Public-domain ebook
Th' Barrel Organ
by Edwin Waugh
Language: en378 downloads on Project Gutenberg
Subjects
In: Humour·Novels·British Literature
Public-domain ebook sourced from Project Gutenberg #15986.
Public-domain ebook
by Edwin Waugh
Language: en378 downloads on Project Gutenberg
Subjects
In: Humour·Novels·British Literature
Public-domain ebook sourced from Project Gutenberg #15986.
The opening · free to read
Manchester: John Heywood, 143 Deansgate. London: Simkin, Marshall & Co.
I came out at Haslingden town-end with my old acquaintance, "Rondle o'th Nab," better known by the name of "Sceawter," a moor-end farmer and cattle dealer. He was telling me a story about a cat that squinted, and grew very fat because--to use his own words--it "catched two mice at one go." When he had finished the tale, he stopped suddenly in the middle of the road, and looking round at the hills, he said, "Nea then. I'se be like to lev yo here. I mun turn off to 'Dick o' Rough-cap's' up Musbury Road. I want to bargain about yon heifer. He's a very fair chap, is Dick,--for a cow-jobber. But yo met as weel go up wi' me, an' then go forrud to our house. We'n some singers comin' to neet."
"Nay," said I, "I think I'll tak up through Horncliffe, an' by th' moor-gate, to't 'Top o'th Hoof.'"
"Well, then," replied he, "yo mun strike off at th' lift hond, about a mile fur on; an' then up th' hill side, an' through th' delph. Fro theer yo mun get upo' th' owd road as weel as yo con; an' when yo'n getten it, keep it. So good day, an' tak care o' yorsel'. Barfoot folk should never walk upo' prickles." He then turned, and walked off. Before he had gone twenty yards he shouted back, "Hey! I say! Dunnot forget th' cat."
It was a fine autumn day; clear and cool. Dead leaves were whirling about the road-side. I toiled slowly up the hill, to the famous Horncliffe Quarries, where the sounds of picks, chisels, and gavelocks, used by the workmen, rose strangely clear amidst the surrounding stillness. From the quarries I got up by an old pack horse road, to a commanding elevation at the top of the moors. Here I sat down on a rude block of mossy stone, upon a bleak point of the hills, overlooking one of the most picturesque parts of the Irwell valley. The country around me was part of the wild tract still known by its ancient name of the Forest of Rossendale. Lodges of water and beautiful reaches of the winding river gleamed in the evening sun, among green holms and patches of woodland, far down the vale; and mills, mansions, farmsteads, churches, and busy hamlets succeeded each other as far as the eye could see. The moorland tops and slopes were all purpled with fading heather, save here and there where a well-defined tract of green showed that cultivation had worked up a little plot of the wilderness into pasture land. About eight miles south, a gray cloud hung over the town of Bury, and nearer, a flying trail of white steam marked the rush of a railway train along the valley. From a lofty perch of the hills, on the north-west, the sounds of Haslingden church bells came sweetly upon the ear, swayed to and fro by the unsettled wind, now soft and low, borne away by the breeze, now full and clear, sweeping by me in a great gush of melody, and dying out upon the moorland wilds behind. Up from the valley came drowsy sounds that tell the wane of day, and please the ear of evening as she draws her curtains over the world. A woman's voice floated up from the pastures of an old farm-house, below where I sat, calling the cattle home. The barking of dogs sounded clear in different parts of the vale, and about scattered hamlets, on the hill sides. I could hear the far-off prattle of a company of girls, mingled with the lazy joltings of a cart, the occasional crack of a whip, and the surly call of a driver to his horses, upon the high road, half a mile below me. From a wooded slope, on the opposite side of the valley, the crack of a gun came, waking the echoes for a minute; and then all seemed to sink into a deeper stillness than before, and the dreamy surge of sound broke softer and softer upon the shores of evening, as daylight sobered down. High above the green valley, on both sides, the moorlands stretched away in billowy wildernesses--dark, bleak, and almost soundless, save where the wind harped his wild anthem upon the heathery waste, and where roaring streams filled the lonely cloughs with drowsy uproar. It was a striking scene, and it was an impressive hour. The bold, round, flat-topped height of Musbury Tor stood gloomily proud, on the opposite side, girdled off from the rest of the hills by a green vale. The lofty outlines of Aviside and Holcombe were glowing with the gorgeous hues of a cloudless October sunset. Along those wild ridges the soldiers of ancient Rome marched from Manchester to Preston, when boars and wolves ranged the woods and thickets of the Irwell valley. The stream is now lined all the way with busy populations, and evidences of great wealth and enterprise. But the spot from which I looked down upon it was still naturally wild. The hand of man had left no mark there, except the grass-grown pack-horse road. There was no sound nor sign of life immediately around me.
The wind was cold, and daylight was dying down. It was getting too near dark to go by the moor tops, so I made off towards a cottage in the next clough, where an old quarry-man lived, called "Jone o'Twilter's." The pack-horse road led by the place. Once there, I knew that I could spend a pleasant hour with the old folk, and, after that, be directed by a short cut down to the great highway in the valley, from whence an hour's walk would bring me near home. I found the place easily, for I had been there in summer. It was a substantial stone-built cottage, or little farm-house, with mullioned windows. A stone-seated porch, white-washed inside, shaded the entrance; and there was a little barn and a shippon, or cow-house attached. By the by, that word "shippon," must have been originally "sheep-pen." The house nestled deep in the clough, upon a shelf of green land, near the moorland stream. On a rude ornamental stone, above the threshold of the porch, the date of the building was quaintly carved, "1696," with the initials, "J. S.," and then, a little lower down, and partly between these, the letter "P.," as if intended for "John and Sarah Pilkington." On the lower slope of the hill, immediately in front of the house there was a kind of kitchen garden, well stocked, and in very fair order. Above the garden, the wild moorland rose steeply up, marked with wandering sheep tracts. From the back of the house, a little flower garden sloped away to the edge of a rocky back. The moorland stream rushed wildly along its narrow channel, a few yards below; and, viewed from the garden wall, at the edge of the bank, it was a weird bit of stream scenery. The water rushed and roared here; there it played a thousand pranks; and there, again, it was full of graceful eddies; gliding away at last over the smooth lip of a worn rock, a few yards lower down. A kind of green gloom pervaded the watery chasm, caused by the thick shade of trees overspreading from the opposite bank. It was a spot that a painter might have chosen for "The Kelpie's Home."
The cottage door was open; and I guessed by the silence inside that old "Jone" had not reached home. His wife, Nanny, was a hale and cheerful woman, with a fastidious love of cleanliness, and order, and quietness, too, for she was more than seventy years of age. I found her knitting, and slowly swaying her portly form to and fro in a shiny old-fashioned chair, by the fireside. The carved oak clock-case in the corner was as bright as a mirror; and the solemn, authoritative ticking of the ancient time-marker was the loudest sound in the house. But the softened roar of the stream outside filled all the place, steeping the senses in a drowsy spell. At the end of a long table under the front window, sat Nanny's granddaughter, a rosy, round-faced lass, about twelve years old. She was turning over the pictures in a well-thumbed copy of "Culpepper's Herbal." She smiled, and shut the book, but seemed unable to speak; as if the poppied enchantment that wrapt the spot had subdued her young spirit to a silence which she could not break. I do not wonder that old superstitions linger in such nooks as that. Life there is like bathing in dreams. But I saw that they had heard me coming; and when I stopt in the doorway, the old woman broke the charm by saying, "Nay sure! What; han yo getten thus far? Come in, pray yo."
"Well, Nanny," said I; "where's th' owd chap?"
"Eh," replied the old woman; "it's noan time for him yet. But I see," continued she, looking up at the clock, "it's gettin' further on than I thought. He'll be here in abeawt three-quarters of an hour--that is, if he doesn't co', an' I hope he'll not, to neet. I'll put th' kettle on. Jenny, my lass, bring him a tot o' ale."
I sat down by the side of a small round table, with a thick plane-tree top, scoured as white as a clean shirt; and Jenny brought me an old-fashioned blue-and-white mug, full of homebrewed.
"Toast a bit o' hard brade," said Nanny, "an' put it into't."
I did so.
The old woman put the kettle on, and scaled the fire; and then, settling herself in her chair again, she began to re-arrange her knitting-needles. Seeing that I liked my sops, she said, "Reitch some moor cake-brade. Jenny'll toast it for yo."
I thanked her, and reached down another piece; which Jenny held to the fire on a fork. And then we were silent for a minute or so.
"I'll tell yo what," said Nanny, "some folk's o'th luck i'th world."
"What's up now, Nanny?" replied I.
"They say'n that Owd Bill, at Fo' Edge, has had a dowter wed, an' a cow cauve't, an a mare foal't o' i' one day. Dun yo co' that nought?"
Before I could reply, the sound of approaching footsteps came upon our ears. Then, they stopt, a few yards off; and a clear voice trolled out a snatch of country song:--
"Owd shoon an' stockins, An' slippers at's made o' red leather! Come, Betty, wi' me, Let's shap to agree, An' hutch of a cowd neet together.
"Mash-tubs and barrels! A mon connot olez be sober; A mon connot sing To a bonnier thing Nor a pitcher o' stingin' October."
"Jenny, my lass," said the old woman, "see who it is. It's oather 'Skedlock' or 'Nathan o' Dangler's.'"
Jenny peeped through the window, an' said, "It's Skedlock. He's lookin' at th' turmits i'th garden. Little Joseph's wi' him. They're comin' in. Joseph's new clogs on."
Skedlock came shouldering slowly forward into the cottage,--a tall, strong, bright-eyed man, of fifty. His long, massive features were embrowned by habitual exposure to the weather, and he wore the mud-stained fustian dress of a quarryman. He was followed by a healthy lad, about twelve years of age,--a kind of pocket-copy of himself. They were as like one another as a new shilling and an old crown-piece. The lad's dress was of the same kind as his father's, and he seemed to have studiously acquired the same cart-horse gait, as if his limbs were as big and as stark as his father's.
"Well, Skedlock," said Nanny, "thae's getten Joseph witho, I see. Does he go to schoo yet ?"
"Nay; he reckons to worch i'th delph wi' me, neaw."
"Nay, sure. Does he get ony wage?"
"Nawe," replied Skedlock; "he's drawn his wage wi' his teeth, so fur. But he's larnin', yo' known--he's larnin'. Where's yo'r Jone? I want to see him abeawt some plants."
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