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Mrs. Warren's Daughter: A Story of the Woman's Movement

Name: Mrs. Warren's Daughter: A Story of the Woman's Movement
Author: Harry Johnston

by Harry Johnston

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Language: en1,298 downloads on Project Gutenberg

Subjects

Feminism -- Fiction Mothers and daughters -- Fiction Women's rights -- Fiction

In: Novels·British Literature·Gender & Sexuality Studies

Public-domain ebook sourced from Project Gutenberg #15380.

About this book

Harry Johnston’s work is a sequel that picks up the lives of the characters introduced in George Bernard Shaw’s 1897 play Mrs. Warren’s Daughter. Framed as a continuation set from 1900 onward, the novel opens in a sun‑lit office on Chancery Lane, where Vivie Warren, now a confident twenty‑five‑year‑old, reads a desperate marriage proposal from a wounded officer in South Africa. The opening scene establishes the domestic and professional world of the Warren sisters, their interactions with colleagues such as Honoria Fraser, and the early 20th‑century backdrop of the Boer War, hinting at the feminist and social‑political concerns that will drive the narrative. The story promises to follow Vivie’s struggle between personal ambition, familial expectations, and the emerging women’s‑rights movement, while also tracing the lives of her friends and acquaintances through a series of episodic chapters.

The prose reflects the Edwardian sensibility of a turn‑of‑the‑century novel, with detailed description, formal dialogue, and a narrator who frequently comments on literary precedent. Johnston’s style is earnest and occasionally digressive, echoing the theatrical origins of the source material while maintaining a novelistic pace. Readers who enjoy historical fiction that explores early feminist ideas, as well as those familiar with Shaw’s original play, will find the book’s blend of social commentary and character study engaging. It also appeals to lovers of period pieces that combine domestic settings with the larger political currents of the 1900s.

Characters in Mrs. Warren's Daughter

Vivie WarrenElegant Edwardian woman, mid‑twenties, dark hair in a neat updo, wearing a tailored blouse and high‑waisted skirt, sensible shoes, poised expression
Honoria FraserRefined lady of early thirties, light‑colored hair brushed back, feathered hat with ribbon, lace‑trimmed dress, pearl necklace, gentle smile

The opening · free to read

(Plays Pleasant and Unpleasant: 1. Unpleasant. Constable and Co., 6th Edition.)

I have his permission to continue the story from 1898 onwards. To understand my sequel it is not necessary to have read the play which so brilliantly placed the Warren problem before us. But as most persons of average good education have found Mr. Shaw's comedies necessary to their mental furnishing, their understanding of contemporary life, it is probable that all who would be drawn to this book are already acquainted with the story of Mrs. Warren, and will be interested in learning what happened after that story was laid down by Mr. Shaw in 1897. I would in addition placate hostile or peevish reviewers by reminding them of the continuity of human histories; of biographies, real--though a little disguised by the sauce of fiction--and unreal--because entitled Life and Letters, by His Widow. The best novel or life-story ever written does not commence with its opening page. The real commencement goes back to the Stone ages or at any rate to the antecedent circumstances which led up to the crisis or the formation of the characters portrayed. Mr. Pickwick had a father, a grandfather; a mother in a mob-cap; in the eighteenth century. It is permissible to speculate on their stories and dispositions. Neither does a novel or a biography end with the final page of its convenient instalment.

When you lay down the book which describes the pathetic failure of Lord Randolph Churchill, you do so with curiosity as to what will become of Winston. With a pre-knowledge of the Pickwick Club, one may usefully employ the imagination in tracing out the possible careers of Sam Weller's chubby little boys; grown into old men, and themselves, perchance, leaving progeny that may have married into the peerage from the Turf, or have entered the War Cabinet at the beckoning of Mr. Lloyd George.

I know of descendants of Madame de Brinvilliers in England who have helped to found the Y.W.C.A.; and collateral offshoots from the Charlotte Corday stock who are sternly opposed to the assassination of statesmen-journalists.

So, I have taken on myself the continuation of the story outlined twenty-three years ago by Mr. Shaw in its late Victorian stage. He had a prior claim to do so; just as he might have shown us the life--but not the letters, for she was illiterate--of Catherine Warren's mother, the frier of fish and letter of lodgings on Tower Hill in the 'forties and 'fifties of the last century; and of the young Lieutenant Warren of the Tower garrison who lodged and cohabited with her at intervals between 1850 and 1854, when he went out to the Crimea and there died of frost-bite and neglected wounds. Mr. Shaw has waived such claims, having, as Vivie's grandmother would have said, "other fish to fry." But for this I should not have ventured to take up the tale, as I hold an author while he lives has a prescriptive right to his creations. I shall feel no bitterness in Nirvana if, after my death, another continues the story of Vivie or of her friends and collateral relations, under circumstances which I shall not live to see.

In justice to Mr. Shaw I should state that the present book is entirely my own, and that though he has not renounced a polite interest in Vivie he is in no way responsible for her career and behaviour. He may even be annoyed at both.

H. H. JOHNSTON.

Vivie and Norie

The date when this story begins is a Saturday afternoon in June, 1900, about 3 p.m. The scene is the western room of a suite of offices on the fifth floor of a house in Chancery Lane, the offices of Fraser and Warren, Consultant Actuaries and Accountants. There is a long window facing west, the central part of which is open, affording a passage out on to a parapet. Through this window, and still better from the parapet outside, may be seen the picturesque spires and turrets of the Law Courts, a glimpse here and there of the mellow, red-brick, white-windowed houses of New Square, the tree-tops of Lincoln's Inn Fields, and the hint beyond a steepled and chimneyed horizon of the wooded heights of Highgate. All this outlook is flooded with the brilliant sunshine of June, scarcely dimmed by the city smoke and fumes.

In the room itself there are on each of the tables vases of flowers and a bunch of dark red roses on the top of the many pigeon-holed bureau at which Vivien Warren is seated. The walls are mainly covered with book-shelves well filled with consultative works on many diverse subjects. There is another series of shelves crowded with neat, green, tin boxes containing the papers of clients. A dark green-and-purple portiere partly conceals the entry into a washing place which is further fitted with a gas stove for cooking and cupboards for crockery and provisions. At the opposite end of the room is a door which opens into a small bedroom. The fireplace in the main room is fitted with the best and least smelly kind of gas stove obtainable in 1900.

There are two square tables covered with piles of documents neatly tied with green tape and ranged round the central vase of flowers; a heavy, squat earthenware vase not easily knocked over; and there is a second bureau with pigeon-holes and a roll top, similar to the one at which Vivien Warren is seated. This is for the senior partner, Honoria Fraser. Between the bureaus there is plenty of space for access to the long west window and consequently to the parapet which can be used like a balcony. Two small arm-chairs in green leather on either side of the fireplace, two office chairs at the tables and a revolving chair at each bureau complete the furniture of the partners' room of Fraser and Warren as you would have seen it twenty years ago.

The rest of their offices consisted of a landing from which a lift and a staircase descended, a waiting-room for clients, pleasantly furnished, a room in which two female clerks worked, and off this a small room tenanted by an office boy. You may also add in imagination an excellent lavatory for the clerks, two telephones (one in the partners' room), hidden safes, wall-maps; and you must visualize everything as pleasing in colour--green, white, and purple--flooded with light; clean, tidy, and admirably adapted for business in the City.

Vivien Warren, as already mentioned, was, as the curtain goes up, seated at her bureau, reading a letter. The letter was headed "Camp Hospital, Colesberg, Cape Colony, May 2, 1900"; and ran thus:--

Dearest Vivie,--

Here I am still, but my leg is mending fast. The enteric was the worse trouble. That is over and done with, though I am the colour of a pig-skin saddle. My leg won't let me frisk just yet, but otherwise I feel as strong as a horse.

When I was bowled over three months ago and the enteric got hold of me, on top of the bullet through my thigh, I lost my self-control and asked the people here to cable to you to come and nurse me. It was silly perhaps--the nursing here is quite efficient--and if any one was to have come out on my account it ought to have been the poor old mater, who wanted to very much. But somehow I could only think of you. I wanted you more than I'd ever done before. I hoped somehow your heart might be touched and you might come out and nurse me, and then out of pity marry me. Won't you do so? Owing to my stiff leg I dare say I shall be invalided out of the Army and get a small wound pension. And I've a project which will make lots of money--up in Rhodesia--a tip I've had from a man in the know. I'm going to take up some land near Salisbury. Ripping country and climate and all that. It would suit you down to the ground. You could put all that Warren business behind you, forget it all, drop the name, start a new career as Mrs. Frank Gardner, and find an eternally devoted husband in the man that signs this letter.

I've been out here long enough to be up to all the ropes, and I'd already made a bit of money in Rhodesia before the war broke out and I got a commission. At any rate I've enough to start on as a married man, enough to give you a decent outfit and your passage out here and have a honeymoon before we start work on our future home. Darling Vivie! Do think about it. You'd never regret it. I'm a very different Frank to the silly ass you knew in the old Haslemere days. Now here's a five pound note to cover the cost of a full cable to say "yes," and when you'll be ready to start. When I get your answer--somehow I feel it'll be "yes"--I'll send you a draft on a London bank to pay for a suitable trousseau and your passage from London to Cape Town, and of course I'll come and meet you there, where we can be married. I shan't sleep properly till I get your "yes."

Your ever loving and always faithful FRANK.

P.S. There's a poor fellow here in the same ward dying--I should say--of necrosis of the jaw--Vavasour Williams is his name or a part of his name. His father was at Cambridge with my old man, and--isn't it rum?--he was a pupil of Praddy's!! He mucked his school and 'varsity career, thought next he'd like to be an architect or a scene painter. My dad recommended Praddy as a master. He worked in the Praed studio, but got the chuck over some foolery. Then as he couldn't face his poor old Governor, he enlisted in the Bechuanaland Border police, came out to South Africa and got let in for this show. The doctors and nurses give him about a month and he doesn't know it. He can't talk much owing to his jaw being tied up--usually he writes me messages, all about going home and being a good boy, turning over a new leaf, and so on. I suppose the last person you ever see nowadays is the Revd. Sam Gardner? You know they howked him out of Woodcote? He got "preferment" as he calls it, and a cure of souls at Margate. Rather rough on the dear old mater--bless her, _always_--She so liked the Hindhead country. But if you run up against Praddy you might let him know and he might get into touch with Vavasour Williams's people--twig?--F.G.

Vivie rose to her feet half-way through this letter and finished it standing by the window.

She was tall--say, five feet eight; about twenty-five years of age; with a well-developed, athletic figure, set off by a smart, tailor-made gown of grey cloth. Yet although she might be called a handsome woman she would easily have passed for a good-looking young man of twenty, had she been wearing male costume.

Her brown-gold hair was disposed of with the least ostentation possible and with no fluffiness. Her eyebrows were too well furnished for femininity and nearly met when she frowned--a too frequent practice, as was the belligerent look from her steely grey eyes with their beautiful Irish setting of long dark lashes. She had a straight nose and firm rounded chin, a rather determined look about the mouth--lower lip too much drawn in as if from perpetual self-repression. But all this severity disappeared when she smiled and showed her faultless teeth. The complexion was clear though a little tanned from deliberate exposure in athletics. Altogether a woman that might have been described as "jolly good-looking," if it had not been that whenever any man looked at her something hostile and forbidding came into the countenance, and the eyebrows formed an angry bar of hazel-brown above the dark-lashed eyes. But her "young man" look won for her many a feminine friendship which she impatiently repelled; for sentimentality disgusted her.

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