going about the country and reporting the big cricket and football matches.

At least he called it reporting. I shouldn't think there has ever been any reporting like it before or since.

I told him I was out for my paper, the Morning Standard, too. Not exactly reporting, in his sense (I little knew what his sense was when I put it that way); and there left it. You see, I didn't want to rub it into the poor chap that the stranger he had been unfolding himself to so quaintly was a cut above his job.

But he saw through it. I don't know how he managed to convey to me that my delicacy needn't suffer. Anyhow, he must have had some scruples of his own, since he waited for another context before remarking quietly that what I was doing now he would be doing in another six months. (And he was.) These things, he said, took time, and he gave himself six months. (Yes; in less than six months he was holding me up, again, in my own paper. I had to wait till he was "out" before I could get in.) He didn't seem to boast so much as to trace for my benefit the path of some natural force, some upward-tending, indestructible Energy that happened to be him.

All this I remember. But I cannot remember by what stages we arrived at dining together, as we did that night in a little restaurant in Soho. Perhaps there were no stages; we may have simply leaped by one bound at that consummation. He had swung himself into my compartment as the train was leaving the platform at Blackheath; so I suppose it was destiny. After that I was tempted to conceive that he fastened on me as on something that he had need of; but I think it was rather that I fell to his mysterious attraction.

While we dined he informed me further that he had been reporting football matches for six weeks. Before that he had been proof-reader for a firm of printers for about a year. Before that he had been a compositor. And before that again he had worked in an office with his father, who was Registrar of Births, Marriages and Deaths for some parish down in Hertfordshire. He chucked that because he found that the registration of births, marriages and deaths was spoiling his handwriting quite as much as his handwriting was spoiling the registration of births, marriages and deaths. (He was, he said, cultivating a careless, scholarly hand.) He liked his present job, because it took him out pretty often into the open air. Also he liked looking on at football matches and prize fights.

He said it made him feel manly.

You should have seen him sitting there and telling me these things in a gentle, throaty and rather thick voice with a cockney accent and a sort of tenor ring in it and a queer, humorous intonation that was like an audible twinkle, as if he saw himself as he thought I must see him, mainly in the light of absurdity. You should have seen his face, its thin cheeks, its vivid flush, its queer, inquisitive, contradictory nose that had a slender, high bridge and a tilted, pointed end in profile and three-quarters, and turned suddenly all broad and blunt in a full view; and his mouth that stood ajar with excitement, and even in moments of quiescence failed to hide the tips of two rather prominent white teeth pressed down on the lower lip. I don't say there was anything unmanly about Jevons's figure (he wasn't noticeably undersized), or about his mouth and jaw. I knew a great General with a mouth and jaw like that, and he was one of the handsomest figures in the Service. I'm not hinting at anything like effeminacy in Jevons, only at a certain oddity that really saved him. If he'd been handsome he'd have been dreadful. His flush, his decorative eyes, his dark eyebrows and eyelashes, his sleek, light brown hair, would have made him vulgar. As it was, his queerness gave them a sort of point.

I dwell on these physical details because, afterwards, I found myself continually looking at him as if to see where his charm lay. To see, I suppose, what she saw in him.

If anybody had asked me that night what I saw in him myself beyond an ordinary little journalist "on the make," I don't suppose I could have told them. But there's no doubt that I felt his charm, or that night would have been the end instead of the beginning.

We sat in the restaurant when he had done telling me about himself; I remember we sat quite a long time discussing an English writer--our contemporary--whom I rather considered I had discovered. In those days I used to apply him as an infallible test. Jevons had read every word of him; it was he, in fact, who brought him into the conversation. He confessed afterwards that he had done it on purpose. He had been testing me.

Even so our acquaintance might have lapsed but for the thing that happened when the waiter came up with the bill. My share of it was three and twopence, and I found myself with only ninepence in my pocket. I had to borrow half a crown, from Jevons. You mayn't see anything very dreadful in that. I didn't at the time, and there wasn't. The dreadful thing was that I forgot to pay him back.

Yes. Something happened that put Jevons and his half-crown out of my head for long enough. I forgot to pay him, and he had to go without his dinner for three nights in consequence. It was his last half-crown.

He told me this as an immense joke, long afterwards.

And Viola Thesiger cried.

That crying of hers, that child-like softening and breaking down under him, in itself so unexpected (I didn't know she could do it), that sudden and innocent catastrophe, was the first sign to me that I was done for--wiped out. There wasn't any violence or any hysteria about it, only grief, only pity. It was an entirely simple, gentle and beautiful performance, and it took place in my rooms after Jevons had left us. But, as I say, this was long afterwards. The agony of my undoing was a horribly protracted affair.