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The opening · free to read

Produced by Nick Hodson of London, England

It might have been, by Emily Sarah Holt.

_______________________________________________________________________ This book is mainly about the treasonable plot to blow up Parliament, by mining through to its lowest floor, or basement, from an adjacent house. This plot was hatched by a number of Catholic gentlemen, and was quite ingenious. These people came from a wide area of England, and numbered about thirty. One point of interest to your reviewer is that one of the places where they met, or retreated to when not personally involved in mining, was a house called White Webbs, just on what is now the northern limit of London. This house is now in use as a very nice and popular restaurant, well known to me. It was at the time a disused hunting lodge in Enfield Chase.

The discovery of the plot, and the execution of its participants is celebrated every year in Britain, with great displays of fireworks, on a day (5th November) named after one of the plotters, Guy Fawkes. It is interesting to learn so much more about the background of this plot.

Emily Holt wrote a large number of books with a historical background. This book is the third of a series involving a family from Derwent-water in the north of England. The link with the Gunpowder plot is rather weak, but worth reading if you enjoyed the first two books of the series. On the other hand the majority of the book deals with the plot, and is very well researched, and told in a very plausible manner.

As usual with this author you will find that there are a good many footnotes, which we have done our best to make available but not intrusive. There is a great deal of conversation in Elizabethan English, but this will not bother you if you are used to reading the plays of Shakespeare. Finally, there are a few short extracts from contemporary letters, in which the spelling would not pass muster these days, but there were no real standards of spelling in those times. In a very few cases in these letters we have adjusted the spelling to give you, the reader, greater ease in comprehending them.

You may care to make this book into an audiobook, in which case it will take about 12.5 hours to play. We hope you will do this because it will make it much easier for you to enjoy the book.

________________________________________________________________________ IT MIGHT HAVE BEEN, BY EMILY SARAH HOLT.

PREFACE.

"There is a way that seemeth right unto a man, but the end thereof are the ways of death." That is one of the main lessons to be learned from the strange story of the Gunpowder Plot.

The narrative here given, so far as its historical portion is concerned, is taken chiefly from original and contemporaneous documents. It has been carefully kept to facts--in themselves more interesting than any fiction--and scarcely a speech or an incident has been admitted, however small, for which authority could not be adduced.

Those of my Readers who have made the acquaintance of Lettice Eden, and Joyce Morrell's Harvest, will meet some old friends in this tale.

"Which speaks the truth--fair Hope or ghastly Fear? God knoweth, and not I. Only, o'er both, Love holds her torch aloft, And will, until I die."

"Fiddle-de-dee! Do give over snuffing and snivelling and sobbing, and tell me if you want your warm petticoat in the saddle-bag. You'd make a saint for to swear!" More sobs, and one or two disjointed words, were all that came in answer. The sobbing sister, who was the younger of the pair, wore widow's mourning, and was seated in a rocking-chair near the window of a small, but very comfortable parlour. Her complexion was pale and sallow, her person rather slightly formed, and her whole appearance that of a frail, weak little woman, who required perpetual care and shielding. The word require has two senses, and it is here used in both. She needed it, and she exacted it.

The elder sister, who stood at the parlour door, was about as unlike the younger as could well be. She was quite a head taller, rosy-cheeked, sturdily-built, and very brisk in her motions. Disjointed though her sister's words were, she took them up at once.

"You'll have your thrum hat, did you say? [Note 1.] Where's the good of crying over it? You've got ne'er a thing to cry for."

Another little rush of sobs replied, amid which a quick ear could detect the words "unfeeling" and "me a poor widow."

"Unfeeling, marry!" said the elder sister. "I'm feeling a whole warm petticoat for you. And tears won't ward off either cramp or rheumatism, my dear--don't think it; but a warm petticoat may. Will you have it, or no?"

"Oh, as you please!" was the answer, in a tone which might have suited arrangements for the speaker's funeral.

"Then I please to put it in the saddle-bag," cheerily responded the elder. "Lettice, come with me, maid. I can find thee work above in the chamber."

A slight sound behind the screen, at the farther end of the parlour, which sheltered the widow from any draught proceeding from the window, was followed by the appearance of a young girl not hitherto visible. She was just eighteen years of age, and resembled neither of the elder ladies, being handsomer than either of them had ever been, yet not sufficiently so to be termed beautiful. A clear complexion, rosy but not florid, golden-brown hair and plenty of it, dark grey eyes shaded by dark lashes, and a pleasing, good-humoured, not self-conscious expression--this was Lettice, who said in a clear musical voice, "Yes, Aunt," and stood ready for further orders.

As the door shut upon the aunt and niece, the former said, as if to the sister left behind in the parlour--

"A poor widow! Ay, forsooth, poor soul, that you are! for you have made of your widowhood so black a pall that you cannot see God's blue sky through it. Dear heart, but why ever they called her Faith, and me Temperance! I've well-nigh as little temperance as she has faith, and neither of them would break a cat's back."

By this time they were up in the bedchamber; and Lettice was kept busy folding, pinning, tying up, and smoothing out one garment after another, until at last her aunt said--

"Now, Lettice, bring thine own gear, such as thou wilt need till we light at Minster Lovel, for there can we shift our baggage. Thy black beaver hat thou wert best to journey in, for though it be good, 'tis well worn; and thy grey kirtle and red gown. Bring the blue gown, and the tawny kirtle with the silver aglets [tags, spangles] pendant, and thy lawn rebatoes, [turn-over collar] and a couple of kerchiefs, and thy satin hat Thou wert best leave out a warm kerchief for the journey."

"And my velvet hood, Aunt, and the green kirtle?"

"Nay, I have packed them, not to be fetched out till we reach London. Thou mayest have thy crimson sleeves withal, an' it list thee."

Lettice fetched the things, and her aunt packed them in one of the great leather trunks, with beautiful neatness. As she smoothed out the blue kirtle, she asked--"Lettice, art thou sorry to be gone?"

"Truly, Aunt, I scarce know," was the answer. "I am sorry to leave Aunt Milisent and my cousins, and Aunt Frances,"--but Aunt Frances was an evident after-thought--"and I dare say I shall be sorry to leave all the places I know, when the time comes. But then so many of us are going,-- you, and Grandmother, and Aunt Edith, and Cousin Aubrey, and Aunt Faith--and there are so many new places to see, that on the whole I don't think I am very sorry."

"No, very like not, child."

"Not now," said a third voice, softly, and Lettice looked up at another aunt whose presence she had not previously noticed. This was certainly no sister of the two plain women whose acquaintance we have just made. Temperance Murthwaite had outlived her small share of good looks, and Faith's had long since been washed away in tears; but Edith Louvaine had been extremely beautiful, and yet was so notwithstanding her forty years. Her hair was dark brown, with a golden gleam when the sun caught it, and her eyes a deep blue, almost violet. Her voice was sweet and quiet--of that type of quietness which hides behind it a reserve of power and feeling. "At eighteen, Lettice, we are not commonly sorry to leave home. Much sorrier at thirty-eight: and at eighty, I think, there is little to leave but graves."

"Ay, but they're not all dug by the sexton," remarked Temperance, patting the blue kirtle to make it lie in the hole she had left for it. "At any rate, the sorest epitaphs are oft invisible save to them that have eyes to see them."

Edith did not answer, and the work went on. At length, suddenly, the question was asked--

"Whence came you, Edith?"

"From Mere Lea, whither I have been with Mother and Aubrey, to say farewell."

"And for why came you hither? Not to say farewell, I reckon."

"Nay," replied Edith, smiling. "I thought I might somewhat help you, Temperance. We must all try to spare poor Faith."

"Spare poor Faith!" repeated Temperance, in a sarcastic tone. "Tell you what, Edith Louvaine,--if you'd think a bit less of sparing her, and she'd think a bit more of sparing you, it would be a sight better for poor Faith and poor Edith too."

"I? I don't want to be spared," answered Edith.

"No, you don't, and that's just it. And Faith does. And she oughtn't. And you oughtn't."

"Nay, Temperance. Remember, she is a widow."

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