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About this book

Washington Irving’s Old Christmas is a nostalgic essay‑like sketch that celebrates English holiday customs of a bygone era. The work opens with a 19th‑century preface explaining how illustrator Randolph Caldecott and engraver James D. Cooper have paired their drawings with Irving’s text, following the “Sketch Book” principle. After a series of ornate title pages, contents, and a litany of illustrated headings, Irving launches into a lyrical meditation on the fading charms of Christmas, its fires, feasts, village games, and church music, while lamenting the loss of “honest fireside delights” to modern refinement. The opening therefore sets a tone of reflective reverie, inviting readers to imagine the “old halls of castles” and the communal warmth of winter celebrations.

The prose is steeped in the Romantic sensibility of the early‑1800s, with a measured, almost sermon‑like cadence that blends descriptive nostalgia with moral reflection. Irving’s voice is both scholarly and warmly conversational, employing rich, pastoral imagery and occasional classical allusions. Readers who enjoy historical musings, literary sketches of seasonal life, and the genteel charm of early American writers will find this work a rewarding glimpse into the cultural memory of Christmas in England.

Opening lines

Before the remembrance of the good old times, so fast passing, should have entirely passed away, the present artist, R. Caldecott, and engraver, James D. Cooper, planned to illustrate Washington Irving's "Old Christmas" in this manner. Their primary idea was to carry out the principle of the Sketch Book, by incorporating the designs with the text. Throughout they have worked together and con amore. With what success the public must decide.

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