Public-domain ebook
Devon, Its Moorlands, Streams and Coasts
Language: en7,286 downloads on Project Gutenberg
Subjects
In: United Kingdom·Travel Writing·History - British
Public-domain ebook sourced from Project Gutenberg #22485.
Public-domain ebook
Language: en7,286 downloads on Project Gutenberg
Subjects
In: United Kingdom·Travel Writing·History - British
Public-domain ebook sourced from Project Gutenberg #22485.
Rosalind Northcote’s work is a richly layered guide to Devon’s landscape, its ancient customs and its storied families. The book opens with a lyrical excerpt from Miss O’Neill’s Devonshire Idyls, evoking a moonlit harvest scene where reapers chant “We ha’un!” and steel flashes in the dusk. From that vivid tableau the narrative drifts to the ruins of Ottery Mohun, describing the surviving Perpendicular arches and the heraldic carvings that recall the Norman Mohun and Carew lineages. Northcote then weaves together anecdotes of duels, court intrigue, and the turbulent fortunes of local gentry, before moving on to the picturesque towns of Honiton, Sidmouth and Ottery St Mary, and the architectural splendors of their churches and manor houses.
The prose is unmistakably of the late‑Victorian to early‑Edwardian period, combining a scholarly eye for detail with a romantic, almost poetic, tone. Northcote’s voice is both erudite and conversational, offering footnotes on heraldry alongside vivid descriptions of moorland mist and river valleys. Readers who relish antiquarian travel writing, regional history, or the atmospheric blend of folklore and factual narrative will find this book a rewarding companion for exploring Devon’s past.
The opening · free to read
The first and one of the greatest difficulties to confront a writer who attempts any sort of description of a place or people is almost sure to be the answer to the question, How much must be left out? In the present case the problem has reappeared in every chapter, for Devon is 'a fair province,' as Prince says in his 'Worthies of Devon,' and 'the happy parent of ... a noble offspring.'
My position is that of a person who has been bidden to take from a great heap of precious stones as many as are needed to make one chain; for however grasping that person may be, and however long the chain may be made, when all the stones have been chosen, the heap will look almost as great and delightful as before: only a few of the largest and brightest jewels will be gone.
The fact that I have been able to take only a small handful from the vast hoard that constitutes the history of Devon will explain, I hope, the many omissions that must strike every reader who has any knowledge of the county--omissions of which no one can be more conscious than myself. A separate volume might very well be written about the bit of country touched on in each chapter.
This book does not pretend to include every district. I have merely passed through a great part of the county, stopping here at an old church with interesting monuments, there at a small town whose share in local history--in some instances, in the country's history--is apt to be forgotten, or at a manor-house which should be remembered for its association with one of the many 'worthies' who, as Prince says--with the true impartiality of a West-countryman in regard to his own county--form 'an illustrious troop of heroes, as no other county in the kingdom, no other kingdom (in so small a tract) in Europe, in all respects, is able to match, much less excel.'
From the 'Tale of Two Swannes,' a view of the banks of the River Lea, published in 1590, I have ventured to borrow the verses that close an address 'To the Reader':
'To tell a Tale, and tell the Trueth withall, To write of waters, and with them of land, To tell of Rivers, where they rise and fall, To tell where Cities, Townes, and Castles stand, To tell their names, both old and newe, With other things that be most true,
'Argues a Tale that tendeth to some good, Argues a Tale that hath in it some reason, Argues a Tale, if it be understood, As looke the like, and you shall find it geason. If, when you reade, you find it so, Commend the worke and let it goe.'
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