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About this book

The Ghost Girl is a Southern‑style love story set against the backdrop of Charleston, South Carolina, and the tangled inheritances of a family that once spanned Virginia and the Carolinas. The narrative opens with Phyl, a headstrong daughter of the adventurous Mascarenes, who has fled a strict girls’ academy and returned home to an Irish estate after a brief, restless journey. Her father, preoccupied with agrarian disputes, leaves her education to a succession of governesses and the practical wisdom of servants, rats‑catchers and grooms. The opening scenes blend grief over her recently deceased father with the arrival of a mysterious American solicitor, Mr. Pinckney, whose presence threatens to upend Phyl’s fragile equilibrium and the future of the family’s property.

Written in the ornate, dialogue‑rich prose of the late‑19th century, the novel carries the cadence of a period romance while delivering a vivid sense of place, from the hearth‑rug of Kilgobbin to the bustling streets of Dublin. Its voice is both lyrical and conversational, reflecting the era’s social conventions and the lingering colonial ties of the South. Readers who enjoy intricate family sagas, atmospheric settings, and the slow unfurling of a courtship amid cultural clash will find this work a rewarding immersion in a bygone world.

Characters in The Ghost Girl

  • PhylYoung Irish woman with vivid red hair, freckles, high cheekbones, wearing a modest late‑19th‑century day dress
  • Mr. PinckneyAmerican solicitor in his thirties, dark hair, crisp waistcoat and cravat, sharp eyes, standing with a leather briefcase

The opening · free to read

Phyl's mother had been a Mascarene, a member of the old, adventurous family that settled in Virginia when Virginia was a wilderness and spread its branches through the Carolinas when the Planter was king of the South. Red hair had run among the Mascarenes, red hair and a wild spirit that brooked no contradiction and knew no fear. Phyl had inherited something of this restless and daring spirit. She had run away from the Rottingdean Academy for the Daughters of the Nobility and Gentry where she had been sent at the age of twelve; making her way back to Ireland like a homing pigeon, she had turned up one morning at breakfast time, quite unshaken by her experiences of travel and with the announcement that she did not like school.

Had her mother been alive the traveller would have been promptly returned, but Phyl's father, good, easy man, was too much taken up with agrarian disputes, hunting, and the affairs of country life to bother much about the small affair of his daughter's future and education. He accepted her rejection of his plans, wrote a letter of apology to the Rottingdean Academy, and hired a governess for her. She wore out three in eighteen months, declared herself dissatisfied with governesses and competent to finish the process of educating and polishing herself.

This she did with the aid of all the books in the library, old Dunn, the rat-catcher of Arranakilty, a man profoundly versed in the habits of rodents and birds, Larry the groom, and sundry others of low estate but high intelligence in matters of sport and woodcraft.

Now it might be imagined from the foregoing that hardihood, self-assertion, and other unpleasant characteristics would be indicated in the manner and personality of this lover of freedom and rebel against restraint. Not at all. She was a most lovable and clinging person, when she could get hold of anything worth clinging to, with a mellifluous Irish voice at once soothing and distracting, a voice with pockets in it but not a trace of a brogue or only the very faintest suspicion. Yet when she spoke she had the Irish turn of words and she used the word "sure" in a manner strange to the English.

She had reached the point in the "Gold Bug" where Jupp is threatening to beat Legrand, when, laying the book down beside her on the hearthrug, she sat with her hands clasping her knees and her eyes fixed on the fire.

The tale had suddenly lost interest. She was thinking of her dead father, the big, hearty man who had gone to America only eight weeks ago and who would never return. He had gone on a visit to some of his wife's people, fallen ill, and died.

Phyl could not understand it at all. She had cried her heart out amongst the ruins of her little world, but she could not understand why it had been ruined, or what her father had done to be killed like that, or what she had done to deserve such misery. The Reverend Peter Graham of Arranakilty could explain nothing about the matter to her understanding. She nearly died and then miraculously recovered. Acute grief often ends like that, suddenly. The mourner may be maimed for life but the sharpness of the pain of that dreadful, dreadful disease is gone.

Phyl found herself one morning discussing rats with old Dunn, asking him how many he had caught in the barn and taking a vague sort of interest in what the old fellow was saying; books began to appeal to her again and the old life to run anew in a crippled sort of way. Then other things happened. Mr. Hennessey, the family lawyer, who had been a crony of her father's and who had known her from infancy, came down to Kilgobbin to arrange matters.

It seemed that Mr. Berknowles before dying had made a will and that the will was being brought over from the States by Mr. Pinckney, his wife's cousin in whose house he had died.

"I'm sure I don't know what the chap wants coming over with it for," said Mr. Hennessey. "He said it was by your father's request he was coming, but it's a long journey for a man to take at this season of the year--and I hope the will is all right."

There was an implied distrust in his tone and an antagonism to Mr. Pinckney that was not without its effect on Phyl.

She disliked Mr. Pinckney. She had never seen him but she disliked him all the same, and she feared him. She felt instinctively that this man was coming to make some alteration in her way of life. She did not want any change, she wanted to go on living just as she was with Mrs. Driscoll the housekeeper to look after her and all the old servants to befriend her and Mr. Hennessey to pay the bills.

Mr. Hennessey was in the house now. He had come down that morning from Dublin to receive Mr. Pinckney, who was due to arrive that night.

Phyl, sitting on the hearthrug, was in the act of picking up her book when the door opened and in came Mr. Hennessey.

He had been out in the grounds overlooking things and he came to the fire to warm his hands, telling Phyl to sit easy and not disturb herself. Then, as he held a big foot to the warmth he talked down at the girl, telling her of what he had been about and the ruination Rafferty was letting the greenhouses go to.

"Half-a-dozen panes of glass out--and 'I've no putty,' says he. 'Putty,' said I to him, 'and what's that head of yours made of?' The stoves are all out of order and there's a hole in one of the flues I could get my thumb in."

"Rafferty's awfully good to the dogs," said Phyl in her mellow voice, so well adapted for intercession. "He may be a bit careless, but he never does forget to feed the animals. He's got the chickens to look after, too, and then there's the beagles, he knows every dog in the pack and every dog knows him--oh, dear, what's the good of it all!"

The thought of the beagles had brought up the vision of their master who would never hunt with them again. Her voice became tinged with melancholy and Hennessey changed the subject, taking his seat in one of the armchairs that stood on either side of the fireplace.

He was a big, loosely-made man, an easy going man with a kind heart who would have come to financial disaster long ago only for his partner, Niven.

"He's almost due to be here by now," said he, taking out his watch and looking at it, "unless the express from Dublin is late."

"What'll he be like, do you think?" said Phyl.

"There's no saying," replied Mr. Hennessey. "He's an American and I've never had much dealings with Americans except by letter. By all accounts they are sharp business men, but I daresay he is all right. The thing that gets me is his coming over. Americans don't go thousands of miles for nothing, but if it's after any hanky-panky business about the property, maybe he'll find Jack Hennessey as sharp as any American."

"He's some sort of a relation of ours," said Phyl. "Father said he was a sort of cousin."

"On your mother's side," said Hennessey.

"Yes," said Phyl. Then, after a moment's pause, "D'you know I've often thought of all those people over there and wondered what they were like and how they lived--my mother's people. Father used to talk of them sometimes. He said they kept slaves."

"That was in the old days," said Hennessey. "The slaves are all gone long ago. They used to have sugar plantations and suchlike, but the war stopped all that."

"It's funny," said Phyl, "to think that my people kept slaves--my mother's people--Oh, if one could only see back, see all the people that have gone before one so long ago-- Don't you ever feel like that?"

Mr. Hennessey never had; his forebears had been liquor dealers in Athlone and he was content to let them lie without a too close inquisition into the romances of their lives.

"Mr. Hennessey," said Phyl, after a moment's silence, "suppose Father has left Mr. Pinckney all his money--what will become of me?"

"The Lord only knows," said Hennessey; "but what's been putting such fancies in your head?"

"I don't know," replied the girl. "I was just thinking. Of course he wouldn't do such a thing--It's your talking of the will the last time you were here set me on, I suppose, but I dreamed last night Mr. Pinckney came and he was an American with a beard like Uncle Sam in Punch last week, and he said Father had made a will and left him everything--he'd left him me as well as everything else, and the dogs and all the servants and Kilgobbin--then I woke up."

"Well, you were dreaming nonsense," said the practical Hennessey. "A man can't leave his daughter away from him, though I'm half thinking there's many a man would be willing enough if he could."

Phyl raised her head. Her quick ear had caught a sound from the avenue. Then the crash of wheels on gravel came from outside and her companion, rising hurriedly from his chair, went to the window.

"That's him," said the easy-speaking Hennessey.

Hennessey had left the door open and she could hear a confused noise from the hall, the sound of luggage being brought in, the bustle of servants and a murmur of voices.

Then a voice that made her start.

"Thanks, I can carry it myself."

It was the newcomer's voice, he was being conducted to his room by Hennessey. It was a cheerful, youthful voice, not in the least suggestive of Uncle Sam with the goatee beard as depicted by the unimaginative artist of Punch. And it was a voice she had heard before, so she fancied, but where, she could not possibly tell--nor did she bother to think, dismissing the idea as a fancy.

She stood listening, but heard nothing more, only the wind that had risen and was shaking the ivy outside the windows.

Byrne, the old manservant, came in and lit the lamps and then after a few minutes Hennessey entered. He looked cheerful.

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