Public-domain ebook
Rise and Fall of Cesar Birotteau
Language: en1,232 downloads on Project Gutenberg
Subjects
Public-domain ebook sourced from Project Gutenberg #1942.
Public-domain ebook
Language: en1,232 downloads on Project Gutenberg
Subjects
Public-domain ebook sourced from Project Gutenberg #1942.
Honoré de Balzac’s Rise and Fall of César Birotteau is a French‑origin novel of the early nineteenth century that blends social satire with a darkly comic study of ambition and ruin. The story opens on a winter night in Paris, where the restless sounds of the Rue Saint‑Honoré are briefly silenced, and the wife of the perfumer César Birotteau awakens from a terrifying dream that fuses hallucination with dread. Her nightmare, filled with visions of poverty, loss, and imagined assailants, segues into a frantic exchange with her husband, who is already absorbed in plans to expand his shop, secure a deputy‑mayor’s post, and host a grand ball. The opening scene already establishes the novel’s preoccupations, business ventures, the lure of public honor, and the looming threat of financial collapse, while anchoring the narrative in the bustling middle‑class world of post‑Revolutionary Paris.
Balzac writes in a richly detailed, omniscient style that captures the rhythms of everyday life and the inner turmoil of his characters. His prose is dense with observation, yet it retains a lively, almost theatrical cadence that mirrors the chaotic energy of the city. Readers who enjoy intricate portraits of 19th‑century French society, with its blend of ambition, folly, and moral consequence, will find this work rewarding. The novel’s focus on commerce, politics, and the fragile fortunes of a middle‑class family makes it especially appealing to those who appreciate social realism tempered by a sharp, sometimes satirical, narrative voice.
The opening · free to read
During winter nights noise never ceases in the Rue Saint-Honore except for a short interval. Kitchen-gardeners carrying their produce to market continue the stir of carriages returning from theatres and balls. Near the middle of this sustained pause in the grand symphony of Parisian uproar, which occurs about one o’clock in the morning, the wife of Monsieur Cesar Birotteau, a perfumer established near the Place Vendome, was startled from her sleep by a frightful dream. She had seen her double. She had appeared to herself clothed in rags, turning with a shrivelled, withered hand the latch of her own shop-door, seeming to be at the threshold, yet at the same time seated in her armchair behind the counter. She was asking alms of herself, and heard herself speaking from the doorway and also from her seat at the desk.
She tried to grasp her husband, but her hand fell on a cold place. Her terror became so intense that she could not move her neck, which stiffened as if petrified; the membranes of her throat became glued together, her voice failed her. She remained sitting erect in the same posture in the middle of the alcove, both panels of which were wide open, her eyes staring and fixed, her hair quivering, her ears filled with strange noises, her heart tightened yet palpitating, and her person bathed in perspiration though chilled to the bone.
Fear is a half-diseased sentiment, which presses so violently upon the human mechanism that the faculties are suddenly excited to the highest degree of their power or driven to utter disorganization. Physiologists have long wondered at this phenomenon, which overturns their systems and upsets all theories; it is in fact a thunderbolt working within the being, and, like all electric accidents, capricious and whimsical in its course. This explanation will become a mere commonplace in the day when scientific men are brought to recognize the immense part which electricity plays in human thought.
Madame Birotteau now passed through several of the shocks, in some sort electrical, which are produced by terrible explosions of the will forced out, or held under, by some mysterious mechanism. Thus during a period of time, very short if judged by a watch, but immeasurable when calculated by the rapidity of her impressions, the poor woman had the supernatural power of emitting more ideas and bringing to the surface more recollections than, under any ordinary use of her faculties, she could put forth in the course of a whole day. The poignant tale of her monologue may be abridged into a few absurd sentences, as contradictory and bare of meaning as the monologue itself.
“There is no reason why Birotteau should leave my bed! He has eaten so much veal that he may be ill. But if he were ill he would have waked me. For nineteen years that we have slept together in this bed, in this house, it has never happened that he left his place without telling me,--poor sheep! He never slept away except to pass the night in the guard-room. Did he come to bed to-night? Why, of course; goodness! how stupid I am.”
She cast her eyes upon the bed and saw her husband’s night-cap, which still retained the almost conical shape of his head.
“Can he be dead? Has he killed himself? Why?” she went on. “For the last two years, since they made him deputy-mayor, he is all-I-don’t-know-how. To put him into public life! On the word of an honest woman, isn’t it pitiable? His business is doing well, for he gave me a shawl. But perhaps it isn’t doing well? Bah! I should know of it. Does one ever know what a man has got in his head; or a woman either?--there is no harm in that. Didn’t we sell five thousand francs’ worth to-day? Besides, a deputy mayor couldn’t kill himself; he knows the laws too well. Where is he then?”
She could neither turn her neck, nor stretch out her hand to pull the bell, which would have put in motion a cook, three clerks, and a shop-boy. A prey to the nightmare, which still lasted though her mind was wide awake, she forgot her daughter peacefully asleep in an adjoining room, the door of which opened at the foot of her bed. At last she cried “Birotteau!” but got no answer. She thought she had called the name aloud, though in fact she had only uttered it mentally.
“Has he a mistress? He is too stupid,” she added. “Besides, he loves me too well for that. Didn’t he tell Madame Roguin that he had never been unfaithful to me, even in thought? He is virtue upon earth, that man. If any one ever deserved paradise he does. What does he accuse himself of to his confessor, I wonder? He must tell him a lot of fiddle-faddle. Royalist as he is, though he doesn’t know why, he can’t froth up his religion. Poor dear cat! he creeps to Mass at eight o’clock as slyly as if he were going to a bad house. He fears God for God’s sake; hell is nothing to him. How could he have a mistress? He is so tied to my petticoat that he bores me. He loves me better than his own eyes; he would put them out for my sake. For nineteen years he has never said to me one word louder than another. His daughter is never considered before me. But Cesarine is here--Cesarine! Cesarine!--Birotteau has never had a thought which he did not tell me. He was right enough when he declared to me at the Petit-Matelot that I should never know him till I tried him. And not here! It is extraordinary!”
She turned her head with difficulty and glanced furtively about the room, then filled with those picturesque effects which are the despair of language and seem to belong exclusively to the painters of genre. What words can picture the alarming zig-zags produced by falling shadows, the fantastic appearance of curtains bulged out by the wind, the flicker of uncertain light thrown by a night-lamp upon the folds of red calico, the rays shed from a curtain-holder whose lurid centre was like the eye of a burglar, the apparition of a kneeling dress,--in short, all the grotesque effects which terrify the imagination at a moment when it has no power except to foresee misfortunes and exaggerate them? Madame Birotteau suddenly saw a strong light in the room beyond her chamber, and thought of fire; but perceiving a red foulard which looked like a pool of blood, her mind turned exclusively to burglars, especially when she thought she saw traces of a struggle in the way the furniture stood about the room. Recollecting the sum of money which was in the desk, a generous fear put an end to the chill ferment of her nightmare. She sprang terrified, and in her night-gown, into the very centre of the room to help her husband, whom she supposed to be in the grasp of assassins.
“Birotteau! Birotteau!” she cried at last in a voice full of anguish.
She then saw the perfumer in the middle of the next room, a yard-stick in his hand measuring the air, and so ill wrapped up in his green cotton dressing-gown with chocolate-colored spots that the cold had reddened his legs without his feeling it, preoccupied as he was. When Cesar turned about to say to his wife, “Well, what do you want, Constance?” his air and manner, like those of a man absorbed in calculations, were so prodigiously silly that Madame Birotteau began to laugh.
“Goodness! Cesar, if you are not an oddity like that!” she said. “Why did you leave me alone without telling me? I have nearly died of terror; I did not know what to imagine. What are you doing there, flying open to all the winds? You’ll get as hoarse as a wolf. Do you hear me, Birotteau?”
“Yes, wife, here I am,” answered the perfumer, coming into the bedroom.
“Come and warm yourself, and tell me what maggot you’ve got in your head,” replied Madame Birotteau opening the ashes of the fire, which she hastened to relight. “I am frozen. What a goose I was to get up in my night-gown! But I really thought they were assassinating you.”
The shopkeeper put his candlestick on the chimney-piece, wrapped his dressing-gown closer about him, and went mechanically to find a flannel petticoat for his wife.
“Here, Mimi, cover yourself up,” he said. “Twenty-two by eighteen,” he resumed, going on with his monologue; “we can get a superb salon.”
“Ah, ca! Birotteau, are you on the high road to insanity? Are you dreaming?”
“No, wife, I am calculating.”
“You had better wait till daylight for your nonsense,” she cried, fastening the petticoat beneath her short night-gown and going to the door of the room where her daughter was in bed.
“Cesarine is asleep,” she said, “she won’t hear us. Come, Birotteau, speak up. What is it?”
“We can give a ball.”
“Give a ball! we? On the word of an honest woman, you are dreaming, my friend.”
“I am not dreaming, my beautiful white doe. Listen. People should always do what their position in life demands. Government has brought me forward into prominence. I belong to the government; it is my duty to study its mind, and further its intentions by developing them. The Duc de Richelieu has just put an end to the occupation of France by the foreign armies. According to Monsieur de la Billardiere, the functionaries who represent the city of Paris should make it their duty, each in his own sphere of influence, to celebrate the liberation of our territory. Let us show a true patriotism which shall put these liberals, these damned intriguers, to the blush; hein? Do you think I don’t love my country? I wish to show the liberals, my enemies, that to love the king is to love France.”
“Do you think you have got any enemies, my poor Birotteau?”
“Why, yes, wife, we have enemies. Half our friends in the quarter are our enemies. They all say, ‘Birotteau has had luck; Birotteau is a man who came from nothing: yet here he is deputy-mayor; everything succeeds with him.’ Well, they are going to be finely surprised. You are the first to be told that I am made a chevalier of the Legion of honor. The king signed the order yesterday.”
“Oh! then,” said Madame Birotteau, much moved, “of course we must give the ball, my good friend. But what have you done to merit the cross?”
“Yesterday, when Monsieur de la Billardiere told me the news,” said Birotteau, modestly, “I asked myself, as you do, what claims I had to it; but I ended by seeing what they were, and in approving the action of the government. In the first place, I am a royalist; I was wounded at Saint-Roch in Vendemiaire: isn’t it something to have borne arms in those days for the good cause? Then, according to the merchants, I exercised my judicial functions in a way to give general satisfaction. I am now deputy-mayor. The king grants four crosses to the municipality of Paris; the prefect, selecting among the deputies suitable persons to be thus decorated, has placed my name first on the list. The king moreover knows me: thanks to old Ragon. I furnish him with the only powder he is willing to use; we alone possess the receipt of the late queen,--poor, dear, august victim! The mayor vehemently supported me. So there it is. If the king gives me the cross without my asking for it, it seems to me that I cannot refuse it without failing in my duty to him. Did I seek to be deputy-mayor? So, wife, since we are sailing before the wind, as your uncle Pillerault says when he is jovial, I have decided to put the household on a footing in conformity with our high position. If I can become anything, I’ll risk being whatever the good God wills that I shall be,--sub-prefect, if such be my destiny. My wife, you are much mistaken if you think a citizen has paid his debt to his country by merely selling perfumery for twenty years to those who came to buy it. If the State demands the help of our intelligence, we are as much bound to give it as we are to pay the tax on personal property, on windows and doors, et caetera. Do you want to stay forever behind your counter? You have been there, thank God, a long time. This ball shall be our fete,--yours and mine. Good-by to economy,--for your sake, be it understood. I burn our sign, ‘The Queen of Roses’; I efface the name, ‘Cesar Birotteau, Perfumer, Successor to Ragon,’ and put simply, ‘Perfumery’ in big letters of gold. On the entresol I place the office, the counting-room, and a pretty little sanctum for you. I make the shop out of the back-shop, the present dining-room, and kitchen. I hire the first floor of the next house, and open a door into it through the wall. I turn the staircase so as to pass from house to house on one floor; and we shall thus get a grand appartement, furnished like a nest. Yes, I shall refurnish your bedroom, and contrive a boudoir for you and a pretty chamber for Cesarine. The shop-girl whom you will hire, our head clerk, and your lady’s-maid (yes, Madame, you are to have one!) will sleep on the second floor. On the third will be the kitchen and rooms of the cook and the man-of-all-work. The fourth shall be a general store-house for bottle, crystals, and porcelains. The workshop for our people, in the attic! Passers-by shall no longer see them gumming on the labels, making the bags, sorting the flasks, and corking the phials. Very well for the Rue Saint-Denis, but for the Rue Saint-Honore--fy! bad style! Our shop must be as comfortable as a drawing-room. Tell me, are we the only perfumers who have reached public honors? Are there not vinegar merchants and mustard men who command in the National Guard and are very well received at the Palace? Let us imitate them; let us extend our business, and at the same time press forward into higher society.”
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