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About this book

The work is a juvenile moral tale set in post‑Civil‑War Boston, where the author frames his story as a “stimulus to higher aims” for young readers. The opening chapter drops us into a bustling barbershop on State Street, introducing the pretentious young clerk Fitzherbert Wittleworth and the effeminate journeyman barber André Maggimore. Their banter over a shave quickly escalates into a confrontation with the stern banker Mr. Checkynshaw, who threatens to discharge Wittleworth for “wasting time.” The dialogue is peppered with references to Christian virtue, inheritance, and the social hierarchy of merchants and adopted children, hinting at the larger themes of conduct, ambition, and the pursuit of a respectable place in the material world. The chapter titles, ranging from “Make or Break” to “The Rich Man’s Daughter”, signal a series of episodic adventures that will test the characters’ moral fiber.

Written in a florid, didactic prose typical of late‑nineteenth‑century American juvenile fiction, the narrative combines moral instruction with lively, almost theatrical dialogue. The author’s voice is earnest, frequently invoking biblical standards and the “young people’s critical” judgment, while the style leans toward elaborate description and moralizing commentary. Readers who appreciate historical settings, moral‑driven plots, and the gentle satire of social pretensions will find this novel engaging. It will especially appeal to those interested in Victorian‑era youth literature that blends lessons on conduct with a lively, character‑driven story.

Characters in Make or Break

  • Fitzherbert WittleworthYoung clerk, slender, crisp waistcoat, high collar, neatly combed hair, earnest expression
  • André MaggimoreEffeminate barber, delicate features, trimmed beard, silk handkerchief, polished brass scissors, soft eyes
  • Mr. CheckynshawMiddle‑aged banker, stern gaze, spectacles, greying beard, dark frock coat, pocket watch chain

The opening · free to read

The lambs will not eat dry husks; they loathe the tasteless morsel which well-meaning sectarians offer them, and hunger for that which will warm their hearts and stir their blood. The heart may be warmed, and the blood may be stirred, without corrupting the moral nature. The writer has endeavored to meet this demand in this way, and he is quite sure that the patient, striving, toiling Leo, and the gentle, self-sacrificing, and devoted Maggie, do nothing in the story which will defile the mind or the heart of the young people. The Bible teaches what they sought to practise. He is satisfied that none of his readers will like Mr. Fitzherbert Wittleworth well enough to make him their model.

The author is willing the story should pass for what it is worth; and there is no danger that it will be over or undervalued, for the young people are even more critical than their elders. But the favor already bestowed upon it has added to the weight of the writer's obligation to the juvenile reading public; and in giving them the story in its present permanent form, he trusts that it will continue to be not only a source of pleasure, but a stimulus to higher aims, and a more resolute striving for what is worth having both in the moral and material world.

WILLIAM T. ADAMS.

HARRISON SQUARE, MASS., July 28, 1868.

CONTENTS.

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