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Instead of replying, Monsieur Bergeret commenced to laugh, and Mademoiselle Bergeret also laughed, her lips pressed tight together. Pauline looked from one to the other. She thought it strange that her aunt should laugh so heartily, and more strange that she should laugh with and in sympathy with her brother. It was indeed singular, as the brother and sister were quite different in character.

“Papa, tell me what was Putois? Since you wish me to know, tell me.”

“Putois, my daughter, was a gardener. The son of honest market-gardeners, he set up for himself as nurseryman at Saint-Omer. But he did not satisfy his customers and got in a bad way. Having given up business, he went out by the day. Those who employed him could not always congratulate themselves.”

At this, Mademoiselle Bergeret, laughing, rejoined;

“Do you recall, Lucien, when our father could not find his ink, his pens, his sealing-wax, his scissors, he said: ‘I suspect Putois has been here’?”

“Ah!” said Monsieur Bergeret, “Putois had not a good reputation.”

“Is that all?” asked Pauline.

“No, my daughter, it is not all. Putois was remarkable in this, that while we knew him and were familiar with him, nevertheless--”

“--He did not exist,” said Zoe.

Monsieur Bergeret looked at his sister with an air of reproach.

“What a speech, Zoe! and why break the charm like that? Do you dare say it, Zoe? Zoe, can you prove it? To maintain that Putois did not exist, that Putois never was, have you sufficiently considered the conditions of existence and the modes of being? Putois existed, my sister. But it is true that his was a peculiar existence.”

“I understand less and less,” said Pauline, discouraged.

“The truth will be clear to you presently, my daughter. Know then that Putois was born fully grown. I was still a child and your aunt was a little girl. We lived in a little house, in a suburb of Saint-Omer. Our parents led a peaceful, retired life, until they were discovered by an old lady named Madame Cornouiller, who lived at the manor of Montplaisir, twelve miles from town, and proved to be a great-aunt of my mother’s. By right of relationship she insisted that our father and mother come to dine every Sunday at Montplaisir, where they were excessively bored. She said that it was the proper thing to have a family dinner on Sunday and that only people of common origin failed to observe this ancient custom. My father was bored to the point of tears at Montplaisir. His desperation was painful to contemplate. But Madame Cornouiller did not notice it. She saw nothing, My mother was braver. She suffered as much as my father, and perhaps more, but she smiled.”

“Women are made to suffer,” said Zoe.

“Zoe, every living thing is destined to suffer. In vain our parents refused these fatal invitations. Madame Cornouiller came to take them each Sunday afternoon. They had to go to Montplaisir; it was an obligation from which there was absolutely no escape. It was an established order that only a revolt could break. My father finally revolted and swore not to accept another invitation from Madame Cornouiller, leaving it to my mother to find decent pretexts and varied reasons for these refusals, for which she was the least capable. Our mother did not know how to pretend.”

“Say, Lucien, that she did not like to. She could tell a fib as well as any one.”

“It is true that when she had good reasons she gave them rather than invent poor ones. Do you recall, my sister, that one day she said at table: ‘Fortunately, Zoe has the whooping-cough; we shall not have to go to Montplaisir for some time’?”

“That was true!” said Zoe.

“You got over it, Zoe. And one day Madame Cornouiller said to my mother: Dearest, I count on your coming with your husband to dine Sunday at Montplaisir.’ Our mother, expressly bidden by her husband to give Madame Cornouiller a good reason for declining, invented, in this extremity, a reason that was not the truth. ‘I am extremely sorry, dear Madame, but that will be impossible for us. Sunday I expect the gardener.’

“On hearing this, Madame Cornouiller looked through the glass door of the salon at the little wild garden, where the prickwood and the lilies looked as though they had never known the pruning-knife and were likely never to know it. ‘You expect the gardener! What for?’

“‘To work in the garden.’

“And my mother, having involuntarily turned her eyes on this little square of weeds and plants run wild, that she had called a garden, recognized with dismay the improbability of her excuse.

“‘This man,’ said Madame Cornouiller, ‘could just as well work in your garden Monday or Tuesday. Moreover, that will be much better.’ One should not work on Sunday.’

“‘He works all the week.’

“I have often noticed that the most absurd and ridiculous reasons are the least disputed: they disconcert the adversary. Madame Cornouiller insisted, less than one might expect of a person so little disposed to give up. Rising from her armchair, she asked:

“‘What do you call your gardener, dearest?’

“‘Putois,’ answered my mother without hesitation.

“Putois was named. From that time he existed. Madame Cornouiller took herself off, murmuring: ‘Putois! It seems to me that I know that name. Putois! Putois! I must know him. But I do not recollect him. Where does he live?’

“‘He works by the day. When one wants him one leaves word with this one or that one.’

“‘Ah! I thought so, a loafer and a vagabond--a good-for-nothing. Don’t trust him, dearest.’

“From that time Putois had a character.’”

“We were speaking of him whom my mother caused to be born gardener at Saint-Omer and whom she christened. He existed from that time on.”

“Dear master, will you kindly repeat that?” said Monsieur Goubin, wiping the glass of his monocle.

“Willingly,” replied Monsieur Bergeret. “There was no gardener. The gardener did not exist. My mother said: ‘I am waiting for the gardener.’ At once the gardener was. He lived.”

“Dear master,” said Monsieur Goubin, “how could he live since he did not exist?”

“He had a sort of existence,” replied Monsieur Bergeret.

“You mean an imaginary existence,” Monsieur Goubin replied, disdainfully.

“Is it nothing then, but an imaginary existence?” exclaimed the master. “And have not mythical beings the power to influence men! Consider mythology, Monsieur Goubin, and you will perceive that they are not real beings but imaginary beings that exercise the most profound and lasting influence on the mind. Everywhere and always, beings who have no more reality than Putois have inspired nations with hatred and love, terror and hope, have advised crimes, received offerings, made laws and customs. Monsieur Goubin, think of the eternal mythology. Putois is a mythical personage, the most obscure, I grant you, and of the lowest order. The coarse satyr, who in olden times sat at the table with our peasants in the North, was considered worthy of appearing in a picture by Jordaens and a fable by La Fontaine. The hairy son of Sycorax appeared in the noble world of Shakespeare. Putois, less fortunate, will be always neglected by artists and poets. He lacks bigness and the unusual style and character. He was conceived by minds too reasonable, among people who knew how to read and write, and who had not that delightful imagination in which fables take root. I think, Messieurs, that I have said enough to show you the real nature of Putois.”

“I understand it,” said Monsieur Goubin. And Monsieur Bergeret continued his discourse.

“Putois was. I can affirm it. He was. Consider it, gentlemen, and you will admit that a state of being by no means implies substance, and means only the bonds attributed to the subject, expresses only a relation.”

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