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About this book

David Brewster’s work is a nineteenth‑century biographical study that groups together the lives of three pivotal astronomers, Galileo Galilei, Tycho Brahe, and Johannes Kepler. The opening pages devote themselves to Galileo, tracing his birth in Pisa, his early education in music, drawing and geometry, and the gradual shift from a medical student to a professor of mathematics. Brewster sketches the young scholar’s restless curiosity, his experiments on falling bodies, and the mounting conflict with Aristotelian teachers, all while noting the patronage that carried him from Pisa to Padua. The narrative is anchored in contemporary sources, offering detailed anecdotes about his inventions, his encounters with Copernican ideas, and the personal sacrifices that accompanied his scientific pursuits.

Written in a formal, scholarly tone typical of late‑Victorian literature, the book blends factual detail with a moralizing commentary on the triumphs and trials of its subjects. Readers who enjoy thorough historical portraits, the interplay of science and society, and a prose style that mirrors the era’s reverent biographies will find Brewster’s account both informative and engaging.

Who appears in this book

  • Galileo GalileiMiddle‑aged Italian scholar, dark curls, thoughtful eyes, black robe with scholarly insignia, 17th‑century Florentine attire
  • Tycho BraheTall Danish noble, long blond hair, trimmed beard, elaborate embroidered doublet, gold chain, 16th‑century aristocratic dress
  • Johannes KeplerLean German mathematician, short brown hair, spectacles, modest black coat, modest collar, early 17th‑century academic garb

The opening · free to read

The lengthened career which Providence assigned to Galileo was filled up throughout its rugged outline with events even of dramatic interest. But though it was emblazoned with achievements of transcendent magnitude, yet his noblest discoveries were the derision of his contemporaries, and were even denounced as crimes which merited the vengeance of Heaven. Though he was the idol of his friends, and the favoured companion of princes, yet he afterwards became the victim of persecution, and spent some of his last hours within the walls of a prison; and though the Almighty granted him, as it were, a new sight to descry unknown worlds in the obscurity of space, yet the eyes which were allowed to witness such wonders, were themselves doomed to be closed in darkness.

Such were the lights and shadows in which history delineates

"The starry Galileo with his woes."[1]

[1] Childe Harold, canto iv. stanza liv.

But, however powerful be their contrasts, they are not unusual in their proportions. The balance which has been struck between his days of good and evil, is that which regulates the lot of man, whether we study it in the despotic sway of the autocrat, in the peaceful inquiries of the philosopher, or in the humbler toils of ordinary life.

Galileo Galilei was born at Pisa, on the 15th of February, 1564, and was the eldest of a family of three sons and three daughters. Under the name of Bonajuti, his noble ancestors had filled high offices at Florence; but about the middle of the 14th century they seem to have abandoned this surname for that of Galileo. Vincenzo Galilei, our author's father, was himself a philosopher of no mean powers; and though his talents seem to have been exercised only in the composition of treatises on the theory and practice of music, yet he appears to have anticipated even his son in a just estimate of the philosophy of the age, and in a distinct perception of the true method of investigating truth.[2]

[2] Life of Galileo, Library of Useful Knowledge, p. 1.

The early years of Galileo were, like those of almost all great experimental philosophers, spent in the construction of instruments and pieces of machinery, which were calculated chiefly to amuse himself and his schoolfellows. This employment of his hands, however, did not interfere with his regular studies; and though, from the straitened circumstances of his father, he was educated under considerable disadvantages, yet he acquired the elements of classical literature, and was initiated into all the learning of the times. Music, drawing, and painting were the occupations of his leisure hours; and such was his proficiency in these arts, that he was reckoned a skilful performer on several musical instruments, especially the lute; and his knowledge of pictures was held in great esteem by some of the best artists of his day.

Galileo seems to have been desirous of following the profession of a painter: but his father had observed decided indications of early genius; and, though by no means able to afford it, he resolved to send him to the university to pursue the study of medicine. He accordingly enrolled himself as a scholar in arts at the university of Pisa, on the 5th of November, 1581, and pursued his medical studies under the celebrated botanist Andrew Caesalpinus, who filled the chair of medicine from 1567 to 1592.

In order to study the principles of music and drawing, Galileo found it necessary to acquire some knowledge of geometry. His father seems to have foreseen the consequences of following this new pursuit, and though he did not prohibit him from reading Euclid under Ostilio Ricci, one of the professors at Pisa, yet he watched his progress with the utmost jealousy, and had resolved that it should not interfere with his medical studies. The demonstrations, however, of the Greek mathematician had too many charms for the ardent mind of Galileo. His whole attention was engrossed with the new truths which burst upon his understanding; and after many fruitless attempts to check his ardour and direct his thoughts to professional objects, his father was obliged to surrender his parental control, and allow the fullest scope to the genius of his son.

From the elementary works of geometry, Galileo passed to the writings of Archimedes; and while he was studying the hydrostatical treatise[3] of the Syracusan philosopher, he wrote his essay on the hydrostatical balance,[4] in which he describes the construction of the instrument, and the method by which Archimedes detected the fraud committed by the jeweller in the composition of Hiero's crown. This work gained for its author the esteem of Guido Ubaldi, who had distinguished himself by his mechanical and mathematical acquirements, and who engaged his young friend to investigate the subject of the centre of gravity in solid bodies. The treatise on this subject, which Galileo presented to his patron, proved the source of his future success in life.

[3] De Insidentibus in Fluido.

[4] Opere di Galileo. Milano, 1810, vol. iv. p. 248-257.

Through the Cardinal del Monte, the brother-in-law of Ubaldi, the reigning Duke of Tuscany, Ferdinand de Medici was made acquainted with the merits of our young philosopher; and, in 1589, he was appointed lecturer on mathematics at Pisa. As the salary, however, attached to this office was only sixty crowns, he was compelled to enlarge this inadequate income by the additional occupation of private teaching, and thus to encroach upon the leisure which he was anxious to devote to science.

With this moderate competency, Galileo commenced his philosophical career. At the early age of eighteen, when he had entered the university, his innate antipathy to the Aristotelian philosophy began to display itself. This feeling was strengthened by his earliest inquiries; and upon his establishment at Pisa he seems to have regarded the doctrines of Aristotle as the intellectual prey which, in his chace of glory, he was destined to pursue. Nizzoli, who flourished near the beginning of the sixteenth century, and Giordano Bruno, who was burned at Rome in 1600, led the way in this daring pursuit; but it was reserved for Galileo to track the Thracian boar through its native thickets, and, at the risk of his own life, to strangle it in its den.

With the resolution of submitting every opinion to the test of experiment, Galileo's first inquiries at Pisa were directed to the mechanical doctrines of Aristotle. Their incorrectness and absurdity soon became apparent; and with a zeal, perhaps, bordering on indiscretion, he denounced them to his pupils with an ardour of manner and of expression proportioned to his own conviction of the truth. The detection of long-established errors is apt to inspire the young philosopher with an exultation which reason condemns. The feeling of triumph is apt to clothe itself in the language of asperity; and the abettor of erroneous opinions is treated as a species of enemy to science. Like the soldier who fleshes his first spear in battle, the philosopher is apt to leave the stain of cruelty on his early achievements. It is only from age and experience, indeed, that we can expect the discretion of valour, whether it is called forth in controversy or in battle. Galileo seems to have waged this stern warfare against the followers of Aristotle; and such was the exasperation which was excited by his reiterated and successful attacks, that he was assailed, during the rest of his life, with a degree of rancour which seldom originates in a mere difference of opinion. Forgetting that all knowledge is progressive, and that the errors of one generation call forth the comments, and are replaced by the discoveries, of the next, Galileo did not anticipate that his own speculations and incompleted labours might one day provoke unmitigated censure; and he therefore failed in making allowance for the prejudices and ignorance of his opponents. He who enjoys the proud lot of taking a position in advance of his age, need not wonder that his less gifted contemporaries are left behind. Men are not necessarily obstinate because they cleave to deeply rooted and venerable errors, nor are they absolutely dull when they are long in understanding and slow in embracing newly discovered truths.

It was one of the axioms of the Aristotelian mechanics, that the heavier of two falling bodies would reach the ground sooner than the other, and that their velocities would be proportional to their weights. Galileo attacked the arguments by which this opinion was supported; and when he found his reasoning ineffectual, he appealed to direct experiment. He maintained, that all bodies would fall through the same height in the same time, if they were not unequally retarded by the resistance of the air: and though he performed the experiment with the most satisfactory results, by letting heavy bodies fall from the leaning tower of Pisa, yet the Aristotelians, who with their own eyes saw the unequal weights strike the ground at the same instant, ascribed the effect to some unknown cause, and preferred the decision of their master to that of nature herself.

Galileo could not brook this opposition to his discoveries; nor could the Aristotelians tolerate the rebukes of their young instructor. The two parties were, consequently, marshalled in hostile array; when, fortunately for both, an event occurred, which placed them beyond the reach of danger. Don Giovanni de Medici, a natural son of Cosmo, had proposed a method of clearing out the harbour of Leghorn. Galileo, whose opinion was requested, gave such an unfavourable report upon it, that the disappointed inventor directed against him all the force of his malice. It was an easy task to concentrate the malignity of his enemies at Pisa; and so effectually was this accomplished, that Galileo resolved to accept another professorship, to which he had been previously invited.

The chair of mathematics in the university of Padua having been vacant for five years, the republic of Venice had resolved to fill it up; and, on the recommendation of Guido Ubaldi, Galileo was appointed to it, in 1592, for a period of six years.

Previous to this event, Galileo had lost his father, who died, in 1591, at an advanced age. As he was the eldest son, the support of the family naturally devolved upon him; and this sacred obligation must have increased his anxiety to better his circumstances, and therefore added to his other inducements to quit Pisa. In September 1592, he removed to Padua, where he had a salary of only 180 florins, and where he was again obliged to add to his income by the labours of tuition. Notwithstanding this fruitless occupation of his time, he appears to have found leisure for composing several of his works, and completing various inventions, which will be afterwards described. His manuscripts were circulated privately among his friends and pupils; but some of them strayed beyond this sacred limit, and found their way into the hands of persons, who did not scruple to claim and publish, as their own, the discoveries and inventions which they contained.

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