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About this book

Hartley Withers’s second‑edition work is a scholarly survey of Canterbury Cathedral’s architecture and the evolution of its archiepiscopal see. The book opens with a meticulous preface that lists the authorities consulted, county histories, antiquarian papers, the Master of the Rolls documents, and the handbooks of John Murray, before acknowledging the specific sources that underpin each chapter. From there it proceeds to a detailed contents list, dividing the study into four main parts: the building’s history, the exterior and precincts, the interior, and the history of the see. The opening narrative then launches into a chronological account of the cathedral’s construction, beginning with Lanfranc’s Norman rebuilding and tracing successive phases of fire, reconstruction, and stylistic change up to the fifteenth‑century addition of the central tower.

The voice is that of a nineteenth‑century antiquarian, formal and densely referenced, with a tone that balances descriptive detail and scholarly citation. Its style reflects the Victorian era’s reverence for documentary rigor and an appetite for exhaustive illustration, as seen in the numerous plates and plans reproduced from contemporary artists and photographers. Readers who relish architectural history, ecclesiastical archaeology, or the layered narrative of England’s medieval cathedrals will find Withers’s methodical approach rewarding, while those seeking a more narrative‑driven or modern interpretation may prefer a later synthesis.

Who appears in this book

  • LanfrancMiddle‑aged Norman cleric, bald head, thin beard, wearing a dark 11th‑century archbishop's mitre and robes
  • John MurrayVictorian gentleman, moustache, waistcoat and frock coat, pocket watch, standing beside a stack of scholarly books

The opening · free to read

Among authorities consulted in the preparation of this volume, the author desires to name specially Prof. Willis's "Architectural History of Canterbury Cathedral" (1845), Dean Stanley's "Historical Memorials of Canterbury" (Murray, 1855, and fifth edition, 1868), "Canterbury," by the Rev. R.C. Jenkins (1880), and the excellent section devoted to Canterbury in Murray's "Handbooks to the English Cathedrals, Southern Division," wherein Mr. Richard John King brought together so much valuable matter, to which reference has been made too often to be acknowledged in each instance. For permission to use this the publishers have to thank Mr. John Murray.

For the reproduction of the drawings of the various parts of the Cathedral, and the arms on the title page, by Mr. Walter Tallent Owen, the editors are greatly indebted to the artist, from whose volume, "Bits of Canterbury Cathedral," published by W.T. Comstock, New York, 1891, they have been taken. Others are taken from Charles Wild's "Specimens of Mediaeval Architecture," and from Carter's "Ancient Sculpture and Paintings."

The illustrations from photographs in this volume have been reproduced from the originals by Messrs. Carl Norman and Co.

H.W.

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