
Public-domain ebook
The Convert
Language: en4,979 downloads on Project Gutenberg
Subjects
Public-domain ebook sourced from Project Gutenberg #26420.

Public-domain ebook
Language: en4,979 downloads on Project Gutenberg
Subjects
Public-domain ebook sourced from Project Gutenberg #26420.
The Convert is a work of feminist fiction that introduces its heroine in a bustling household scene, where a tall, young lady arrives fifteen minutes before dinner and is ushered straight upstairs, bypassing the great drawing‑room. The opening places her among the nursery’s chaotic children, a stern nurse, and a cadre of servants, all rendered in a tightly observed domestic tableau. From the first lines we learn that the visitor’s presence provokes a mixture of curiosity and irritation: the children clamour for “bocks,” the nurse’s “overbearing hauteur” clashes with the lady’s composed demeanor, and the household’s ritual of polite restraint is constantly undercut by the children’s noisy play. The narrative immediately establishes a setting of upper‑class London life, with its hierarchies of servants, the ornamental language of jewels, and the subtle power play between the newcomer and the family’s established order.
The prose is dense, richly descriptive, and laced with the ornamental diction of the late‑Victorian era, echoing the social satire of writers such as George Eliot. Its voice is both observational and slightly ironic, capturing the minutiae of manners while hinting at the underlying tensions of gender and class. Readers who enjoy intricate period dialogue, detailed domestic scenes, and a subtle critique of women’s roles in a patriarchal society will find this novel rewarding. It appeals especially to those drawn to early feminist narratives that foreground women’s agency within the constraints of a rigid social hierarchy.
The opening · free to read
The tall young lady who arrived fifteen minutes before the Freddy Tunbridges' dinner-hour, was not taken into the great empty drawing-room, but, as though she were not to be of the party expected that night, straight upstairs she went behind the footman, and then up more stairs behind a maid. The smart, white-capped domestic paused, and her floating muslin streamers cut short their aerial gyrations subsiding against her straight black back as she knocked at the night-nursery door. It was opened by a middle-aged head nurse of impressive demeanour. She stood there an instant eyeing the intruder with the kind of overbearing hauteur that in these days does duty as the peculiar hall-mark of the upper servant, being seldom encountered in England among even the older generation of the so-called governing class.
'It's too late to see the baby, miss. He's asleep.'
'Yes, I know; but the others are expecting me, aren't they?'
Question hardly necessary, perhaps, with the air full of cries from beyond the screen: 'Yes, yes.' 'We're waiting!' 'Mummy promised'--cut short by the nurse saying sharply, 'Not so much noise, Miss Sara.' But the presiding genius of the Tunbridge nursery opened the door a little wider and stood aside. Handsome compensation for her studied coldness was offered in the shrill shrieks of joy with which a little girl and a very small boy celebrated the lady's entrance. She, for her part, joined the austere nurse in saying, 'Sh! sh!' and in simulating consternation at the spectacle behind the screen, Miss Sara jumping up and down in the middle of her bed with wild brown hair swirling madly about a laughing but mutinous face. The visitor, hurrying forward, received the impetuous little girl in her arms, while the nurse described her own sentiments of horror and detestation of such performances, and hinted vaguely at Retribution that might with safety be looked for no later than the morrow. Nobody listened. Miss Levering nodded smiling across Sara's nightgowned figure to the little boy hanging over the side of the neighbouring cot. But he kept remonstrating, 'You always go to her first.'
The lady drew a flat, shiny wooden box out of the inside pocket of her cloak. The little girl seized it rapturously.
'Oh, did you only bring Sara's bock?' wailed the smaller Tunbridge. 'I told you expecially we wanted two bocks.'
'I've got two pockets and I've got two bocks. Let me give him his, Sara darling.'
But 'Sara darling' dropped her own 'bock' the better to cling round the neck of the giver.
Naturally Master Cecil sounded the horn of indignation.
'Hush!' commanded his sister. 'Don't you know his little lordship never did that?' And to emphasize this satirical appeal to a higher standard of manners, Sara loosened her tight-locked arms an instant; but still holding to the visitor with one hand, she picked up the pillow and deftly hurled it at the neighbouring cot, extinguishing the little boy. Through the general recriminations that ensued, the culprit cried with shrill rapture, 'Lady Gladys never pillow-fought! Lady Gladys was a little lady and never did _any_thing!' The merry eyes shamelessly invited Miss Levering to mock at Dampney's former charges. But the visitor detached herself from Miss Sara, and wishing apparently to ingratiate herself with the offended majesty of the nurse, Miss Levering said gravely over her shoulder, 'Now, lie down, Sara, and be a good girl.' Sara's reply to that was to (what she called) 'diddle up and down' on her knees and emit shrill squeals of some pleasurable emotion not defined. This, too, in spite of the fact that Dampney had picked up the pillow and was advancing upon Miss Sara with an expression calculated to shake the stoutest heart. It obviously shook the visitor's. 'Listen, Sara! If you don't be quiet and let nurse cover you up, she won't want me to stay.' Miss Levering actually got up off the little boy's bed, and stood as though ready to carry the obnoxious suggestion into instant effect.
Sara darted under the bedclothes like a rabbit into its burrow. The rigid woman, without words, restored the tousled pillow to the head of the bed, extracted Miss Sara from her hiding-place with one hand, smoothed out the rebellious legs with the other, covered the child firmly over, and tucked the bedclothes in.
'What's the use of all that? Mother always does it over again.'
'You know very well she's been and done it once already.'
'She's coming again if father doesn't need her.'
'There's a whole big dinner-party needing her, so you needn't think she can come twice to say good-night to a Jumping-Jack like you.'
'You ought to say a Jumping-Jill,' amended Sara.
During this interchange Master Cecil was complaining to the visitor--
'I can't see you with that thing all round your head.'
'Yes, take it off!' his sister agreed; and when the lady had unwound her lace scarf--'Now the coat! And you have to sit on my bed this time. It's my turn.'
As the visitor divested herself of the long ermine-lined garment, 'Oh, you are pretty to-night!' observed the gallant young gentleman over the way, seeming not to have heard that these effects don't appeal to little boys.
Sara silently craned her neck. Even the high and mighty Mrs. Dampney, in the surreptitious way of the superior servant, without seeming to look, was covertly taking in the vision that the cloak had hitherto obscured. The little girl followed with critical eyes the movement of the tall figure, the graceful fall of the clinging black lace gown embroidered in yellow irises, the easy bend of the small waist in its jewelled belt of yellow. The growing approval in the little face culminated in an ecstatic 'Oh-h-h! let me see what's on your neck! That's new, isn't it?'
'No--very old.'
'I didn't know there were yellow diamonds,' said Sara.
'There are; but these are sapphires.'
'And the little stones round?'
'Yes, they're diamonds.'
'The hanging-down thing is such a pretty shape!'
'Yes, the fleur-de-lys is a pretty shape. It's the flower of France, you know--just as the thistle is the----'
'There, now!' A penetrating whisper came from the other bed. 'She's gone.'
'It's you who've been keeping her here, you know.' Miss Levering bent her neat, dark head over the little girl, and the gleaming jewels swung forward.
'Yes,' said Cecil, in a tone of grandfatherly disgust; 'yelling like a wild Indian.'
'Well, you cried,' said his sister--'just because a feather pillow hit you.' Her eye never once left the glittering gaud.
'You see, Cecil is younger than you,' Miss Levering reminded her.
'Yes,' said Sara, with conscious superiority--'a whole year and eight months. But even when I was young I had sense.'
Miss Levering laughed. 'You're a horrid little Pharisee--and as wild as a young colt.' Contrary to received canons, the visitor seemed to find something reassuring in the latter reflection, for she kissed the small, self-righteous face.
'You just ought to have seen Sara this morning!' Cecil chuckled, with a generous admiration in family achievements. 'We waked up early, and Sara said, "Let's go mountaineering." So we did. All over the rocks and presserpittses.' He waved his hand comprehensively at the rugged scenery of the night-nursery.
'Of course we had to pile up the chairs and things,' his sister explained.
'And the coal scuttle.'
'And we made snow mountains out of the pillows. When the chairs wobbled, the coal and the pillows kept falling about; it was quite a real avalanche,' Sara said conversationally.
'I should think so,' agreed the guest.
The book keeps going
Reading is free forever. Sign up and watch scenes appear while you read.



Scenes Storieta drew for other classics.
New illustrated classics
Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.