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The opening · free to read

This is another excellent book by Mrs de Horne Vaizey, dating from the end of the nineteenth century. While of course it is dated in its references to the world around its actors, yet nevertheless their emotions are well-described, and no doubt are timeless.

In some ways the world around the people in the book is recognisable today, in a way which a book written thirty or forty years before would not have been. They have electricity, telephones, trains, buses, and many other things that we still use regularly today. Of course one major difference is that few people today have servants, while middle-class and upper-class families of the eighteen nineties would certainly have had them. It was a passing joke in the book that it was surprising that the butler, on discovering a young couple kissing, did not say, "Allow me, madam."

Today we travel by aeroplane, while in those days, and indeed for much of my own life, we travelled by ship and train. It was normal when travelling back to England from India to disembark at Marseilles, and come on to the Channel Ports by train, perhaps even spending a week or two in Italy, en route. I have done it myself.

So it is not so very dated after all. But I do think there is a real value in reading the book. Oddly enough, I think that a boy would benefit from reading any of the author's books, more than a girl would, because it would give him an insight into the girlish mind which he could not so easily otherwise obtain. N.H. _________________________________________________________

The night nurse was dusting the room preparatory to going off duty for the day, and Sylvia was lying on her water-bed watching her movements with gloomy, disapproving eyes. For four long weeks--ever since the crisis had passed and she had come back to consciousness of her surroundings--she had watched the same proceeding morning after morning, until its details had become almost unbearably wearisome to her weak nerves.

First of all came Mary to sweep the floor--she went down on her knees, and swept up the dust with a small hand-brush, and however carefully she might begin, it was quite, quite certain that she would end by knocking up against the legs of the bed, and giving a jar and shock to the quivering inmate. Then she would depart, and nurse would take the ornaments off the mantelpiece, flick the duster over them, and put them back in the wrong places.

It did not seem of the least importance to her whether the blue vase stood in the centre or at the side, but Sylvia had a dozen reasons for wishing to have it in exactly one position and no other. She liked to see its graceful shape and rich colouring reflected in the mirror which hung immediately beneath the gas-bracket; if it were moved to the left it spoiled her view of a tiny water-colour painting which was one of her greatest treasures, while if it stood on the right it ousted the greatest treasure of all--the silver-framed portrait of the dear, darling, most beloved of fathers, who was afar off at the other side of the world, tea-planting in Ceylon.

Sylvia was too weak to protest, but she burrowed down among the clothes, and moped to herself in good old typhoid fashion. "Wish she would leave it alone! Wish people wouldn't bother about the room. Don't care if it is dusty! Wish I could be left in peace. Don't believe I shall ever be better. Don't believe my temperature ever will go down. Don't care if it doesn't! Wish father were home to come and talk, and cheer me up. Boo-hoo-hoo!"

The tears trickled down and splashed saltly against her lips, but she kept her sobs under control, for crying was a luxury which was forbidden by the authorities, and could only be indulged in by stealth.

The night nurse thought that the patient had fallen asleep, but when she went off duty, and her successor arrived, she cast a suspicious glance at the humped-up bedclothes, and turned them down with a gentle but determined hand.

"Crying again?" she cried. "Oh, come now, I can't allow that! What are you crying about on such a lovely, bright morning, when you have had such a good night's rest?"

"I had a horrid night. I couldn't sleep a bit. I feel so mum-mum- miserable!" wailed the patient dolefully. "I'm so tired of being in bed."

"You won't have very much longer of it now. Your temperature is lower than it has ever been this morning. You ought to be in good spirits instead of crying in this silly way. Come now, cheer up! I am not going to allow such a doleful face."

"I'm very cheerful when I'm well. Ask Aunt Margaret if I'm not. I've a most lively disposition. Everyone says so," whined Sylvia dismally. "I'm tired of everything and everybody. So would you be if you'd been in bed for two months."

"Tired of me as well as the rest?"

"Yes, I am. You are a nasty, horrid, strict, cross thing." But a smile struggled through the tears, and a thin hand stole out from beneath the clothes and pressed the white-sleeved arms in eloquent contradiction. Whatever Sylvia was tired of, it was certainly not this gentle, sweet- faced little woman who--humanly speaking--had brought her back from the verge of the grave. She snoodled her head along the pillow so as to lean it against the nurse's shoulder, and said in weak, disconnected snatches, "I'm sorry--I'm so horrid. I feel so cross and low-spirited. I want--a change. Can't you think--of something nice?"

"You are going to have some beautiful chicken-soup for your lunch. It is in a perfect jelly."

"Hate chicken-soup! Hate the sight of soup! Want to have salmon and cucumber, and ice creams, and nice rich puddings."

Nurse laughed complacently.

"So you shall--some day! Glad you feel well enough to want them now. Would you like to be carried to the sofa by the window for an hour this afternoon, while your bed is being aired and made comfortable? I think it would do you good to lie in the sunshine, and the doctor could help me to carry you. It would be quite exciting to see a glimpse of the outer world, wouldn't it?"

"Rather! I can't believe that everything is going on just the same. Are all the neighbours alive still? Is the old man at the corner alive? Has the little girl at Number Five grown-up and put on long frocks? I feel as if I had been lying here for years and years. I believe I have grown grey myself. Give me a hand-glass, Whitey, and let me see how I look."

Whitey walked obediently across the room, and brought back the silver- backed glass from the dressing-table. She was accustomed to her nickname by this time, and was indeed rather proud of it than otherwise. She had been known successively as "Spirit of the Day," and "The White Nurse," during the hours of delirium, and the abbreviation had a natural girlish ring about it, which was a herald of returning health.

"There, look at yourself, Miss Conceit!" she cried laughingly, and Sylvia held the glass erect in both hands and stared curiously at her own reflection. She saw a thin, clear-cut little face, with arched eyebrows, large brown eyes, an aquiline nose, and full, pouting lips. The cheeks showed delicate hollows beneath the cheek bones, and the eyes looked tired and heavy, otherwise there was no startling change to record.

"I don't look as much older as I expected, but I've got a different expression, Whitey--a sort of starved-wolf, haggard, tired-out look, just exactly like I feel. Aren't I beautifully thin? It's always been my ambition to be slim and willowy, like the people in fashion plates. I shall be quite a vision of elegance, shan't I, Whitey?"

"Um! Well," said Whitey vaguely, "you must expect to look very slight after lying in bed for so long, but it doesn't matter about that. You won't trouble about appearances, so long as you feel well and strong again."

"Yes, I shall!" said the invalid stubbornly. She turned her head on one side and stared intently at the long plaits of hair which trailed over the pillow--her "Kenwigs" as she had dubbed them, after Charles Dickens's immortal "Miss Kenwigses," who are pictorially represented in short frocks, pantaloons, and tight plaits of hair, secured at the ends by bows of ribbon.

"My Kenwigs look very thin," she said anxiously. "I used to have three thick coils. People's hair doesn't come out after typhoid fever, does it, Whitey? I shall be furious if mine does."

"Oh, hair generally comes out a little in autumn," replied Whitey easily. "Now you have looked at yourself quite long enough. I will put back the glass and prepare some food while your aunt comes to see you, but I shall tell her not to talk too much, for the doctor won't let you be moved if you are looking tired and exhausted."

Sylvia sighed to herself, for interviews with Aunt Margaret were a decided trial in these days of convalescence, when every nerve seemed on edge and ready to be jarred. She was nearly twenty-two, and for the first year after leaving school the dear old dad had been in England, and she had had the most delightful time travelling about with him. He always declared that he was a poor man, that tea was doing so disgracefully badly, that he expected to retire into the workhouse in the course of the next year, but, all the same, he never appeared to be short of money, and the travelling was done in the most comfortable and luxurious of fashions. Sylvia was his only child, and in his eyes was the most beautiful and accomplished creature in the world, so that it was a trying experience to be domiciled with an elderly maiden aunt, whose ideas were as early Victorian as her furniture, who had forgotten what it felt like to be young, and was continually aggrieved because her niece had not learned to be old.

During the long year of idleness Sylvia had cherished the idea that her father would take her back to Ceylon, when she would reign as Queen of the Bungalow, charm the hearts of the coolies by her beauty and dignity, pay frequent visits to Kandy, and become one of the favourites of society; but when it came to the point it appeared that he had no intention of the sort. In two or three years he hoped to be able to settle in England, and meantime his ambition for his daughter demanded that she should remain at home and devote her time to music, for which she showed an unusual talent. If he had other reasons he kept them to himself, but as a matter of fact he dreaded a possible marriage abroad, which would condemn the girl to a life of separation from so much that is good and pleasant, and if any qualms arose as to the cheerfulness of the home in which he was leaving her, he consoled himself by the reflection that he would be able to make up for temporary deprivations in the years to come.

Mr Trevor sailed off to the East, and Sylvia took up her abode at Number 6 Rutland Road, in an unfashionable suburb in the north of London, and settled down to being a "good industrious girl" with what grace she might. She did not understand Aunt Margaret, and Aunt Margaret felt it a decided trial to have her sleepy home invaded by a restless young creature, who was never so happy as when she was singing at the pitch of her voice, rushing up and down stairs, and playing silly schoolboy tricks; but fate had ordained that they were to live together, and they had jogged along more or less peacefully until that unlucky day when the girl had sickened for her dangerous illness. Then, indeed, Aunt Margaret realised that she had grown to love her wayward charge, and all the manifold demands and inconveniences of illness were swallowed up in anxiety during the first anxious weeks. She allowed not only one, but two of "those dreadful nurses" to take possession of her spare rooms, submitted meekly to their orders, and saw her domestic rules and regulations put aside without a murmur of protest; but when the crisis was safely passed, and recovery became only a matter of time, the old fussy nature reasserted itself, and her eyes were open to behold the dire results of a long illness.

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