Public-domain ebook
Spring Street A Story of Los Angeles
Language: en6,805 downloads on Project Gutenberg
Subjects
In: Novels·American Literature
Public-domain ebook sourced from Project Gutenberg #22194.
Public-domain ebook
Language: en6,805 downloads on Project Gutenberg
Subjects
In: Novels·American Literature
Public-domain ebook sourced from Project Gutenberg #22194.
Spring Street is a newspaper‑serial turned novel that plunges the reader into the gritty, sun‑baked streets of early twentieth‑century Los Angeles. The story opens with a reporter‑author explaining how the piece was commissioned for serial publication in The Evening Herald, then shifts immediately to the Gallant family’s crisis: a dying father, a grieving mother, and a son, John, who must confront both personal loss and the pressing need for money. The narrative moves from the somber domestic scene to the bustling world of a Spring Street boxing gym, where John seeks a fight to pay his mother’s funeral debt. The opening pages blend vivid street details, a phonograph’s jazz, children’s shouts, a mockingbird’s song, with the raw urgency of a young boxer stepping into a ring before a crowd that includes figures like Charlie Chaplin and Jack Dempsey.
The voice is straightforward and reportage‑like, reflecting the author’s self‑identification as a journalist rather than a novelist. Its prose carries the brisk, episodic rhythm of serialized fiction, with a focus on dialogue and action that mirrors the newspaper’s need to hold readers’ attention. Set against a backdrop of early‑1900s urban life, the style feels both documentary and melodramatic, capturing the era’s social atmosphere and the rise of popular sport. Readers who enjoy gritty urban sagas, period pieces that evoke the atmosphere of a bustling, developing Los Angeles, or stories that combine personal hardship with the spectacle of early boxing will find this work engaging.
The opening · free to read
Soon, he knew, the door would open and he would be called inside. That would be the end. A sickening feeling of terror gripped him and his heart pounded in his chest.
He took a step toward the door, which was really an involuntary movement. No, he couldn't go in there. The doctor was in a chair at the bedside, watching, helpless. He would only look up and say again that there was nothing to do but wait.
For a moment he hated that doctor because he sat there without doing a thing. His brain, inflamed and racked by the strain, throbbed in his head. He had a distorted idea that the doctor was making a coldly scientific observation of his father's death, perhaps taking mental notes for a paper to be read to a class of medical students.
He had tried waiting inside. That Mrs. Sprockett from across the street, who was with his mother, had whispered to him to be brave. His mother sat very still in her rocking chair, her head bowed, her hand pressed to her eyes. He knew she was praying. Unable to hold himself, he had dropped at her feet and buried his head in her lap. He had cried brokenly, his shoulders heaving spasmodically, and he had felt her hand gently touching his head.
They had not spoken, but the feeling that she was suffering with him had assuaged his agony until that Mrs. Sprockett had touched him on the shoulder and spoken to him.
"Do be brave, John, you must be a man now," she had said, and he had rushed outside to begin his pacing, back and forth, back and forth.
He began his walking again, ten steps across and ten steps back. At first he strode furiously, almost running, uttering queer little sounds like a whimpering animal, tears streaming down his cheeks. Now his throat was swollen and dry and his eyes smarted.
A few doors down the street children shouted at some wild game. Suddenly they stopped and he knew that they had been told to be quiet. He thought he saw their frightened faces as they were told that Mr. Gallant was dying. He remembered how he had been shocked to dumbness years before when someone in the neighborhood had died.
A boy passed on the sidewalk and looked at him with widened eyes and gaping mouth. He hurried by as though he feared that death might steal out from the Gallant house and take him.
Somewhere across the street a phonograph started blaring out a jazz piece. Then it stopped as suddenly as the shouts of the children. A lot they cared, he thought. All his father's death meant to them was the irritation of stopping the phonograph.
The blind on a window of the house next door was pulled to one side, emitting a shaft of light across the path he paced. A head--the head of the little girl his father had so often petted as he strode up the walk when he came home from work--shut off the light. He heard a scuffle of feet and she was pulled from the window.
Mrs. Sprockett's husband, in his shirt sleeves, came over and stood on the sidewalk.
"Is Maude in there with your mother?" he asked.
John looked at him, without a word.
"Beg your pardon," said Mrs. Sprockett's husband, backing away. "She didn't say--didn't leave any word--and the baby--and--"
The crying of the Sprockett baby could be heard faintly.
"I didn't think--I--I----" and Mrs. Sprockett's husband turned awkwardly and went back to the house.
Everything was quiet, so quiet that it startled him. A mocking bird warbled in a tree by the porch. He remembered his father saying one night that there was no music sweeter than its song.
Fragments of memory came to him vividly. His father pulling him from under a bed the night he was punished for stealing apples at the corner grocery store. His father reading David Copperfield to him and their mutual rejoicing when Betsy Trotwood lectured David's firm stepfather. His father closing his eyes and leaning back and a soft smile on his lips as his mother played "Annie Laurie."
These thoughts carried him away so that he stopped quickly when they left him. For a moment he could not realize that death was taking his father. He felt he had been out of his head, walking out there, that it was all a horrible nightmare. He almost began to laugh and dash up to the door to find things as they always had been. He staggered back with an impulse to shout in his agony as realization came back to him.
A wild hope seized him. He had been walking there for hours, for days it seemed, and the door had not opened. Perhaps the doctor was wrong, after all. Perhaps his father had rallied strength and would live. His heart beat exultingly. Perhaps----
And then the door opened.
He knew that his father had left them nothing but what was in the house. He had not spoken to his mother about it. He had been beside her bed until after dawn when, with a gentle sigh, she had slipped off into a merciful sleep.
Mrs. Sprockett, who left them only for a few minutes in the morning, he thanked with a guilty feeling of having not appreciated what she had done. The doctor had spoken to him kindly.
"My boy," he said, "this comes to all of us. Your father passed as gently as he lived. Remember, there's no sorrow nor suffering where he has gone and--be good to your mother."
It was not until after the funeral that John and his mother talked of the life before them. He told her that they would not have to leave their little home, that he would quit school and find work so they could go on together.
"Dearest, dearest mother, you shall be with me always," he said to her. But she replied:
"We owe a heavy debt, John, that must be paid at once."
He saw she was worrying over the expense of his father's funeral. He knew how sensitive she was about debts.
"I can get money somewhere, dearest mother," he said. "Don't worry."
"But where?"
"Somewhere--I'll get it. Please, oh, please don't think about it any more."
He could tell, however, that she could not put it out of her mind. There was a look about her eyes that told him it weighed upon her. It disappeared when he held her in his arms and comforted her; she tried bravely to hide it from him, but it was there, in his mind, haunting him.
He came to his decision about the money for the funeral director quickly. He told her he was going to look for work and went to George Blake at his Spring street gymnasium. Blake, an instructor in boxing, had seen him spar in amateur bouts and had taken him in tow. He boxed because he liked it; never with a thought of ever fighting for money. Only a month before he had refused an offer of a bout at Jack Doyle's Vernon arena.
"George," he said, "can you get me a bout at Vernon?"
"What's the big idea?" asked Blake with a smile.
"I need the money."
"How soon?"
"As soon as I can get it."
"I'll see Wad Wadhams, tonight," Blake said. "If there's a place on the bill I'll get it for you."
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