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Campaigns of a Non-Combatant, and His Romaunt Abroad During the War

About this book

George Alfred Townsend’s work is a hybrid of travelogue, personal memoir and war reportage, assembled from the perspective of a journalist who never took up arms. The opening pages set the tone by contrasting the flood of official histories and battlefield sketches with Townsend’s own “lighter phases of war” that he observed as a non‑combatant. He promises sketches of the American Civil War that focus less on tactics and statistics and more on the scenery, the people of the invaded country, and the impressions of a “novitiate” moving through Europe and back to the United States. The narrative begins with a vivid, almost theatrical recollection of his early newspaper life in Newport, his apprenticeship under editors and printers, and his self‑conscious struggle to turn “scissors and pen” into a career, all of which frames his later observations of the conflict abroad.

The voice is unmistakably Victorian, marked by long, ornate sentences, self‑reflective digressions, and a blend of humor and melancholy that mirrors the era’s journalistic style. Townsend writes with a journalist’s eye for detail yet indulges in literary flourishes that give the text a memoir‑like intimacy. Readers who enjoy 19th‑century reportage, historical travel writing, or first‑hand accounts of the Civil War from a civilian perspective will find this book rewarding. It especially appeals to those fascinated by the cultural exchange between America and Europe during the 1860s and the inner workings of a period newspaper office.

Who appears in this book

  • George Alfred TownsendMid‑19th‑century American male journalist, dark hair, sideburns, round spectacles, ink‑stained shirt, crisp waistcoat, thoughtful expression

The opening · free to read

"Few wars have been so well chronicled, as that now desolating America. Its official narratives have been copious; the great newspapers of the land have been represented in all its campaigns; private enterprise has classified and illustrated its several events, and delegates of foreign countries have been allowed to mingle freely with its soldiery, and to observe and describe its battles. The pen and the camera have accompanied its bayonets, and there has not probably been any skirmish, however insignificant, but a score of zealous scribes have remarked and recorded it.

"I have employed some leisure hours afforded me in Europe, to detail those parts of the struggle which I witnessed in a civil capacity. The Sketches which follow are entirely personal, and dwell less upon routine incidents, plans, and statistics, than upon those lighter phases of war which fall beneath the dignity of severe history and are seldom related. I have endeavored to reproduce not only the adventures, but the impressions of a novitiate, and I have described not merely the army and its operations, but the country invaded, and the people who inhabit it.

"The most that I have hoped to do, is so to simplify a campaign that the reader may realize it as if he had beheld it, travelling at will, as I did, and with no greater interest than to see how fields were fought and won."

To those chapters, I have added in this collection, some estimates of American life in Europe, and some European estimates of American life; with my ultimate experiences in the War after my return to my own country. I cannot hope that they will be received with the same favor, either here or abroad, as that which greeted their original publication. But no man ought to let the first four years of his majority slip away unrecorded. I would rather publish a tolerable book now than a possibly good one hereafter.

"Here is a piece of James Franklin's printing press, Mr. Townsend," said Mr. Pratt to me, at Newport the other day,--"Ben. Franklin wrote for the paper, and set type upon it. The press was imported from England in 1730, or thereabouts."

He produced a piece of wood, a foot in length, and then laid it away in its drawer very sacredly.

"I should like to write to that press, Mr. Pratt," I said,--"there would be no necessity in such a case of getting off six columns for to-night's mail."

"Well!" said Mr. Pratt, philosophically, "I have a theory that a man grows up to machinery. As your day so shall your strength be. I believe you have telegraphed up to a House instrument, haven't you?"

"Mr. Pratt," cried I, with some indignation, "your memory is too good. This is Newport, and I have come down to see the surf. Pray, do not remind me of hot hours in a newspaper office, the click of a Morse dispatch, and work far into the midnight!"

So I left Mr. Pratt, of the Newport Mercury, with an ostentation of affront, and bade James Brady, the boatman, hoist sail and carry me over to Dumpling Rocks.

On the grassy parapet of the crumbling tower which once served the purposes of a fort, the transparent water hungering at its base, the rocks covered with fringe spotting the channel, the ocean on my right hand lost in its own vastness, and Newport out of mind save when the town bells rang, or the dip of oars beat in the still swell of Narragansett,--I lay down, chafing and out of temper, to curse the only pleasurable labor I had ever undertaken.

To me all places were workshops: the seaside, the springs, the summer mountains, the cataracts, the theatres, the panoramas of islet-fondled rivers speeding by strange cities. I was condemned to look upon them all with mercenary eyes, to turn their gladness into torpid prose, and speak their praises in turgid columns. Never nepenthe, never abandonne, always wide-awake, and watching for saliences, I had gone abroad like a falcon, and roamed at home like a hungry jackal. Six fingers on my hand, one long and pointed, and ever dropping gall; the ineradicable stain upon my thumb; the widest of my circuits, with all my adventure, a paltry sheet of foolscap; and the world in which I dwelt, no place for thought, or dreaminess, or love-making,--only the fierce, fast, flippant existence of news!

And with this inward execration, I lay on Dumpling Rocks, looking to sea, and recalled the first fond hours of my newspaper life.

To be a subject of old Hoe, the most voracious of men, I gave up the choice of three sage professions, and the sweet alternative of idling husbandry.

The day I graduated saw me an attache of the Philadelphia Chameleon. I was to receive three dollars a week and be the heir to lordly prospects. In the long course of persevering years I might sit in the cushions of the night-editor, or speak of the striplings around me as "_my_ reporters."

"There is nothing which you cannot attain," said Mr. Axiom, my employer,--"think of the influence you exercise!--more than a clergyman; Horace Greeley was an editor; so was George D. Prentice; the first has just been defeated for Congress; the last lectured last night and got fifty dollars for it."

Hereat I was greatly encouraged, and proposed to write a leader for next day's paper upon the evils of the Fire Department.

"Dear me," said Mr. Axiom, "you would ruin our circulation at a wink; what would become of our ball column? in case of a fire in the building we couldn't get a hose to play on it. Oh! no, Alfred, writing leaders is hard and dangerous; I want you first to learn the use of a beautiful pair of scissors."

I looked blank and chopfallen.

"No man can write a good hand or a good style," he said, "without experience with scissors. They give your palm flexibility and that is soon imparted to the mind. But perfection is attained by an alternate use of the scissors and the pen; if a little paste be prescribed at the same time, cohesion and steadfastness is imparted to the man."

His reasoning was incontrovertible; but I damned his conclusions.

So, I spent one month in slashing several hundred exchanges a day, and paragraphing all the items. These reappeared in a column called "THE LATEST INFORMATION," and when I found them copied into another journal, a flush of satisfaction rose to my face.

The editor of the Chameleon was an old journalist, whose face was a sealed book of Confucius, and who talked to me, patronizingly, now and then, like the Delphic Oracle. His name was Watch, and he wore a prodigious pearl in his shirt-bosom. He crept up to the editorial room at nine o'clock every night, and dashed off an hour's worth of glittering generalities, at the end of which time two or three gentlemen, blooming at the nose, and with cheeks resembling a map drawn in red ink, sounded the pipe below stairs, and Mr. Watch said--

"Mr. Townsend, I look to you to be on hand to-night; I am called away by the Water-Gas Company."

Then, with enthusiasm up to blood-heat, aroused by this mark of confidence, I used to set to, and scissor and write till three o'clock, while Mr. Watch talked water-gas over brandy and water, and drew his thirty dollars punctually on Saturdays.

So it happened that my news paragraphs, sometimes pointedly turned into a reflection, crept into the editorial columns, when water-gas was lively. Venturing more and more, the clipper finally indited a leader; and Mr. Watch, whose nose water-gas was reddening, applauded me, and told me in his sublime way, that, as a special favor, I might write all the leaders the next night. Mr. Watch was seen no more in the sanctum for a week, and my three dollars carried on the concern.

When he returned, he generously gave me a dollar, and said that he had spoken of me to the Water-Gas Company as a capital secretary. Then he wrote me a pass for the Arch Street Theatre, and told me, benevolently, to go off and rest that night.

For a month or more the responsibility of the Chameleon devolved almost entirely upon me. Child that I was, knowing no world but my own vanity, and pleased with those who fed its sensitive love of approbation rather than with the just and reticent, I harbored no distrust till one day when Axiom visited the office, and I was drawing my three dollars from the treasurer, I heard Mr. Watch exclaim, within the publisher's room--

"Did you read my article on the Homestead Bill?"

"Yes," answered Axiom; "it was quite clever; your leaders are more alive and epigrammatic than they were."

I could stand it no more. I bolted into the office, and cried--

"The article on the Homestead Bill is mine, so is every other article in to-day's paper. Mr. Watch does not tell the truth; he is ungenerous!"

"What's this, Watch?" said Axiom.

"Alfred," exclaimed Mr. Watch, majestically, "adopts my suggestions very readily, and is quite industrious. I recommend that we raise his salary to five dollars a week. That is a large sum for a lad."

That night the manuscript was overhauled in the composing room. Watch's dereliction was manifest; but not a word was said commendatory of my labor; it was feared I might take "airs," or covet a further increase of wages. I only missed Watch's hugh pearl, and heard that he had been discharged, and was myself taken from the drudgery of the scissors, and made a reporter.

All this was very recent, yet to me so far remote, that as I recall it all, I wonder if I am not old, and feel nervously of my hairs. For in the five intervening years I have ridden at Hoe speed down the groove of my steel-pen.

The pen is my traction engine; it has gone through worlds of fancy and reflection, dragging me behind it; and long experience has given it so great facility, that I have only to fire up, whistle, and fix my couplings, and away goes my locomotive with no end of cars in train.

Few journalists, beginning at the bottom, do not weary of the ladder ere they climb high. Few of such, or of others more enthusiastic, recall the early associations of "the office" with pleasure. Yet there is no world more grotesque, none, at least in America, more capable of fictitious illustration. Around a newspaper all the dramatis personae of the world congregate; within it there are staid idiosyncratic folk who admit of all kindly caricature.

I summon from that humming and hurly-burly past, the ancient proof-reader. He wears a green shade over his eyes and the gas burner is drawn very low to darken the bald and wrinkled contour of his forehead. He is severe in judgment and spells rigidly by the Johnsonian standard. He punctuates by an obdurate and conscientious method, and will have no italics upon any pretext. He will lend you money, will eat with you, drink with you, and encourage you; but he will not punctuate with you, spell with you, nor accept any of your suggestions as to typography or paragraphing whatsoever. He wears slippers and smokes a primitive clay pipe; he has everything in its place, and you cannot offend him more than by looking over any proof except when he is holding it. A chip of himself is the copyholder at his side,--a meagre, freckled, matter of fact youth, who reads your tenderest sentences in a rapid monotone, and is never known to venture any opinion or suggestion whatever. This boy, I am bound to say, will follow the copy if it be all consonants, and will accompany it if it flies out of the window.

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