
Public-domain ebook
Molly Brown's Senior Days
by Nell Speed
Language: en4,633 downloads on Project Gutenberg
Subjects
In: Children & Young Adult Reading·Novels·British Literature
Public-domain ebook sourced from Project Gutenberg #24903.

Public-domain ebook
by Nell Speed
Language: en4,633 downloads on Project Gutenberg
Subjects
In: Children & Young Adult Reading·Novels·British Literature
Public-domain ebook sourced from Project Gutenberg #24903.
Molly Brown’s Senior Days is a juvenile‑fiction portrait of college life, set at Wellington College as the new term begins in September. The opening scene gathers a lively group of senior girls, Molly, Judy, Nance, Margaret, Jessie, the Williams sisters, and the charming Japanese student Otoyo, around a window in No. 5 Quadrangle. Their conversation drifts from the melancholy of leaving college to the gossip about a professor’s illness, the prospect of a jubilee celebration, and the spirited debate over unpacking trunks. The narrative introduces a cast of distinct personalities, each voiced through rapid dialogue and vivid description, while the backdrop of lingering summer rain and fresh autumn foliage frames their youthful concerns about friendship, ambition, and the impending departure from campus.
The novel’s voice is brisk and colloquial, echoing the early‑20th‑century school‑girl novels of its era. Its style relies on snappy repartee, detailed character sketches, and a gentle humor that captures the earnestness of young women on the cusp of adulthood. Readers who enjoy period pieces that blend social observation with lighthearted banter, especially those interested in historic depictions of college life, women’s suffrage debates, and the dynamics of close‑knit friendships, will find this book an engaging glimpse into a bygone academic world.
The opening · free to read
GOOD NEWS AND BAD.
Summer still lingered in the land when Wellington College opened her gates one morning in September. Frequent heavy rains had freshened the thirsty fields and meadows, and autumn had not yet touched the foliage with scarlet and gold. The breeze that fluttered the curtains at the windows of No. 5 Quadrangle was as soft and humid as a breath of May. It was as if spring was in the air and the note of things awakening, pushing up through the damp earth to catch the warm rays of the sun. It was Nature's last effort before she entered into her long sleep.
Molly Brown, standing by the open window, gazed thoughtfully across the campus. Snatches of song and laughter, fragments of conversation and the tinkle of the mandolin floated up to her from the darkness. It was like an oft-told but ever delightful story to her now.
"Shall I ever be glad to leave it all?" she asked herself. "Wellington and the girls and the hard work and the play?"
How were they to bear parting, the old crowd, after four years of intimate association? Did Judy love it as she did, or would she not rather feel like a bird loosed from a cage when at last the gates were opened and she could fly away. But Molly felt sure that Nance would feel the pangs of homesickness for Wellington when the good old days were over.
All these half-melancholy thoughts crowded through Molly's mind while Judy thrummed the guitar and Nance, busy soul, arranged the books on the new white book shelves.
Presently the other girls would come trailing in, the "old guard," to talk over the events of that busy first day: Margaret Wakefield, bursting with opinions about politics and woman's suffrage; pretty Jessie Lynch, and the Williams sisters whose dark lustrous eyes seemed to see beyond the outer crust of things. Last of all, after a discreet interval, would come a soft, deprecating tap at the door, and Otoyo Sen, most charming of little Japanese ladies, with a beaming, apologetic smile, would glide into the room on her marshmallow soled slippers.
"Everybody's late," exclaimed Judy, unexpectedly breaking in on her friend's preoccupation. "I do wish my trunk were unpacked. I can't bear to be unsettled. It's the most disagreeable thing about the first day of college."
"Why don't you go unpack it, then, lazybones?" asked Nance, a trifle sternly. As much as she loved her care-free Judy, she never quite approved of her.
"How little you understand my nature, Nance," answered Judy, reproachfully.
"I know that people who pride themselves on having the artistic temperament never like to unpack trunks or do any kind of so-called menial work, for that matter. But there can be just as much art in unpacking a trunk as in a painting a picture----"
"Ho, ho!" interrupted Judy, who loved these discussions with her serious-minded friend. "How would you like to engage for all your life in the immortal work of unpacking trunks?"
"I never said anything about doing it always--" broke in Nance, when the argument was brought to a sudden end by the arrival of the other girls.
There was a great noise of talk and laughter while they draped themselves about the room.
College girls in kimonos never sit in straight-backed chairs. They usually curl themselves up on divans or in Morris chairs, or sit, Turkish fashion, on cushions on the floor.
"Well, and what's the news?" they asked. Most of them had caught only flying glimpses of each other during the day.
"Wait until I make my annual inspection," ordered Judy, carefully examining the fourth finger of the left hand of every girl. "No rings or marks of rings," she said at each inspection until she came to Jessie, who was endeavoring to sit on her left hand while she pushed Judy away with her right. "Now, Jessica, no concealments," cried Judy, "and from your seven bosom friends! It's not fair. Are you actually wearing a solitaire?"
"I assure you it's my mother's engagement ring," Jessie protested, but Judy had extricated the pretty little hand on the fourth finger of which sparkled not one, but two, rings.
"Caught! Caught, the first of all!" they cried in a chorus.
"Honestly and truly I'm not."
"It looks to me as if you had been caught twice, Jessie," said Molly laughing.
"No, no, one of them is really Mama's and the other--well, it was lent to me. It's not mine. I simply promised to wear it for a few months."
Jeers and incredulous laughter followed this statement.
"We only hope you'll hold out to the end, Jessie," remarked Katherine in tones of reproach.
"What, leave dear old Wellington and all of you for any ordinary, stupid man? I'd never think of it," cried Jessie.
"I'm not afraid," here put in Edith. "Fickle Jessica may change her mind and her ring half a dozen times before June. Who can tell?"
"I'm not fickle where all of you are concerned, anyhow," answered Jessie reproachfully.
"You're a dear, Jessie," broke in Molly. She never did quite enjoy seeing other people teased.
"Will some one kindlee make for me explanation of the word 'jubilee'?" asked Otoyo Sen, seated cross-legged on a cushion in the very center of the group, like an Oriental story-teller.
"Jubilee?" said Edith. By an unspoken arrangement, it was always left to her to answer such questions. "Why jubilee means a rejoicing, a celebration."
"There will be singing and dancing and feasting greatlee of many days enduring?" asked Otoyo.
"It depends on who's doing the enduring," Edith said, smiling.
"Wellington will be enduring of greatlee much rejoicing," went on the little Japanese. "For Wellington will give jubilee entertainment for fifty years of birthday, perhaps, maybe."
Here was news indeed for seven seniors at the very head and front of college affairs.
"And where did you get this interesting information, little one?" demanded Margaret.
Otoyo blushed and hesitated; then cocked her head on one side exactly like a little song sparrow and glancing timidly at Nance, replied:
"Mr. Andrew McLean, second, he told it to me."
Nance smiled unconcernedly. She never dreamed of being jealous of the funny little Japanese.
"And why, pray, didn't Miss Walker announce it this morning at chapel when she made her opening address?" asked Margaret.
"Ah, that is for another veree sadlee reason," answered Otoyo, her voice taking on a mournful note. "You have not heard?"
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