
Public-domain ebook
Antony and Cleopatra
Language: en2,343 downloads on Project Gutenberg
Subjects
In: Historical Novels·Plays/Films/Dramas·Classics of Literature
Public-domain ebook sourced from Project Gutenberg #1534.

Public-domain ebook
Language: en2,343 downloads on Project Gutenberg
Subjects
In: Historical Novels·Plays/Films/Dramas·Classics of Literature
Public-domain ebook sourced from Project Gutenberg #1534.
William Shakespeare’s Antony and Cleopatra is a dramatic tragedy that intertwines the political machinations of Rome with the sensual allure of Egypt. The play opens with a chorus‑like figure, Philo, lamenting the “dotage” of a great general whose once‑glorious eyes now turn toward “a tawny front.” The scene swiftly introduces the titular lovers, their retinue, and a chorus of messengers bearing news from Rome, setting up a clash of personal desire and imperial duty. The early dialogue pits Antony’s martial reputation against Cleopatra’s seductive power, while the bustling palace of Alexandria teems with soothsayers, courtiers, and the constant hum of political intrigue.
Shakespeare’s language is rich, poetic, and densely allusive, reflecting the Elizabethan stage’s love for grand rhetoric and complex character study. The verse blends lofty metaphors with earthy banter, creating a voice that is both regal and intimate. Readers who relish intricate political drama, lyrical speech, and the timeless tension between love and ambition will find this work compelling.
The opening · free to read
SCENE I. Alexandria. A Room in Cleopatra’s palace.
Enter Demetrius and Philo.
PHILO. Nay, but this dotage of our general’s O’erflows the measure. Those his goodly eyes, That o’er the files and musters of the war Have glowed like plated Mars, now bend, now turn The office and devotion of their view Upon a tawny front. His captain’s heart, Which in the scuffles of great fights hath burst The buckles on his breast, reneges all temper And is become the bellows and the fan To cool a gipsy’s lust.
Flourish. Enter Antony and Cleopatra, her Ladies, the Train, with Eunuchs fanning her.
Look where they come: Take but good note, and you shall see in him The triple pillar of the world transform’d Into a strumpet’s fool. Behold and see.
CLEOPATRA. If it be love indeed, tell me how much.
ANTONY. There’s beggary in the love that can be reckoned.
CLEOPATRA. I’ll set a bourn how far to be beloved.
ANTONY. Then must thou needs find out new heaven, new earth.
Enter a Messenger.
MESSENGER. News, my good lord, from Rome.
ANTONY. Grates me, the sum.
CLEOPATRA. Nay, hear them, Antony. Fulvia perchance is angry; or who knows If the scarce-bearded Caesar have not sent His powerful mandate to you: “Do this or this; Take in that kingdom and enfranchise that. Perform’t, or else we damn thee.”
ANTONY. How, my love?
CLEOPATRA. Perchance! Nay, and most like. You must not stay here longer; your dismission Is come from Caesar; therefore hear it, Antony. Where’s Fulvia’s process?—Caesar’s I would say? Both? Call in the messengers. As I am Egypt’s queen, Thou blushest, Antony, and that blood of thine Is Caesar’s homager; else so thy cheek pays shame When shrill-tongued Fulvia scolds. The messengers!
ANTONY. Let Rome in Tiber melt, and the wide arch Of the ranged empire fall! Here is my space. Kingdoms are clay. Our dungy earth alike Feeds beast as man. The nobleness of life Is to do thus [_Embracing_]; when such a mutual pair And such a twain can do’t, in which I bind, On pain of punishment, the world to weet We stand up peerless.
CLEOPATRA. Excellent falsehood! Why did he marry Fulvia, and not love her? I’ll seem the fool I am not. Antony Will be himself.
ANTONY. But stirred by Cleopatra. Now, for the love of Love and her soft hours, Let’s not confound the time with conference harsh. There’s not a minute of our lives should stretch Without some pleasure now. What sport tonight?
CLEOPATRA. Hear the ambassadors.
ANTONY. Fie, wrangling queen! Whom everything becomes—to chide, to laugh, To weep; whose every passion fully strives To make itself, in thee fair and admired! No messenger but thine, and all alone Tonight we’ll wander through the streets and note The qualities of people. Come, my queen, Last night you did desire it. Speak not to us.
[_Exeunt Antony and Cleopatra with the Train._]
DEMETRIUS. Is Caesar with Antonius prized so slight?
PHILO. Sir, sometimes when he is not Antony, He comes too short of that great property Which still should go with Antony.
DEMETRIUS. I am full sorry That he approves the common liar who Thus speaks of him at Rome, but I will hope Of better deeds tomorrow. Rest you happy!
CHARMIAN. Lord Alexas, sweet Alexas, most anything Alexas, almost most absolute Alexas, where’s the soothsayer that you praised so to th’ queen? O, that I knew this husband which you say must charge his horns with garlands!
ALEXAS. Soothsayer!
SOOTHSAYER. Your will?
CHARMIAN. Is this the man? Is’t you, sir, that know things?
SOOTHSAYER. In nature’s infinite book of secrecy A little I can read.
ALEXAS. Show him your hand.
ENOBARBUS. Bring in the banquet quickly; wine enough Cleopatra’s health to drink.
CHARMIAN. Good, sir, give me good fortune.
SOOTHSAYER. I make not, but foresee.
CHARMIAN. Pray, then, foresee me one.
SOOTHSAYER. You shall be yet far fairer than you are.
CHARMIAN. He means in flesh.
IRAS. No, you shall paint when you are old.
CHARMIAN. Wrinkles forbid!
ALEXAS. Vex not his prescience. Be attentive.
CHARMIAN. Hush!
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