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About this book

Cowboy Songs and Other Frontier Ballads is a scholarly anthology that gathers the raw, oral poetry of the American West. Compiled by John A. Lomax and introduced by Barrett Wendell, the volume opens with a lyrical stanza that evokes the cowboy’s whistle and the herd’s restless movement, then moves into a series of meticulous notes on transcription, correction of musical errors, and historical context. The front matter includes a dedication to Theodore Roosevelt, a collector’s note describing how isolated, ill‑educated workers on cattle drives created and preserved these songs, and an extensive contents list that ranges from “Old Chisholm Trail” to “The Dying Ranger.” The book therefore presents both the lyrics and the music of frontier ballads, framed by academic commentary that underscores their cultural significance.

The language is plain yet earnest, reflecting early‑20th‑century folkloristic scholarship. Its style blends straightforward transcription with occasional poetic flourish, preserving the rough, unschooled voice of the cowboys while offering modern readers explanatory prose. Readers who enjoy folk‑song studies, Western history, or the gritty, communal creativity of frontier life will find this collection rewarding, as it provides a vivid glimpse into the songs that once steadied herds, soothed night watches, and echoed in saloon revelry.

Characters in Cowboy songs, and other frontier ballads

  • Theodore RooseveltRobust man with thick mustache, pince-nez glasses, Rough Rider uniform, dignified pose
  • John A. LomaxMiddle‑aged scholar with round spectacles, neatly trimmed beard, dark suit, pipe in hand
  • Barrett WendellOlder academic with full beard, spectacles, tweed jacket, contemplative expression

Opening lines

[Transcriber's notes: -Page vii: The word following "view of what Owen" was unclear, and may not be the "Writes" which has been chosen. We've made every effort to match the original, except for the following formatting changes and corrections: 1. The music system layout in these pieces is sometimes odd (e.g. bars broken off in the middle), so the system layout has been normalized where necessary. 2. Text in small-caps could not be reproduced -- all-caps has been used instead. 3. Obvious musical errors in the original have been corrected, as follows: Days of Forty-Nine: bar 9, beat 3, piano left hand - corrected quarter note to dotted quarter note; bar 11, beat 1, piano left hand - corrected bottom note from F to G.

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