Storieta
English
Sign up

About this book

Jacob Abbott’s work is a nineteenth‑century historical narrative that treats the life of Pyrrhus, king of Epirus, as part of the larger tapestry of ancient legend and fact. The opening pages explain that, for figures such as Pyrrhus, the line between romance and history is blurred, and the author’s purpose is to repeat the traditional stories while warning readers not to accept every marvelous detail as truth. The book proceeds chapter by chapter, beginning with the tangled politics of Olympias and Antipater, then moving through Pyrrhus’s early exile, his campaigns in Macedonia and Italy, and his ultimate downfall, all accompanied by maps and illustrations that situate the events in the geography of the ancient world.

The prose reflects the scholarly yet literary style of the late‑1800s, combining detailed genealogical exposition with a measured, almost conversational tone. Readers who enjoy a measured, source‑aware recounting of classical antiquity, especially those interested in the interplay of myth, politics, and military adventure, will find Abbott’s measured approach both informative and engaging.

Who appears in Pyrrhus Makers of History

  • PyrrhusYoung Macedonian king, curly hair, bronze cuirass, plumed helmet, regal bearing
  • OlympiasMacedonian queen, regal veil, high headdress, embroidered gown, dignified expression
  • AntipaterOlder Greek statesman, greying beard, flowing chiton, laurel wreath, thoughtful gaze

The opening · free to read

Harper & Brothers,

in the Clerk's Office of the District Court of the Southern District of New York.

PREFACE.

In respect to the heroes of ancient history, who lived in times antecedent to the period when the regular records of authentic history commence, no reliance can be placed upon the actual verity of the accounts which have come down to us of their lives and actions. In those ancient days there was, in fact, no line of demarkation between romance and history, and the stories which were told of Cyrus, Darius, Xerxes, Romulus, Pyrrhus, and other personages as ancient as they, are all more or less fabulous and mythical. We learn this as well from the internal evidence furnished by the narratives themselves as from the researches of modern scholars, who have succeeded, in many cases, in disentangling the web, and separating the false from the true. It is none the less important, however, on this account, that these ancient tales, as they were originally told, and as they have come down to us through so many centuries, should be made known to readers of the present age. They have been circulated among mankind in their original form for twenty or thirty centuries, and they have mingled themselves inextricably with the literature, the eloquence, and the poetry of every civilized nation on the globe. Of course, to know what the story is, whether true or false, which the ancient narrators recorded, and which has been read and commented on by every succeeding generation to the present day, is an essential attainment for every well-informed man; a far more essential attainment, in fact, for the general reader, than to discover now, at this late period, what the actual facts were which gave origin to the fable.

In writing this series of histories, therefore, it has been the aim of the author not to correct the ancient story, but to repeat it as it stands, cautioning the reader, however, whenever occasion requires, not to suppose that the marvelous narratives are historically true.

CONTENTS.

The book keeps going

Keep reading, and see it illustrated

Reading is free forever. Sign up and watch scenes appear while you read.

Illustrated scene from The Adventures of Sherlock HolmesIllustrated scene from FrankensteinIllustrated scene from The Great Gatsby

Scenes Storieta drew for other classics.

New illustrated classics

A new classic, drawn, in your inbox.

Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.