
Public-domain ebook
The Other Side of the Door
Language: en500 downloads on Project Gutenberg
Subjects
In: Crime, Thrillers and Mystery·Novels·American Literature
Public-domain ebook sourced from Project Gutenberg #25724.

Public-domain ebook
Language: en500 downloads on Project Gutenberg
Subjects
In: Crime, Thrillers and Mystery·Novels·American Literature
Public-domain ebook sourced from Project Gutenberg #25724.
The opening · free to read
The city is always gray. Even in March, the greenest month of all, when the Presidio, and the Mission Hills, and the islands in the bay are beautiful with spring, there's only such a little bit of green gets into the city! It lies in the lap of five hills, climbing upward toward their crests where the trees are all doubled and bent by the trade-wind. It seems to give its own color to the growing things in it. The cypress hedges are dusty black; the eucalyptus trees are gray as the house fronts they knock against, and even the plaza grass looks dark and old, as if it had been the same grass always, and never came up new in the spring.
But for the most part there are no trees, and only the finest places have gardens. There are only rows and rows of houses painted gray, with here and there a white one, or a glass conservatory front. But the fog and dust all summer gray these, too, and when the trade-winds blow hard it takes the smoke out over the east bay, and makes that as gray as the city.
And yet the city doesn't look sad. The sky is too blue, and the bay is too blue around it; and the flying fog, and the wind, and the strong tide flowing in and out of the bay are like restless, eager creatures that never sleep or grow tired. When I was a very little child the fierceness of it frightened me. All the noises of the city made one harsh, threatening voice to my ears; and the perilous water encompassing far as eye could reach; and the high hills running up into the sky now blinded by dust, now buried in fog, now drenched in rain, were overpowering and terrifying to me. Beyond that general seeming of terror there is little I remember of the early city, except the glimmer of white tent tops against gray fog or blue water, the loud voices in the streets, and a vague, general impression of rapid and violent changes of place and circumstance. Through their confusion three figures only, move with any clearness,--my tall, teasing, father, my grim nurse Abby, and my pale-haired mother. Indeed, the first distinct incident that stands forth from that dim background is the death of my mother.
It was a puzzle for a child. One day she was there, ill in bed, but visible, palpable, able to speak, to smile, to kiss,--the next, she had disappeared. They said she had gone away, but I knew that was nonsense; for when people went away it was in the daytime with bags and umbrellas, and every one knew they were going, and where they went, but with my mother it was different. One day she was there,--the next she was not, nor in any of the rooms of the house could she be found. It was long before I ceased to expect her back; long before I ceased, by some process of child's reasoning, to blame her departure on the gray unaccountable city. For as early as I can recall a coherent sequence of impressions the city appeared to me strange and unaccountable. There was a secret shut away from me behind every closed house front; the eucalyptus trees seemed to whisper "mystery" above my head; and at night, when the fog came heaping in, thicker than feather-beds, across the Mission, and streaming down the long hills on the heels of the wind, it brought an army of ghosts to inhabit the dark places beyond the safety of the lighted window-pane. Though I had lived among the seven hills almost all my life; and though in ways it had grown familiar, and even dear to me, yet I never seemed to grow quite used to the city. It had strange tricks of deception that were enough to unsettle the finest faith. For when I looked at it from the windows of my room under the roof it was as flat as a plate, visible in its entirety from end to end, and it was as easy to find Telegraph Hill or the Plaza upon it as it was to pick up a block from the carpet. But, when I went abroad in it, it hid away from me. It would never show me more than one street at a time, and never by any chance would it reveal to me, through the tall houses, in what part of it I was walking.
But by the time I was old enough to play in the garden by myself, and make friends through the hedge with Hallie Ferguson, who lived a block below us, I had come to accept this trick of the city as somewhat less extraordinary. It was developing other characteristics not so fearful to my mind and of far greater fascination; and I spent hours, when I could not be out of doors, watching it from the windows of my room. Father had built what was at the time one of the finest houses in San Francisco. It had a glass conservatory at the side, and a garden with a lawn and palm in the corner; and on rainy nights when the wind was high, and the house was shaking, I could hear the long palm-fingers tap-tapping on my window glass. The house stood half-way up Washington Street Hill, on what was then the western skirts of the city, and from my window under the roof I could look down over the whole city to the east water front, with Rincon Hill misty on the south, and Telegraph bold on the north of it. By leaning far out of the window, as Hallie and I sometimes did when a ship was coming in, we could see northward as far as North Beach, and Alcatraz Island; and from Abby's room across the hall we could continue the panorama around to Russian Hill, whose high crown cut off the Golden Gate. It was a favorite game of ours, hanging out the window, with our heads in the palm leaves, to pretend stories of what we saw going on in the city beneath.
All sorts of strange and interesting things went on in the city. We could see the signals run up on Telegraph Hill when a ship was sighted. And then the "express" would go dashing furiously down some street below us, the pony at gallop; and the line would form in front of the post-office and stretch like a black snake up Washington Street. Or we watched the yellow omnibuses laboring down Washington Street like clumsy beetles. It seemed to me that a city was the most delightful and absorbing plaything a child could have, and it was a hard arbitrary blow of fate that took me from it to the convent school at Santa Clara.
But if to leave the city was hard, it was terrible indeed to leave the house, the familiar rooms, the familiar footsteps and voices that I loved, and listened for. I had never been away from father and Abby in my life, and though Hallie Ferguson and Estrella Mendez went also, I was very homesick.
There was nothing at all interesting at the convent,--nothing but pepper trees, and nun's black hoods, and books. Even when we walked out there were only the dreary Santa Clara flats with the mountains so distant on the horizon that their far-awayness made me want to cry. The only nice thing about the convent was the vacation that took us away from it, back, out of the burning summer valley to the bay, the rows of gray-faced houses, the shipping and the wind. Each time I came back it was with the rapture one must feel returning to some long left, beloved place and finding it unchanged.
The palm, the cypress hedges, the sunny conservatory, the low, long rooms beyond it, the dark hall, and narrow, precipitous stair were always adorably the same. But around them the city was growing with such speed that each time I returned I had to learn to know it afresh. Already there were several blocks of houses beyond ours, and the second year I came home from the convent Hallie Ferguson told me her father was going to move because there was a gambling-house going up across the street from them, "and build," Hallie expressed it, "in a more fashionable neighborhood."
It was at the foot of Chestnut Street Hill their new house was building, and that vacation we used often to walk over with Abby--Estrella, Hallie and I--across the city and across the North Beach district--to play in the building house. It was going up with the same furious speed that was accomplishing the whole city. It seemed that we had hardly stopped looking through the skeleton supports at the bay before the plaster was drying on the solid walls; that we had hardly ceased walking on the great naked flooring beams before the smooth floor itself was palpitating under the feet of the dancers at the housewarming.
I remember sitting up with Hallie through the earlier part of that evening, and with a sort of worship, looking for the first time at women with uncovered necks and arms emerging white as wax from their diaphanous or glittering gowns. To me they were radiant, transported to a sphere of existence beyond my own, something I never would attain to. I recall them as a vague, dreamlike spectacle. In all of it there is but one incident that I remember clearly; and that is, when whirling out of the crowd and into an empty space, that the dancers had left clear for a moment, came a couple--a large blond girl and a young man, a boy, hardly as old as she, but so handsome, so dark, so full of life, and a sparkling sort of mischief, that it made one feel quite gay just to look at him. As they danced past the place where Hallie and I were sitting he was holding his partner's gauzy train in his long, fine fingers, and they went by us laughing.
"Who is that?" I whispered.
"That's Johnny Montgomery," Hallie whispered back.
"Who's he?"
"Why don't you know?" Hallie cried. She dearly loved to give information. "The Montgomerys were one of the very best families here; and he's the last of them. Old lady Montgomery died the year we went away to school, and he had heaps of money--but he lost it."
My sole performance in this line had been the dropping of a two-bit piece down a crack in the board walk, and before I had time to ask how Johnny Montgomery had managed to lose sight of "heaps," Mr. Ferguson came up and asked, "Don't you little girls want some ice-cream?" so I forgot to say any more about it.
That same season there was another notable occasion, when Hallie led me to the bedroom of her grown-up sister, and exhibited to me with awe-struck pride the dress her sister was to wear to the Sumner Light Guards' ball that night. It was a blue tulle with a fine frost of spangles over the bodice, and it seemed too dazzling to belong to a creature less wonderful than a fairy. But when Hallie went on, in a cautious whisper lest we be discovered, to confide to me that when she was grown up and out of school her mother had promised to give her a party, and that, since I was her best friend, of course she was going to invite me first of all, I began to realize that I, too, might some day grow up into a young lady, and be laced into a gown perhaps as beautiful as the one spread out on the bed before us.
Such a dazzling idea gave me an entirely new set of fancies, and was a pleasant book companion and bedfellow to take back to the convent. Hallie, who was a year older and half a head taller than I, had already begun to lengthen her dresses, and do up her hair, and I found it humiliating to be so small that at sixteen I had still to wear mine down my back in long curls, and my skirts above my ankles. The only thing that comforted me was that whenever father came to see me he always said:
The book keeps going
Reading is free forever. Sign up and watch scenes appear while you read.



Scenes Storieta drew for other classics.
New illustrated classics
Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.