Storieta
English
Sign up

About this book

Albert Burton Farnham’s “Home Taxidermy for Pleasure and Profit” is a practical handbook aimed at amateurs who want to turn freshly harvested game into decorative mounts. The opening pages set the tone with a strong encouragement to mount every specimen, arguing that a well‑mounted skin is more rewarding than a dry scientific one and that such practice can help curb reckless killing of wildlife. Farnham briefly outlines the legal context of hunting licenses, then launches into a sweeping historical survey that traces taxidermy from ancient Egyptian embalming through early European attempts to modern American workshops, positioning his guide as the latest link in a long chain of instructional works.

Written in the straightforward, instructional prose of the late‑19th‑century naturalist, the book blends earnest moral commentary with detailed, step‑by‑step instructions on tools, materials, and techniques. Its voice is that of an experienced practitioner speaking directly to a novice, peppered with practical anecdotes and a modest dose of humor. Readers who enjoy hands‑on manuals, historical overviews of a craft, or the nostalgic charm of Victorian‑era hunting literature will find Farnham’s guide both informative and engaging.

The opening · free to read

It is very evident that this art--Taxidermy, preservation or care of skins--had its origin far back before the dawn of written history. There existed then as now the desire to preserve the trophy of the hunter's prowess and skill and the unusual in natural objects.

As far back as five centuries B. C. in the record of the African explorations of Hanno the Carthaginian, an account is given of the discovery of what was evidently the gorilla and the subsequent preservation of their skins, which were, on the return of the voyagers, hung in the temple of Astarte, where they remained until the taking of Carthage in the year 146 B. C.

This, of course, was not the art as we know it now, but shows the beginnings of what might be called the museum idea. The art of embalming as practiced by the ancient Egyptians was, however, effective, not for the purpose of having the specimens look natural, or for exhibition, but to satisfy the superstition of the times, and though a preservative art, hardly to be classed with taxidermy.

In the tombs of that period are found besides the mummies of human beings, countless others of dogs, cats, monkeys, birds, sheep and oxen. There have been a number of efforts made to substitute some form of embalming for present day taxidermy but without much success, for though the body of the specimen may be preserved from decay without removing it from the skin, the subsequent shrinkage and distortion spoil any effect which may have been achieved.

The first attempt at stuffing and mounting birds was said to have been made in Amsterdam in the beginning of the 16th century. The oldest museum specimen in existence, as far as I know, is a rhinoceros in the Royal Museum of Vertebrates in Florence, Italy, said to have been originally mounted in the 16th century.

Probably on account of the necessary knowledge of preservative chemicals, the art seems to have been in the hands of chemists and astrologers, chiefly, during the middle ages, and stuffed animals such as bats, crocodiles, frogs, snakes, lizards, owls, etc., figure in literary descriptions of their abodes. Then as now also, the dining halls of the nobles and wealthy were decorated with heads and horns procured in the hunt.

The first publications on the art seem to have been made in France, in which country and Germany, many still used methods and formulas originated. Though the first volume of instruction in taxidermy was published in the United States as late as 1865, it has been left for the study and ingenuity of American taxidermists to accomplish what is probably work of as high a standard as any in the world.

The Ward establishment at Rochester has turned out many well trained taxidermists, the large museums of the United States are filled with some of the best work of the kind in existence, besides many persons who have engaged in it for commercial purposes or to gratify private tastes. Many of these have made public their methods and modes in various publications. Among these are the works of Batty, Hornaday, Shofeldt, Davie, Rowley, Maynard, Reed and others, all of which are invaluable books of reference for the home taxidermist.

It is to be regretted that the once flourishing Society of American Taxidermists has not been perpetuated, numbering, as it did, among its membership the best artists in their line in this country.

There is no royal road to success in this, more than any other of the arts and sciences, though I believe the ambitious beginner will find the way smoother; better materials are to be had, more helpful publications to be consulted and the lessening supply of wild life tends to make a more appreciative public than ever before.

The extent and variety of work undertaken will determine the necessary working space and the assortment of tools needful. Other things being equal, the most complete assortment of tools and supplies makes possible the production of the best work in the minimum time. The equipment of the beginner need be but small and inexpensive, however, increasing the same as he discovers what is most necessary and desirable, in an increasing field of work. Wonderful pieces of taxidermy have been done with a pocket knife, pliers, needle and thread, some wire, tow and arsenic.

If no other room offers, much may be achieved (with the permission of the lady of the house) in a corner of a dining room or kitchen. A room or part of one well lighted, by north window or sky-light preferably, makes the best location for the work table. This table may be of the common unpainted kitchen variety for all small work. It is well to make the top double by hinging on two leaves, which when extended will make it twice its usual width. When so extended and supported by swinging brackets it is specially adapted to sewing on rugs and robes. Such tables usually have one or two shallow drawers which are most useful to hold small tools. A shelf should be fitted between the legs, six or eight inches from the floor, forming a handy place for boxes of materials, books, etc.

If large work is in prospect a table should be built of the usual heighth, two or three feet wide, and six long. The legs of stout scantlings should be fitted with casters, making it easy to remove it to the center of the room where it can be approached on all sides, as will often be necessary. The double top, drawers, and shelf should be a part of the larger table also. Usually the table is kept in front of the window with tool racks and shelves for small articles each side of the same where they can easily be reached.

For preparing and mounting all small and medium size specimens I would advise the following list of tools. They will enable the worker to care for any of our native birds, quadrupeds up to the coyote, and any of our game heads, fur rugs, etc.

1 small skinning knife 1 medium skinning knife 1 larger skinning knife 1 pair scissors, fine points 1 pair shears, heavy, short 2 pairs flat nose pliers, large and small. 1 pair side or end cutters

(1) Skin Scraper (made from screw driver) (2) (3) (4) Modeling Tools (wood and brass) (5) Setting Needle. (6) (7) Stuffers (heavy wire.)]

1 pair fine forceps, 5 or 6 inch 2 flat files, large and small 1 adjustable tool handle, assorted tools, awls. 2 pinking irons, 3/4 and 1-1/2 inch Needles, assortment of cloth and glovers Oilstone

If it is capable of taking and holding a good edge the small blade of a pocket knife is equal to a surgeon's scalpel and a sharp shoe or paring knife, ground to the proper shape, is a nice medium size for skinning or trimming skins. A hunting or butcher knife is sufficient for the largest size. A few carpenter's tools are necessary and a complete set does not come amiss if much large work is attempted.

and some stuffing and modelling tools which you can make yourself. The list of materials seems like a long one, but many are inexpensive and others are used only in some small amounts, so the aggregate cost is small.

Excelsior Fine tow Cotton bat or wadding Plaster paris Corn meal Gasoline Potter's or modelling clay Set tube oil colors Glass eyes, assorted Soft wire, assorted Pins Cord Spool cotton, coarse and fine, black and white Wax, varnish, glue, paste Papier mache, or paper for same An assortment of nails, tacks, brads, screws, screw eyes and staples

(1) Gimlet (2) Expansive bits (3) Brush (4) Bone cutter (5) (6) (7) (8) Pliers (9) Pinking irons (10) Hand vise (11) (12) Scalpels and knives.]

(13) Scalpels (15) Sewing palm (16) Straight Surgeons Scissors (17) Curved Surgeon Scissors (18) Angular Surgeons Scissors (19) Fine Point Scissors (20) Scissor Handled Stuffers (21) Stuffer.]

(22) Stuffer and forcep, curved fine point (23) Regular taxidermists stuffer and forcep (24) Gauge (25) Hack Saw (26) Egg drill]

A packing box or two will furnish some lumber for temporary stands and interior frame work. The permanent mounts are treated of elsewhere.

In ordering glass eyes it is often best to get them in the clear glass iris with black pupil so they may be given any color desired by painting the backs with tube colors, afterward protecting the paint with varnish. In this way a small stock will answer for many varieties. The plain black eye which is the least expensive can be used for many of the smaller birds and mammals, but should never be when the iris of the eye has any distinct tint. Do not make the mistake of ordering an assortment of "off" sizes and colors, that is those which are seldom called for. Aim to have those on hand for which you will have the most frequent use, the exceptions can be quickly had by parcel post. There is more demand for eyes of some shade of yellow or brown than any other colors, probably.

All birds have the round pupil. Elongated pupils are suitable for horned game and the cat tribe, irregular pupils fish, and the veined iris for dogs, wolves and foxes. Suitable sizes for some species of birds are as follows:

Number 3 to 5 Sparrows generally. Number 5 to 7 Robin, blue jay, flicker. Number 7 to 9 The smaller hawks and herons, nearly all the ducks. Number 10 to 12 The smaller owls, the wild goose. Number 12 to 14 The larger hawks and herons. Number 15 Screech owl, eagles. Number 17 Barred owl. Number 19 or 20 Snowy owl and great horned owl.

Size of eyes for quadrupeds:

Number 7 or 8 Mink, skunk, red squirrel. Number 10 to 12 Gray and fox squirrel, wood chuck, raccoon and opossum. Number 12 to 14 Rabbit, small dogs, house cat. Number 15 to 17 Jack rabbit, fox, medium size dogs, wild cat, black bear. Number 18 Large dog, wolf, lynx, and grizzly bear. Number 20 to 22 Puma, jaguar, small deer. Number 23 to 24 Large deer, tiger. Number 25 to 27 Moose, elk, caribou, horse, cow, lion.

Of wire the following sizes are suitable for birds:

Number 6 Pelican. Number 7 Wild turkey, swan. Number 8 Eagles. Number 9 Loon, goose, large herons. Number 10 Seagull, large ducks, hawks, owls, and fish hawk. Number 11 or 12 Medium size ducks, herons, and similar. Number 13 or 14 Small ducks and grouse. Number 15 Small herons, and medium owls. Number 16 Doves, small owls. Number 17 or 18 Bob white, jay, robin, snipe. Number 19 Blackbird, waxwing, oriole. Number 20 Bluebird, cardinal. Number 21 to 24 Warblers, wrens, titmouse, finches. Number 26 North American humming bird.

For quadrupeds:

Number 7 Wild cat. Number 8 Foxes. Number 10 Raccoon, wood chuck. Number 11 Skunk, opossum. Number 12 or 13 Muskrat, rabbit. Number 14 or 15 Mink, large squirrels. Number 17 or 18 Weasel, bull frog, and small squirrels.

These sizes are approximate, varying with size of the individual specimen and the required attitude wanted. For instance, a bird mounted with wings spread would be better for a large size wire than if in a resting position. An animal crouched does not require as heavy supports as one upright or in action. It is best to give the specimen the benefit of the doubt, as nothing is more disastrous than to have an otherwise well mounted subject sag down and spoil the entire effect from lack of sufficient mechanical support. The best wire for this purpose is annealed, galvanized iron. Larger animals require Norway iron rod in the following sizes:

The book keeps going

Keep reading, and see it illustrated

Reading is free forever. Sign up and watch scenes appear while you read.

Illustrated scene from Alice's Adventures in WonderlandIllustrated scene from The Adventures of Sherlock HolmesIllustrated scene from Frankenstein

Scenes Storieta drew for other classics.

New illustrated classics

A new classic, drawn, in your inbox.

Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.