Public-domain ebook
Shifting Winds: A Tough Yarn
Language: en495 downloads on Project Gutenberg
Subjects
In: Children's Fiction·Adventure·Novels
Public-domain ebook sourced from Project Gutenberg #21702.
Public-domain ebook
Language: en495 downloads on Project Gutenberg
Subjects
In: Children's Fiction·Adventure·Novels
Public-domain ebook sourced from Project Gutenberg #21702.
The opening · free to read
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As so often with Ballantyne's books there are really several tales all told in parallel in this book. There is the story of the seaman Gaff and his son Billy, there is the story of Mrs Gaff, there is Haco Barepoles, there is Captain Bingley and his son Gildart, there is the Stuart family. All these characters are very well drawn, and their lives merge together and move apart to a surprising degree. With a fundamentally Christian message, this book also depicts the work of the Shipwrecked Mariners and Fishermen Institution. Although there are incidents at sea, most of the action takes place in the small fishing village of Wreckumoft, and the town of Athenbury. One of the great values of Ballantyne's books is the insight he gives into life in Britain in the nineteenth century, not just the day-to-day lives of the actors, but the motives that propel them, and the upbringing that these actors had. We are, however, mystified by the title, which made one think that the book might be something to do with ballooning!
Robert Michael Ballantyne was born in 1825 and died in 1894. He was educated at the Edinburgh Academy, and in 1841 he became a clerk with the Hudson Bay Company, working at the Red River Settlement in Northen Canada until 1847, arriving back in Edinburgh in 1848. The letters he had written home were very amusing in their description of backwoods life, and his family publishing connections suggested that he should construct a book based on these letters. Three of his most enduring books were written over the next decade, "The Young Fur Traders", "Ungava", "The Hudson Bay Company", and were based on his experiences with the HBC. In this period he also wrote "The Coral island" and "Martin Rattler", both of these taking place in places never visited by Ballantyne. Having been chided for small mistakes he made in these books, he resolved always to visit the places he wrote about. With these books he became known as a great master of literature intended for teenagers. He researched the Cornish Mines, the London Fire Brigade, the Postal Service, the Railways, the laying down of submarine telegraph cables, the construction of light-houses, the light-ship service, the life- boat service, South Africa, Norway, the North Sea fishing fleet, ballooning, deep-sea diving, Algiers, and many more, experiencing the lives of the men and women in these settings by living with them for weeks and months at a time, and he lived as they lived.
He was a very true-to-life author, depicting the often squalid scenes he encountered with great care and attention to detail. His young readers looked forward eagerly to his next books, and through the 1860s and 1870s there was a flow of books from his pen, sometimes four in a year, all very good reading. The rate of production diminished in the last ten or fifteen years of his life, but the quality never failed.
He published over ninety books under his own name, and a few books for very young children under the pseudonym "Comus".
For today's taste his books are perhaps a little too religious, and what we would nowadays call "pi". In part that was the way people wrote in those days, but more important was the fact that in his days at the Red River Settlement, in the wilds of Canada, he had been a little dissolute, and he did not want his young readers to be unmindful of how they ought to behave, as he felt he had been.
Some of his books were quite short, little over 100 pages. These books formed a series intended for the children of poorer parents, having less pocket-money. These books are particularly well-written and researched, because he wanted that readership to get the very best possible for their money. They were published as six series, three books in each series.
Re-created as an e-Text by Nick Hodson, October 2003.
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SHIFTING WINDS, BY R.M. BALLANTYNE.
The family board was spread; the family kettle--an unusually fat one-- was singing on the fire, and the family chimney was roaring like a lion by reason of the wind, which blew a hurricane outside, and shook the family mansion, a small wooden hut, to its foundations.
The hour was midnight. This fact was indicated by the family clock--a Dutch one, with a face which had once been white, but was now become greenish yellow, probably from horror at the profanity of the artist who had painted a basket of unrecognisable fruit above it, an irate cockatoo below it, and a blue church with a pink steeple as near to the centre of it as the hands would admit of.
The family circle, consisting of a stout good-looking woman of thirty or thereabouts, and a little boy and girl, were of the fisher class, obviously so to the senses of sight and smell. They sat by the fire.
It was an unusual hour for supper, but then it was an unusually wild night, and the frequent glance cast by the woman at the Dutch clock with the horrified countenance, showed clearly that the board was not spread for the family meal, but that they waited up for some absent one.
I have said that the family circle sat by the fire, but this is not strictly correct. One member of it, the little boy, stood in the middle of the room, howling!--howling so violently that his fat face had changed from its wonted bright red to deep purple. Looking at him--as he stood there arrayed in his uncle's red night-cap, his own night-shirt, which was also a day-shirt and much too small, and his father's pea-jacket, which was preposterously too large--one could not avoid the alarming surmise that there might be such a thing as juvenile apoplexy, and that that boy was on the point of becoming a living, if not a dead, example of the terrible disease.
Oh! it was a sweet child, a charming infant, altogether a delightful creature to look upon, that son of Stephen Gaff, as it stood there yelling like a hyena, stamping like a mad bull, washing its dirty hands in tears on its dirtier cheeks, cramming its little knuckles into its swollen eyes as if it sought to burst the organs of vision in their sockets, and presenting, generally, an appearance of rampant rage and woe that baffles all capacity of conception, and therefore defies all power of description.
This cherub's name was Billy,--Billy Gaff; more familiarly known amongst his friends as "The Bu'ster," owing to his tendency to explode into tears, or laughter, or mischief, or fun, as the case might be. He was about eleven years of age.
My own name, reader, is Bingley. Having retired on half-pay from the Royal Navy, I reside in a pleasant cottage in the suburbs of the well-known and important seaport town of Wreckumoft, situate on the east coast of England. My front windows command a magnificent view of the sea; my back windows command an equally magnificent view of landscape. I have a magnificent wife, and she commands the household, myself included. There was a time--I reflect on it with melancholy pride and subdued satisfaction--when I commanded a British seventy-four. I command nothing now but my temper. That, however, is a stronghold from which nothing terrestrial can drive me.
My friends style me "The Captain," but I am not the hero of this tale. No, by no means. I am altogether unheroic in my nature, commonplace in my character. If a novelist were to describe me, he would write me down a stout little old gentleman, with a bald head and a mild countenance; mentally weak in expression, active in habits, and addicted to pipes and loose clothing.
Do not imagine that this is my account of myself; no, it is an ideal resulting from the oft-repeated assurances of my wife, who is a strong-minded woman, a few inches taller than myself, somewhat raw-boned and much more powerful, physically, though less rotund. In fact, if I were to attempt a brief comprehensive description of her, I would say, without the most distant feeling of disrespect of course, that she is square and skinny--singularly so!
Mrs Bingley's contempt for my intellect is excelled, I might almost say redeemed, by her love for myself. How she manages to separate between myself and my intellect I have never been able to understand; but then she is strong-minded, which perhaps accounts for her seeing farther into this millstone than I can. She tells me, not unfrequently, that I am weak-minded. She even goes the length at times of calling me imbecile; but she is a dear good affectionate woman, and I have no sympathy with the insolent remark I once overheard made by an acquaintance of mine, to the effect that it was a pity Mrs Bingley had not been born with a man's hat and trousers on--no, none whatever.
Before dismissing myself, descriptively at least, (for, being an honorary agent of the Shipwrecked Fishermen and Mariners' Society, and an actor in some of the scenes which I am about to describe, I cannot conveniently dismiss myself altogether); before dismissing myself, I say, it may be as well to explain that my strong-minded wife, in concert with a number of variously-minded women, (all more or less strong), and a good many weak and otherwise minded men, have come to form their opinion of me in consequence of my holding rather strongly a few opinions of my own--to the effect that there are a good many wrong things in this world, (admittedly wrong things); a good many muddles; a good many glaring and outrageous abuses and shameful things the continuance of which reflects discredit on the nation, and the wiping out or putting right of which ought, by all means, to be set about earnestly and at once.
Now, curiously enough, it is the idea conveyed in the last two words--at once--which sticks in the throats of my strong-minded opponents! They agree with me as to the existence of the evils, they honestly deplore them, but they charge me with mental imbecility when I suggest that things should be put right at once. They counsel delay, and when the dispute reaches a certain stage they smile at me with contempt, or pity, or they storm, according to individual temperament, and usually wind up with a rasping reiteration of their original opinions, highly peppered and salted, and an assurance that I have been born at least a century before my time.
If the men of the next century are destined to do good, "as their hands find opportunity," without previous delay until thousands of opportunities are lost and gone for ever; if those who put their hands to a piece of work shall carry it out with vigour in their own lifetime; if those who counsel delay shall mean due time for full consideration by themselves, and shall not mean an extended procrastination which shall free themselves from worry, and leave their work to be handed down as a legacy to their children, who shall likewise hand it down to their children, and so on ad infinitum until "delay" shall become a synonym for death and destruction to tens of thousands of better men than themselves,--if this shall be the sentiment and practice of the men of next century, then I confess that my sympathies are with them, and I really suspect that I must have got into the wrong century by mistake. But as the position is irremediable now, I suppose I must, in an imbecile sort of fashion, go on my way rejoicing--if I can-- sorrowing if I cannot rejoice.
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