Storieta
English
Sign up

The opening · free to read

By Mary Russell Mitford

One of the most beautiful spots in the north of Hampshire--a part of the country which, from its winding green lanes, with the trees meeting over head like a cradle, its winding roads between coppices, with wide turfy margents on either side, as if left on purpose for the picturesque and frequent gipsy camp, its abundance of hedgerow timber, and its extensive tracts of woodland, seems as if the fields were just dug out of the forest, as might have happened in the days of William Rufus--one of the loveliest scenes in this lovely county is the Great Pond at Ashley End.

Ashley End is itself a romantic and beautiful village, struggling down a steep hill to a clear and narrow running stream, which crosses the road in the bottom, crossed in its turn by a picturesque wooden bridge, and then winding with equal abruptness up the opposite acclivity, so that the scattered cottages, separated from each other by long strips of garden ground, the little country inn, and two or three old-fashioned tenements of somewhat higher pretensions, surrounded by their own moss-grown orchards, seemed to be completely shut out from this bustling world, buried in the sloping meadows so deeply green, and the hanging woods so rich in their various tinting, along which the slender wreaths of smoke from the old clustered chimneys went smiling peacefully in the pleasant autumn air. So profound was the tranquillity, that the slender streamlet which gushed along the valley, following its natural windings, and glittering in the noonday sun like a thread of silver, seemed to the unfrequent visiters of that remote hamlet the only trace of life and motion in the picture.

The source of this pretty brook was undoubtedly the Great Pond, although there was no other road to it than by climbing the steep hill beyond the village, and then turning suddenly to the right, and descending by a deep cart-track, which led between wild banks covered with heath and feathery broom, garlanded with bramble and briar roses, and gay with the purple heath-flower and the delicate harebell,* to a scene even more beautiful and more solitary than the hamlet itself.

* One of the pleasantest moments that I have ever known, was that of the introduction of an accomplished young American to the common harebell, upon the very spot which I have attempted to describe. He had never seen that English wild- flower, consecrated by the poetry of our common language, was struck even more than I expected by its delicate beauty, placed it in his button-hole, and repeated with enthusiasm the charming lines of Scott, from the Lady of the Lake:--

"For me,"--she stooped, and, looking round, Plucked a blue harebell from the ground,-- "For me, whose memory scarce conveys An image of more splendid days, This little flower, that loves the lea, May well my simple emblem be; It drinks heaven's dew as blithe as rose That in the King's own garden grows, And when I place it in my hair, Allan, a bard, is bound to swear He ne'er saw coronet so fair."

Still greater was the delight with which another American recognised that blossom of a thousand associations--the flower sacred to Milton and Shakspeare--the English primrose. He bent his knee to the ground in gathering a bunch, with a reverential expression which I shall not easily forget, as if the flower were to him an embodiment of the great poets by whom it has been consecrated to fame; and he also had the good taste not to be ashamed of his own enthusiasm. I have had the pleasure of exporting, this spring, to my friend Miss Sedgwick, (to whose family one of my visiters belongs,) roots and seeds of these wild flowers, of the common violet, the cowslip, and the ivy, another of our indigenous plants which our Transatlantic brethren want, and with which Mr. Theodore Sedgwick was especially delighted. It will be a real distinction to be the introductress of these plants into that Berkshire village of New England, where Miss Sedgwick, surrounded by relatives worthy of her in talent and in character, passes her summers.

It was a small clear lake almost embosomed in trees, across which an embankment, formed for the purpose of a decoy for the wildfowl with which it abounded, led into a wood which covered the opposite hill; an old forest-like wood, where the noble oaks, whose boughs almost dipped into the water, were surrounded by their sylvan accompaniments of birch, and holly, and hawthorn, where the tall trees met over the straggling paths, and waved across the grassy dells and turfy brakes with which it was interspersed. One low-browed cottage stood in a little meadow--it might almost be called a little orchard--just at the bottom of the winding road that led to the Great Pond: the cottage of the widow King.

Independently of its beautiful situation, there was much that was at once picturesque and comfortable about the cottage itself, with its irregularity of outline, its gable ends and jut-ting-out chimneys, its thatched roof and penthouse windows. A little yard, with a small building which just held an old donkey-chaise and an old donkey, a still older cow, and a few pens for geese and chickens, lay on one side of the house; in front, a flower court, surrounded by a mossy paling; a larger plot for vegetables behind; and, stretching down to the Great Pond on the side opposite the yard, was the greenest of all possible meadows, which, as I have before said, two noble walnut and mulberry-trees, and a few aged pears and apples, clustered near the dwelling, almost converted into that pleasantest appanage of country life, an orchard.

Notwithstanding, however, the exceeding neatness of the flower-court, and the little garden filled with choice beds of strawberries, and lavender, and old-fashioned flowers, stocks, carnations, roses, pinks; and in spite of the cottage itself being not only almost covered with climbing shrubs, woodbine, jessamine, clematis, and musk-roses, and in one southern nook a magnificent tree-like fuchsia, but the old chimney actually garlanded with delicate creepers, the maurandia, and the lotus spermus, whose pink and purple bells, peeping out from between their elegant foliage, and mingling with the bolder blossoms and darker leaves of the passion-flower, give such a wreathy and airy grace to the humblest building;* in spite of this luxuriance of natural beauty, and of the evident care bestowed upon the cultivation of the beds, and the training of the climbing plants, we yet felt, we hardly could tell why, but yet we instinctively felt, that the moss-grown thatch, the mouldering paling, the hoary apple trees, in a word, the evidences of decay visible around the place, were but types of the fading fortunes of the inmates.

* I know nothing so pretty as the manner in which creeping plants interwreath themselves one with another. We have at this moment a wall quite covered with honeysuckles, fuchsias, roses, clematis, passion flowers, myrtles, scobsea, acrima carpis, lotus spermus, and maurandia Barclayana, in which two long sprays of the last-mentioned climbers have jutted out from the wall, and entwined themselves together, like the handle of an antique basket. The rich profusion of leaves, those of the lotus spermus, comparatively rounded and dim, soft in texture and colour, with a darker patch in the middle, like the leaf of the old gum geranium; those of the maurandia, so bright, and shining, and sharply outlined--the stalks equally graceful in their varied green, and the roseate bells of the one contrasting and harmonising so finely with the rich violet flowers of the other, might really form a study for a painter. I never saw anything more graceful in quaint and cunning art than this bit of simple nature. But nature often takes a fancy to outvie her skilful and ambitious handmaiden, and is always certain to succeed in the competition.

And such was really the case. The widow King had known better days. Her husband had been the head keeper, her only son head gardener, of the lord of the manor; but both were dead; and she, with an orphan grandchild, a thoughtful boy of eight or nine years old, now gained a scanty subsistence from the produce of their little dairy, their few poultry, their honey, (have I not said that a row of bee-hives held their station on the sunny side of the garden?). and the fruit and flowers which little Tom and the old donkey carried in their season to Belford every market-day.

Besides these their accustomed sources of income, Mrs. King and Tom neglected no means of earning an honest penny. They stripped the downy spikes of the bulrushes to stuff cushions and pillows, and wove the rushes themselves into mats. Poor Tom was as handy as a girl; and in the long winter evenings he would plait the straw hats in which he went to Belford market, and knit the stockings, which, kept rather for show than for use, were just assumed to go to church on Sundays, and then laid aside for the week. So exact was their economy.

The only extravagance in which Mrs. King indulged herself was keeping a pet spaniel, the descendant of a breed for which her husband had been famous, and which was so great a favourite, that it ranked next to Tom in her affections, and next to his grandmother in Tom's. The first time that I ever saw them, this pretty dog had brought her kind mistress into no small trouble.

We had been taking a drive through these beautiful lanes, never more beautiful than when the richly tinted autumnal foliage contrasts with the deep emerald hue of the autumnal herbage, and were admiring the fine effect of the majestic oaks, whose lower branches almost touched the clear water which reflected so brightly the bright blue sky, when Mrs. King, who was well known to my father, advanced to the gate of her little court, and modestly requested to speak with him.

The group in front of the cottage door was one which it was impossible to contemplate without strong interest. The poor widow, in her neat crimped cap, her well-worn mourning gown, her apron and handkerchief coarse, indeed, and of cheap material, but delicately clean, her grey hair parted on her brow, and her pale intelligent countenance, stood leaning against the doorway, holding in one thin trembling hand a letter newly opened, and in the other her spectacles, which she had been fain to take off, half hoping that they had played her false, and that the ill-omened epistle would not be found to contain what had so grieved her. Tom, a fine rosy boy, stout and manly for his years, sat on the ground with Chloe in his arms, giving vent to a most unmanly fit of crying; and Chloe, a dog worthy of Edwin Landseer's pencil, a large and beautiful spaniel, of the scarce old English breed, brown and white, with shining wavy hair feathering her thighs and legs, and clustering into curls towards her tail and forehead, and upon the long glossy magnificent ears which gave so much richness to her fine expressive countenance, looked at him wistfully, with eyes that expressed the fullest sympathy in his affliction, and stooped to lick his hand, and nestled her head in his bosom, as if trying, as far as her caresses had the power, to soothe and comfort him.

The book keeps going

Keep reading, and see it illustrated

Reading is free forever. Sign up and watch scenes appear while you read.

Illustrated scene from The Great GatsbyIllustrated scene from Pride and PrejudiceIllustrated scene from Alice's Adventures in Wonderland

Scenes Storieta drew for other classics.

New illustrated classics

A new classic, drawn, in your inbox.

Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.