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About this book

The Last Harvest is John Burroughs’s final, posthumous collection of essays, notes and short studies, assembled from the “Day‑by‑Day” entries, “Gleanings,” and “Sundown Papers” he wrote in the last months of his life. The opening pages reveal a writer preoccupied with the legacy of Emerson and Thoreau, offering a blend of admiration, critique, and personal reflection. Burroughs frames his reverence for Emerson’s journals as a “dark and troublesome” time in which he seeks to “point out…their value and significance,” while also probing the “flaws” he perceives in both Emerson and Thoreau. The volume is organized into distinct sections, ranging from “Flies in Amber” to “What Makes a Poem?”, and is suffused with the author’s late‑night, Pacific‑shore ambience, hinting at a mind still restless despite impending illness.

Burroughs writes in a measured, essayistic voice that combines the natural‑history enthusiasm of his earlier work with a more introspective, almost confessional tone. His prose is dense with allusion, scholarly debate, and a palpable affection for the transcendental tradition, all filtered through the perspective of an aging observer. Readers who enjoy 19th‑century American essayists, especially those interested in Emerson, Thoreau, and the intellectual climate of the era, will find this work rewarding. It appeals to those who appreciate thoughtful literary criticism, reflective nature writing, and a glimpse into the mind of a writer confronting his own mortality.

Who appears in The Last Harvest

  • EmersonMiddle‑aged man with full beard, cravat, dark frock coat, thoughtful eyes, 19th‑century American scholar
  • ThoreauLean gentleman, short hair, modest beard, plain shirt, waistcoat, contemplative expression, New England naturalist
  • LowellOlder male, distinguished moustache, sideburns, formal tailcoat, scholarly demeanor, 19th‑century American poet

The opening · free to read

The author's abiding interest in Emerson is shown in his close and eager study of the Journals during these later years. He hungered for everything that concerned the Concord Sage, who had been one of the most potent influences in his life. Although he could discern flies in the Emersonian amber, he could not brook slight or indifference toward Emerson in the youth of to-day. Whatever flaws he himself detected, he well knew that Emerson would always rest secure on the pedestal where long ago he placed him. Likewise with Thoreau: If shortcomings were to be pointed out in this favorite, he wished to be the one to do it. And so, before taking Thoreau to task for certain inaccuracies, he takes Lowell to task for criticizing Thoreau. He then proceeds, not without evident satisfaction, to call attention to Thoreau's "slips" as an observer and reporter of nature; yet in no carping spirit, but, as he himself has said: "Not that I love Thoreau less, but that I love truth more."

The "Short Studies in Contrasts," the "Day by Day" notes, "Gleanings," and the "Sundown Papers" which comprise the latter part of this, the last, posthumous volume by John Burroughs, were written during the closing months of his life. Contrary to his custom, he wrote these usually in the evening, or, less frequently, in the early morning hours, when, homesick and far from well, with the ceaseless pounding of the Pacific in his ears, and though incapable of the sustained attention necessary for his best work, he was nevertheless impelled by an unwonted mental activity to seek expression.

If the reader misses here some of the charm and power of his usual writing, still may he welcome this glimpse into what John Burroughs was doing and thinking during those last weeks before the illness came which forced him to lay aside his pen.

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