Storieta
English
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About this book

The Ontario High School Reader is a structured instructional volume aimed at developing oral reading skills. Its opening chapter lays out a comprehensive “Principles of Reading,” followed by a graded series of literary selections that each highlight one or two elements of vocal expression, pause, inflection, pitch, and the like. The text explains how teachers should introduce each lesson, focusing first on the specific expressive qualities a passage exemplifies, then using discussion and black‑board exercises before pupils attempt the reading. Practical drills in vowel sounds and articulation are appended, and the work culminates in a systematic review of the principles, ensuring that students progress from mechanical pronunciation to expressive, emotionally resonant recitation.

Written in a didactic, late‑19th‑century style, the book combines clear exposition with a catalogue of poems, prose excerpts, and biblical passages ranging from Shakespeare to Longfellow. Its voice is formal yet instructional, reflecting the pedagogical concerns of its era. Readers who appreciate historical approaches to language arts, teachers seeking a period‑authentic resource, or anyone interested in the evolution of voice training will find the text both informative and evocative of a time when oral performance was central to education.

The opening · free to read

As the book is intended for the teaching of oral reading it contains an introductory chapter on the Principles of Reading, and selections for practice, with appended notes. An effort has also been made to grade the selections in the order of their difficulty. Accordingly, a number of selections, each illustrating in a marked degree only one, or at most two, of the various elements of Vocal Expression, have been placed at the beginning; these should, of course, be taught before the more complex selections are attempted.

It is not intended that the pupil shall master the chapter on the principles before beginning to read the selections; he should become familiar with each topic as it is illustrated in the lesson. In dealing with each lesson the teacher should first ascertain the elements of vocal expression that it best exemplifies. He should then discuss these elements with the pupils, using the necessary paragraphs of the Introduction, and such black-board exercises as he may deem necessary, until he is satisfied that the pupils are ready to undertake the study of the selection. At the oral reading the pupils should be able to show their mastery of the principles thus taught. Toward the close of the course, they will naturally read connectedly the various sections of the Introduction, in order to obtain a comprehensive and systematic view of the principles.

To secure good reading, systematic drill on the exercises in Vowel Sounds and in Articulation is also necessary.

Elements of Vocal Expression 7 Pause, Grouping, Time, Inflection, Pitch, Force, Stress, Emphasis, Shading, Perspective, Quality.

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