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Ten Years Later continues Alexandre Dumas’s sprawling D’Artagnan Romances, picking up the saga in 1660‑1661 after the events of The Three Musketeers and Twenty Years After. The opening chapter thrusts the veteran musketeer back into royal service as he confronts the fortified island of Belle‑Isle, a project overseen by his old comrades Porthos and Aramis, now a baron and a bishop. Dumas frames the narrative with a dense editorial note that explains the confusing publication history of the third novel, The Vicomte de Bragelonne, and how the present volume corresponds to the first 104 chapters of that work. Within the story, D’Artagnan arrives at the Louvre, blood‑stained and exhausted, to report the island’s defenses to Louis XIV, who promptly offers him the captaincy he has long coveted. The scene sets a tone of court intrigue, military daring, and the lingering tensions among the once‑inseparable friends.
The prose reflects Dumas’s mid‑19th‑century French Romantic style, marked by rapid dialogue, vivid description, and a flair for dramatizing historical events. The narrative voice is energetic and occasionally digressive, mirroring the serialized origins of the tale. Readers who relish swashbuckling adventure, intricate political machinations, and richly drawn period settings, especially those fascinated by the transition from the reign of Louis XIV to the age of the Sun King, will find this volume rewarding. Its blend of swordplay, royal intrigue, and the lingering camaraderie of the musketeers appeals to fans of historical fiction who appreciate a novel that balances action with the elaborate tapestry of 17th‑century France.
The opening · free to read
In the months of March-July in 1844, in the magazine Le Siecle, the first portion of a story appeared, penned by the celebrated playwright Alexandre Dumas. It was based, he claimed, on some manuscripts he had found a year earlier in the Bibliotheque Nationale while researching a history he planned to write on Louis XIV. They chronicled the adventures of a young man named D’Artagnan who, upon entering Paris, became almost immediately embroiled in court intrigues, international politics, and ill-fated affairs between royal lovers. Over the next six years, readers would enjoy the adventures of this youth and his three famous friends, Porthos, Athos, and Aramis, as their exploits unraveled behind the scenes of some of the most momentous events in French and even English history.
Eventually these serialized adventures were published in novel form, and became the three D’Artagnan Romances known today. Here is a brief summary of the first two novels:
The Three Musketeers (serialized March-July, 1844): The year is 1625. The young D’Artagnan arrives in Paris at the tender age of 18, and almost immediately offends three musketeers, Porthos, Aramis, and Athos. Instead of dueling, the four are attacked by five of the Cardinal’s guards, and the courage of the youth is made apparent during the battle. The four become fast friends, and, when asked by D’Artagnan’s landlord to find his missing wife, embark upon an adventure that takes them across both France and England in order to thwart the plans of the Cardinal Richelieu. Along the way, they encounter a beautiful young spy, named simply Milady, who will stop at nothing to disgrace Queen Anne of Austria before her husband, Louis XIII, and take her revenge upon the four friends.
Twenty Years After (serialized January-August, 1845): The year is now 1648, twenty years since the close of the last story. Louis XIII has died, as has Cardinal Richelieu, and while the crown of France may sit upon the head of Anne of Austria as Regent for the young Louis XIV, the real power resides with the Cardinal Mazarin, her secret husband. D’Artagnan is now a lieutenant of musketeers, and his three friends have retired to private life. Athos turned out to be a nobleman, the Comte de la Fere, and has retired to his home with his son, Raoul de Bragelonne. Aramis, whose real name is D’Herblay, has followed his intention of shedding the musketeer’s cassock for the priest’s robes, and Porthos has married a wealthy woman, who left him her fortune upon her death. But trouble is stirring in both France and England. Cromwell menaces the institution of royalty itself while marching against Charles I, and at home the Fronde is threatening to tear France apart. D’Artagnan brings his friends out of retirement to save the threatened English monarch, but Mordaunt, the son of Milady, who seeks to avenge his mother’s death at the musketeers’ hands, thwarts their valiant efforts. Undaunted, our heroes return to France just in time to help save the young Louis XIV, quiet the Fronde, and tweak the nose of Cardinal Mazarin.
The third novel, The Vicomte de Bragelonne (serialized October, 1847 --January, 1850), has enjoyed a strange history in its English translation. It has been split into three, four, or five volumes at various points in its history. The five-volume edition generally does not give titles to the smaller portions, but the others do. In the three-volume edition, the novels are entitled The Vicomte de Bragelonne, Louise de la Vallière, and The Man in the Iron Mask. For the purposes of this etext, I have chosen to split the novel as the four-volume edition does, with these titles: The Vicomte de Bragelonne, Ten Years Later, Louise de la Vallière, and The Man in the Iron Mask. In the last etext:
The Vicomte de Bragelonne (Etext 2609): It is the year 1660, and D’Artagnan, after thirty-five years of loyal service, has become disgusted with serving King Louis XIV while the real power resides with the Cardinal Mazarin, and has tendered his resignation. He embarks on his own project, that of restoring Charles II to the throne of England, and, with the help of Athos, succeeds, earning himself quite a fortune in the process. D’Artagnan returns to Paris to live the life of a rich citizen, and Athos, after negotiating the marriage of Philip, the king’s brother, to Princess Henrietta of England, likewise retires to his own estate, La Fere. Meanwhile, Mazarin has finally died, and left Louis to assume the reigns of power, with the assistance of M. Colbert, formerly Mazarin’s trusted clerk. Colbert has an intense hatred for M. Fouquet, the king’s superintendent of finances, and has resolved to use any means necessary to bring about his fall. With the new rank of intendant bestowed on him by Louis, Colbert succeeds in having two of Fouquet’s loyal friends tried and executed. He then brings to the king’s attention that Fouquet is fortifying the island of Belle-Ile-en-Mer, and could possibly be planning to use it as a base for some military operation against the king. Louis calls D’Artagnan out of retirement and sends him to investigate the island, promising him a tremendous salary and his long-promised promotion to captain of the musketeers upon his return. At Belle-Isle, D’Artagnan discovers that the engineer of the fortifications is, in fact, Porthos, now the Baron du Vallon, and that’s not all. The blueprints for the island, although in Porthos’s handwriting, show evidence of another script that has been erased, that of Aramis. D’Artagnan later discovers that Aramis has become the bishop of Vannes, which is, coincidentally, a parish belonging to M. Fouquet. Suspecting that D’Artagnan has arrived on the king’s behalf to investigate, Aramis tricks D’Artagnan into wandering around Vannes in search of Porthos, and sends Porthos on an heroic ride back to Paris to warn Fouquet of the danger. Fouquet rushes to the king, and gives him Belle-Isle as a present, thus allaying any suspicion, and at the same time humiliating Colbert, just minutes before the usher announces someone else seeking an audience with the king.
And now, the second etext of The Vicomte de Bragelonne. Enjoy!
“Ah! Monsieur Colbert; you have then nine hundred thousand livres at the intendance?” Colbert, suffocated, bowed but made no reply. All this scene entered into the mind of D’Artagnan, by the eyes and ears, at once.
The first word of Louis to his musketeer, as if he wished it to contrast with what he was saying at the moment, was a kind “good day.” His second was to send away Colbert. The latter left the king’s cabinet, pallid and tottering, whilst D’Artagnan twisted up the ends of his mustache.
“I love to see one of my servants in this disorder,” said the king, admiring the martial stains upon the clothes of his envoy.
“I thought, sire, my presence at the Louvre was sufficiently urgent to excuse my presenting myself thus before you.”
“You bring me great news, then, monsieur?”
“Sire, the thing is this, in two words: Belle-Isle is fortified, admirably fortified; Belle-Isle has a double enceinte, a citadel, two detached forts; its ports contain three corsairs; and the side batteries only await their cannon.”
“I know all that, monsieur,” replied the king.
“What! your majesty knows all that?” replied the musketeer, stupefied.
“I have the plan of the fortifications of Belle-Isle,” said the king.
“Your majesty has the plan?”
“Here it is.”
“It is really correct, sire: I saw a similar one on the spot.”
D’Artagnan’s brow became clouded.
“Ah! I understand all. Your majesty did not trust to me alone, but sent some other person,” said he in a reproachful tone.
“Of what importance is the manner, monsieur, in which I have learnt what I know, so that I know it?”
“Sire, sire,” said the musketeer, without seeking even to conceal his dissatisfaction; “but I must be permitted to say to your majesty, that it is not worth while to make me use such speed, to risk twenty times the breaking of my neck, to salute me on my arrival with such intelligence. Sire, when people are not trusted, or are deemed insufficient, they should scarcely be employed.” And D’Artagnan, with a movement perfectly military, stamped with his foot, and left upon the floor dust stained with blood. The king looked at him, inwardly enjoying his first triumph.
“Monsieur,” said he, at the expiration of a minute, “not only is Belle-Isle known to me, but, still further, Belle-Isle is mine.”
“That is well! that is well, sire, I ask but one thing more,” replied D’Artagnan.--“My discharge.”
“What! your discharge?”
“Without doubt I am too proud to eat the bread of the king without earning it, or rather by gaining it badly.--My discharge, sire!”
“Oh, oh!”
“I ask for my discharge, or I will take it.”
“You are angry, monsieur?”
“I have reason, mordioux! Thirty-two hours in the saddle, I ride day and night, I perform prodigies of speed, I arrive stiff as the corpse of a man who has been hung--and another arrives before me! Come, sire, I am a fool!--My discharge, sire!”
“Monsieur d’Artagnan,” said Louis, leaning his white hand upon the dusty arm of the musketeer, “what I tell you will not at all affect that which I promised you. A king’s word given must be kept.” And the king going straight to his table, opened a drawer, and took out a folded paper. “Here is your commission of captain of musketeers; you have won it, Monsieur d’Artagnan.”
D’Artagnan opened the paper eagerly, and scanned it twice. He could scarcely believe his eyes.
“And this commission is given you,” continued the king, “not only on account of your journey to Belle-Isle but, moreover, for your brave intervention at the Place de Greve. There, likewise, you served me valiantly.”
“Ah, ah!” said D’Artagnan, without his self-command being able to prevent a blush from mounting to his eyes--“you know that also, sire?”
“Yes, I know it.”
The king possessed a piercing glance and an infallible judgment when it was his object to read men’s minds. “You have something to say,” said he to the musketeer, “something to say which you do not say. Come, speak freely, monsieur; you know that I told you, once and for all, that you are to be always quite frank with me.”
“Well, sire! what I have to say is this, that I would prefer being made captain of the musketeers for having charged a battery at the head of my company, or taken a city, than for causing two wretches to be hung.”
“Is this quite true you tell me?”
“And why should your majesty suspect me of dissimulation, I ask?”
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