Storieta
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About this book

Rufus and Rose is a work of 19th‑century American fiction that blends social commentary with a modest adventure. The opening frames the story as the final volume of a “Ragged Dick” series, promising a realistic portrayal of New York street boys whose lives the author claims are drawn largely from fact. The narrator introduces Rufus, a fifteen‑year‑old former newsboy who has amassed a modest fortune, rescued his younger sister Rose from a drunken step‑father, and secured a Wall Street clerkship paying eight dollars a week. Alongside him is Miss Manning, a poor seamstress who cares for Rose and helps Rufus navigate the housing market. Their immediate concerns, finding affordable lodging, avoiding the step‑father’s interference, and adjusting to respectable employment, set the stage for a tale of upward mobility amid the gritty urban backdrop of 1870 New York.

The novel’s voice is earnest and didactic, reflecting the moral‑ist tone of post‑Civil War reform literature. Its prose is straightforward, peppered with period‑specific dialogue and detailed descriptions of city life, from bustling newspaper stalls to the shabby lodgings of the lower East Side. Readers who enjoy historical sketches of 19th‑century New York, especially those interested in the social ascent of street‑wise youths and the domestic struggles of working‑class families, will find the book’s blend of realism and optimism engaging.

Characters in Rufus and Rose

  • RufusFifteen-year-old boy, lean, dark hair, crisp shirt, modest waistcoat, hopeful eyes
  • RoseYoung girl, delicate features, simple dress, braids, innocent expression
  • Miss ManningMiddle‑aged seamstress, soot‑stained apron, modest bonnet, tired but kind eyes

The opening · free to read

PHILADELPHIA: PORTER & COATES.

To MY YOUNG FRIENDS, HENRY AND EUGENE, THIS VOLUME IS AFFECTIONATELY DEDICATED

PREFACE.

In presenting to the public the last volume of the "RAGGED DICK SERIES," the author desires to return his thanks for the generous reception accorded, both by the press and the public, to these stories of street life. Several of the characters are drawn from life, and nearly all of the incidents are of actual occurrence. Indeed, the materials have been found so abundant that invention has played but a subordinate part.

The principal object proposed, in the preparation of these volumes, has been to show that the large class of street boys--numbering thousands in New York alone--furnishes material out of which good citizens may be made, if the right influences are brought to bear upon them. In every case, therefore, the author has led his hero, step by step, from vagabondage to a position of respectability; and, in so doing, has incurred the charge, in some quarters, of exaggeration. It can easily be shown, however, that he has fallen short of the truth, rather than exceeded it. In proof, the following extract from an article in a New York daily paper is submitted:--

"As a class, the newsboys of New York are worthy of more than common attention. The requirements of the trade naturally tend to develop activity both of mind and body, and, in looking over some historical facts, we find that many of our most conspicuous public men have commenced their careers as newsboys. Many of the principal offices of our city government and our chief police courts testify to the truth of this assertion. From the West we learn that many of the most enterprising journalists spring from the same stock."

Not long since, while on a western journey, the Superintendent of the Lodging House in Park Place found one of his boys filling the position of District Attorney in a western State, another settled as a clergyman, and still others prosperous and even wealthy business men. These facts are full of encouragement for those who are laboring to redeem and elevate the street boy, and train him up to fill a respectable position in society.

Though the six volumes already issued complete his original purpose, the author finds that he has by no means exhausted his subject, and is induced to announce a second series, devoted to still other phases of street life. This will shortly be commenced, under the general name of the

"TATTERED TOM SERIES." New York, November 1, 1870.

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