Public-domain ebook
Lucy Maud Montgomery Short Stories, 1905 to 1906
Language: en1,180 downloads on Project Gutenberg
Subjects
In: Canada·Short Stories·Novels
Public-domain ebook sourced from Project Gutenberg #24876.
Public-domain ebook
Language: en1,180 downloads on Project Gutenberg
Subjects
In: Canada·Short Stories·Novels
Public-domain ebook sourced from Project Gutenberg #24876.
Lucy Maud Montgomery’s “Short Stories, 1905‑1906” gathers a dozen tales written during a prolific early phase of the author’s career. The collection opens with the story “A Correspondence and a Climax,” which plunges the reader into the cramped kitchen of a rural Prince Edward Island household, where a young girl named Sidney hurriedly swaps a milking dress for a blue‑print gown in order to write a letter. Montgomery immediately establishes the domestic setting, the relentless chores, and the yearning for literary escape that drives Sidney, while also introducing a cast of vivid characters, Aunt Jane, a baby, and a mirror that reflects the protagonist’s self‑consciousness. The opening scene sets the tone for the rest of the volume, a series of concise narratives that explore ordinary lives, small dramas, and the inner worlds of their protagonists against a distinctly Canadian backdrop.
The prose is unmistakably early‑20th‑century, marked by careful description, a gentle humor, and a lyrical attention to the textures of rural life. Montgomery’s voice combines a modest, almost diary‑like intimacy with a broader social observation, making the stories feel both personal and representative of their time. Readers who enjoy character‑driven sketches, a glimpse into historical Canadian settings, and a style that balances sentiment with restraint will find these stories rewarding. The collection appeals especially to those who appreciate nuanced portrayals of everyday resilience and the quiet aspirations that animate ordinary people.
The opening · free to read
At sunset Sidney hurried to her room to take off the soiled and faded cotton dress she had worn while milking. She had milked eight cows and pumped water for the milk-cans afterward in the fag-end of a hot summer day. She did that every night, but tonight she had hurried more than usual because she wanted to get her letter written before the early farm bedtime. She had been thinking it out while she milked the cows in the stuffy little pen behind the barn. This monthly letter was the only pleasure and stimulant in her life. Existence would have been, so Sidney thought, a dreary, unbearable blank without it. She cast aside her milking-dress with a thrill of distaste that tingled to her rosy fingertips. As she slipped into her blue-print afternoon dress her aunt called to her from below. Sidney ran out to the dark little entry and leaned over the stair railing. Below in the kitchen there was a hubbub of laughing, crying, quarrelling children, and a reek of bad tobacco smoke drifted up to the girl's disgusted nostrils.
Aunt Jane was standing at the foot of the stairs with a lamp in one hand and a year-old baby clinging to the other. She was a big shapeless woman with a round good-natured face--cheerful and vulgar as a sunflower was Aunt Jane at all times and occasions.
"I want to run over and see how Mrs. Brixby is this evening, Siddy, and you must take care of the baby till I get back."
Sidney sighed and went downstairs for the baby. It never would have occurred to her to protest or be petulant about it. She had all her aunt's sweetness of disposition, if she resembled her in nothing else. She had not grumbled because she had to rise at four that morning, get breakfast, milk the cows, bake bread, prepare seven children for school, get dinner, preserve twenty quarts of strawberries, get tea, and milk the cows again. All her days were alike as far as hard work and dullness went, but she accepted them cheerfully and uncomplainingly. But she did resent having to look after the baby when she wanted to write her letter.
She carried the baby to her room, spread a quilt on the floor for him to sit on, and gave him a box of empty spools to play with. Fortunately he was a phlegmatic infant, fond of staying in one place, and not given to roaming about in search of adventures; but Sidney knew she would have to keep an eye on him, and it would be distracting to literary effort.
She got out her box of paper and sat down by the little table at the window with a small kerosene lamp at her elbow. The room was small--a mere box above the kitchen which Sidney shared with two small cousins. Her bed and the cot where the little girls slept filled up almost all the available space. The furniture was poor, but everything was neat--it was the only neat room in the house, indeed, for tidiness was no besetting virtue of Aunt Jane's.
Opposite Sidney was a small muslined and befrilled toilet-table, above which hung an eight-by-six-inch mirror, in which Sidney saw herself reflected as she devoutly hoped other people did not see her. Just at that particular angle one eye appeared to be as large as an orange, while the other was the size of a pea, and the mouth zigzagged from ear to ear. Sidney hated that mirror as virulently as she could hate anything. It seemed to her to typify all that was unlovely in her life. The mirror of existence into which her fresh young soul had looked for twenty years gave back to her wistful gaze just such distortions of fair hopes and ideals.
Half of the little table by which she sat was piled high with books--old books, evidently well read and well-bred books, classics of fiction and verse every one of them, and all bearing on the flyleaf the name of Sidney Richmond, thereby meaning not the girl at the table, but her college-bred young father who had died the day before she was born. Her mother had died the day after, and Sidney thereupon had come into the hands of good Aunt Jane, with those books for her dowry, since nothing else was left after the expenses of the double funeral had been paid.
One of the books had Sidney Richmond's name printed on the title-page instead of written on the flyleaf. It was a thick little volume of poems, published in his college days--musical, unsubstantial, pretty little poems, every one of which the girl Sidney loved and knew by heart.
Sidney dropped her pointed chin in her hands and looked dreamily out into the moonlit night, while she thought her letter out a little more fully before beginning to write. Her big brown eyes were full of wistfulness and romance; for Sidney was romantic, albeit a faithful and understanding acquaintance with her father's books had given to her romance refinement and reason, and the delicacy of her own nature had imparted to it a self-respecting bias.
Presently she began to write, with a flush of real excitement on her face. In the middle of things the baby choked on a small twist spool and Sidney had to catch him up by the heels and hold him head downward until the trouble was ejected. Then she had to soothe him, and finally write the rest of her letter holding him on one arm and protecting the epistle from the grabs of his sticky little fingers. It was certainly letter-writing under difficulties, but Sidney seemed to deal with them mechanically. Her soul and understanding were elsewhere.
Four years before, when Sidney was sixteen, still calling herself a schoolgirl by reason of the fact that she could be spared to attend school four months in the winter when work was slack, she had been much interested in the "Maple Leaf" department of the Montreal weekly her uncle took. It was a page given over to youthful Canadians and filled with their contributions in the way of letters, verses, and prize essays. Noms de plume were signed to these, badges were sent to those who joined the Maple Leaf Club, and a general delightful sense of mystery pervaded the department.
Often a letter concluded with a request to the club members to correspond with the writer. One such request went from Sidney under the pen-name of "Ellen Douglas." The girl was lonely in Plainfield; she had no companions or associates such as she cared for; the Maple Leaf Club represented all that her life held of outward interest, and she longed for something more.
Only one answer came to "Ellen Douglas," and that was forwarded to her by the long-suffering editor of "The Maple Leaf." It was from John Lincoln of the Bar N Ranch, Alberta. He wrote that, although his age debarred him from membership in the club (he was twenty, and the limit was eighteen), he read the letters of the department with much interest, and often had thought of answering some of the requests for correspondents. He never had done so, but "Ellen Douglas's" letter was so interesting that he had decided to write to her. Would she be kind enough to correspond with him? Life on the Bar N, ten miles from the outposts of civilization, was lonely. He was two years out from the east, and had not yet forgotten to be homesick at times.
Sidney liked the letter and answered it. Since then they had written to each other regularly. There was nothing sentimental, hinted at or implied, in the correspondence. Whatever the faults of Sidney's romantic visions were, they did not tend to precocious flirtation. The Plainfield boys, attracted by her beauty and repelled by her indifference and aloofness, could have told that. She never expected to meet John Lincoln, nor did she wish to do so. In the correspondence itself she found her pleasure.
John Lincoln wrote breezy accounts of ranch life and adventures on the far western plains, so alien and remote from snug, humdrum Plainfield life that Sidney always had the sensation of crossing a gulf when she opened a letter from the Bar N. As for Sidney's own letter, this is the way it read as she wrote it:
"The Evergreens," Plainfield.
The very best letter I can write in the half-hour before the carriage will be at the door to take me to Mrs. Braddon's dance shall be yours tonight. I am sitting here in the library arrayed in my smartest, newest, whitest, silkiest gown, with a string of pearls which Uncle James gave me today about my throat--the dear, glistening, sheeny things! And I am looking forward to the "dances and delight" of the evening with keen anticipation.
You asked me in your last letter if I did not sometimes grow weary of my endless round of dances and dinners and social functions. No, no, never! I enjoy every one of them, every minute of them. I love life and its bloom and brilliancy; I love meeting new people; I love the ripple of music, the hum of laughter and conversation. Every morning when I awaken the new day seems to me to be a good fairy who will bring me some beautiful gift of joy.
The gift she gave me today was my sunset gallop on my grey mare Lady. The thrill of it is in my veins yet. I distanced the others who rode with me and led the homeward canter alone, rocking along a dark, gleaming road, shadowy with tall firs and pines, whose balsam made all the air resinous around me. Before me was a long valley filled with purple dusk, and beyond it meadows of sunset and great lakes of saffron and rose where a soul might lose itself in colour. On my right was the harbour, silvered over with a rising moon. Oh, it was all glorious--the clear air with its salt-sea tang, the aroma of the pines, the laughter of my friends behind me, the spring and rhythm of Lady's grey satin body beneath me! I wanted to ride on so forever, straight into the heart of the sunset.
Then home and to dinner. We have a houseful of guests at present--one of them an old statesman with a massive silver head, and eyes that have looked into people's thoughts so long that you have an uncanny feeling that they can see right through your soul and read motives you dare not avow even to yourself. I was terribly in awe of him at first, but when I got acquainted with him I found him charming. He is not above talking delightful nonsense even to a girl. I sat by him at dinner, and he talked to me--not nonsense, either, this time. He told me of his political contests and diplomatic battles; he was wise and witty and whimsical. I felt as if I were drinking some rare, stimulating mental wine. What a privilege it is to meet such men and take a peep through their wise eyes at the fascinating game of empire-building!
I met another clever man a few evenings ago. A lot of us went for a sail on the harbour. Mrs. Braddon's house party came too. We had three big white boats that skimmed down the moonlit channel like great white sea birds. There was another boat far across the harbour, and the people in it were singing. The music drifted over the water to us, so sad and sweet and beguiling that I could have cried for very pleasure. One of Mrs. Braddon's guests said to me:
"That is the soul of music with all its sense and earthliness refined away."
I hadn't thought about him before--I hadn't even caught his name in the general introduction. He was a tall, slight man, with a worn, sensitive face and iron-grey hair--a quiet man who hadn't laughed or talked. But he began to talk to me then, and I forgot all about the others. I never had listened to anybody in the least like him. He talked of books and music, of art and travel. He had been all over the world, and had seen everything everybody else had seen and everything they hadn't too, I think. I seemed to be looking into an enchanted mirror where all my own dreams and ideals were reflected back to me, but made, oh, so much more beautiful!
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