Public-domain ebook
Waiting for Daylight
Language: en3,116 downloads on Project Gutenberg
Subjects
Public-domain ebook sourced from Project Gutenberg #27246.
Public-domain ebook
Language: en3,116 downloads on Project Gutenberg
Subjects
Public-domain ebook sourced from Project Gutenberg #27246.
Waiting for Daylight is a first‑person wartime narrative that blends memoir, essay and a touch of literary travelogue. The opening places the narrator in July 1915, wandering the shattered streets of Ypres after a stroll from “Suicide Corner” to the Cloth Hall. Amid the ruin he pauses on a broken pedestal, smokes, and reflects on the absurdity of the conflict, while the sky above is punctuated by clouds that recall Renaissance cherubs. The prose then shifts to the immediacy of artillery, the clatter of German planes, and a series of vivid, almost cinematic details, a broken bicycle, a child’s chemise, a dead cat, and the terse exchange with a khaki‑clad soldier. This mixture of sensory description, colloquial dialogue, and fleeting philosophical asides establishes a work that is as much a series of impressionistic sketches of the Western Front as it is a contemplative essay on war’s meaning.
The voice is unmistakably that of a World War I officer, steeped in the slang and cadence of the era, with a wry, self‑deprecating humor that softens the grim setting. Its style is dense, elliptical, and peppered with vernacular speech, giving readers a sense of being inside a soldier’s notebook rather than a polished novel. Those who appreciate gritty, first‑hand accounts of the Great War, especially readers drawn to the raw, unvarnished language of trench memoirs and to essays that probe the psychological toll of conflict, will find this book compelling. It also appeals to anyone interested in early twentieth‑century British prose that captures both the physical devastation of battlefields and the lingering, almost lyrical reflections that emerge amid the chaos.
The opening · free to read
JULY, 1915. My mouth does not get so dry as once it did, I notice, when walking in from Suicide Corner to the Cloth Hall. There I was this summer day, in Ypres again, in a silence like a threat, amid ruins which might have been in Central Asia, and I, the last man on earth, contemplating them. There was something bumping somewhere, but it was not in Ypres, and no notice is taken in Flanders of what does not bump near you. So I sat on the disrupted pedestal of a forgotten building and smoked, and wondered why I was in the city of Ypres, and why there was a war, and why I was a fool.
It was a lovely day, and looking up at the sky over what used to be a school dedicated to the gentle Jesus, which is just by the place where one of the seventeen-inchers has blown a forty-foot hole, I saw a little round cloud shape in the blue, and then another, and then a cluster of them; the kind of soft little cloudlets on which Renaissance cherubs rest their chubby elbows and with fat faces inclined on their hands consider mortals from cemetery monuments. Then dull concussions arrived from heaven, and right overhead I made out two German 'planes. A shell-case banged the pave and went on to make a white scar on a wall. Some invisible things were whizzing about. One's own shrapnel can be tactless.
There was a cellar near and I got into it, and while the intruders were overhead I smoked and gazed at the contents of the cellar--the wreckage of a bicycle, a child's chemise, one old boot, a jam-pot, and a dead cat. Owing to an unsatisfactory smell of many things I climbed out as soon as possible and sat on the pedestal again.
A figure in khaki came straight at me across the Square, its boots sounding like the deliberate approach of Fate in solitude. It stopped and saluted, and said: "I shouldn't stay 'ere, sir. They gen'ally begin about now. Sure to drop some 'ere."
At that moment a mournful cry went over us, followed by a crash in Sinister Street. My way home! Some masonry fell in sympathy from the Cloth Hall.
"Better come with me till it blows over, sir. I've got a dug-out near."
We turned off into a part of the city unknown to me. There were some unsettling noises, worse, no doubt, because of the echoes behind us; but it is not dignified to hurry when one looks like an officer. One ought to fill a pipe. I did so, and stopped to light it. I paused while drawing at it, checked by the splitting open of the earth in the first turning to the right and the second to the left, or thereabouts.
"That's a big 'un, sir," said my soldier, taking half a cigarette from behind his ear and a light from my match; we then resumed our little promenade. By an old motor 'bus having boards for windows, and War Office neuter for its colour, but bearing for memory's sake on its brow the legend "Liverpool Street," my soldier hurried slightly, and was then swallowed up. I was alone. While looking about for possible openings I heard his voice under the road, and then saw a dark cavity, low in a broken wall, and crawled in. Feeling my way by knocking on the dark with my forehead and my shins, I descended to a lower smell of graves which was hollowed by a lighted candle in a bottle. And there was the soldier, who provided me with an empty box, and himself with another, and we had the candle between us. On the table were some official documents under a shell-nose, and a tin of condensed milk suffering from shock. Pictures of partly clad ladies began to appear on the walls through the gloom. Now and then the cellar trembled.
"Where's that old 'bus come from?" I asked.
"Ah! The pore old bitch, sir," said the soldier sadly.
"Yes, of course, but what's the matter with her?"
"She's done in, sir. But she's done her bit, she has," said my soldier, changing the crossing of his legs. "Ah! little did she think when I used to take 'er acrorse Ludget Circus what a 'ell of a time I'd 'ave to give 'er some day. She's a good ole thing. She's done 'er bit. She won't see Liverpool Street no more. If medals wasn't so cheap she ought to 'ave one, she ought."
The cellar had a fit of the palsy, and the candle-light shuddered and flattened.
"The ruddy swine are ruddy wild to-day. Suthin's upset 'em. 'Ow long will this ruddy war last, sir?" asked the soldier, slightly plaintive.
"I know," I said. "It's filthy. But what about your old 'bus?"
"Ah! what about 'er. She ain't 'arf 'ad a time. She's seen enough war to make a general want to go home and shell peas. What she knows about it would make them clever fellers in London who reckon they know all about it turn green if they heard a door slam. Learned it all in one jolly old day, too. Learned it sudden, like you gen'ally learn things you don't forget. And I reckon I 'adn't anything to find out, either, not after Antwerp. Don't tell me, sir, war teaches you a lot. It only shows fools what they didn't know but might 'ave guessed.
"You know Poperinghe? Well, my trip was between there an' Wipers, gen'ally. The stones on the road was enough to make 'er shed nuts and bolts by the pint. But it was a quiet journey, take it all round, and after a cup o' tea at Wipers I used to roll home to the park. It was easier than the Putney route. Wipers was full of civilians. Shops all open. Estaminets and nice young things. I used to like war better than a school-boy likes Sat'd'y afternoons. It wasn't work and it wasn't play. And there was no law you couldn't break if you 'ad sense enough to come to attention smart and answer quick. Yes, sir.
"I knew so little about war then that I'm sorry I never tried to be a military expert. But my education was neglected. I can only write picture postcards. It's a pity. Well, one day it wasn't like that. It dropped on Wipers, and it wasn't like that. It was bloody different. I wasn't frightened, but my little inside was.
"First thing was the gassed soldiers coming through. Their faces were green and blue, and their uniform a funny colour. I didn't know what was the matter with 'em, and that put the wind up, for I didn't want to look like that. We could hear a gaudy rumpus in the Salient. The civvies were frightened, but they stuck to their homes. Nothing was happening there then, and while nothing is happening it's hard to believe it's going to. After seeing a Zouave crawl by with his tongue hanging out, and his face the colour of a mottled cucumber, I said good-bye to the little girl where I was. It was time to see about it.
"And fact is, I didn't 'ave much time to think about it, what with gettin' men out and gettin' reinforcements in. Trip after trip.
"But I shall never have a night again like that one. Believe me, it was a howler. I steered the old 'bus, but it was done right by accident. It was certainly touch and go. I shouldn't 'ave thought a country town, even in war, could look like Wipers did that night.
"It was gettin' dark on my last trip, and we barged into all the world gettin' out. And the guns and reinforcements were comin' up behind me. There's no other road out or in, as you know. I forgot to tell you that night comin' on didn't matter much, because the place was alight. The sky was full of shrapnel, and the high-explosives were falling in the houses on fire, and spreading the red stuff like fireworks. The gun ahead of me went over a child, but only its mother and me saw that, and a house in flames ahead of the gun got a shell inside it, and fell on the crowd that was mixed up with the army traffic.
"When I got to a side turning I 'opped off to see how my little lady was getting on. A shell had got 'er estaminet. The curtains were flying in little flames through the place where the windows used to be. Inside, the counter was upside down, and she was laying with glass and bottles on the floor. I couldn't do anything for her. And further up the street my headquarters was a heap of bricks, and the houses on both sides of it on fire. No good looking there for any more orders.
"Being left to myself, I began to take notice. While you're on the job you just do it, and don't see much of anything else except out of the corner of the eye. I've never 'eard such a row--shells bursting, houses falling, and the place was foggy with smoke, and men you couldn't see were shouting, and the women and children, wherever they were, turning you cold to hear 'em.
"It was like the end of the world. Time for me to 'op it. I backed the old 'bus and turned 'er, and started off--shells in front and behind and overhead, and, thinks I, next time you're bound to get caught in this shower. Then I found my officer. 'E was smoking a cigarette, and 'e told me my job. 'E gave me my cargo. I just 'ad to take 'em out and dump 'em.
"'Where shall I take 'em, sir?'
"'Take 'em out of this,' says he. 'Take 'em anywhere, take 'em where you like, Jones, take 'em to hell, but take 'em away,' says he.
"So I loaded up. Wounded Tommies, gassed Arabs, some women and children, and a few lunatics, genuine cock-eyed loonies from the asylum. The shells chased us out. One biffed us over on to the two rear wheels, but we dropped back on four on the top speed. Several times I bumped over soft things in the road and felt rather sick. We got out o' the town with the shrapnel a bit in front all the way. Then the old 'bus jibbed for a bit. Every time a shell burst near us the lunatics screamed and laughed and clapped their hands, and trod on the wounded, but I got 'er goin' again. I got 'er to Poperinghe. Two soldiers died on the way, and a lunatic had fallen out somewhere, and a baby was born in the 'bus; and me with no conductor and no midwife.
"I met our chaplain and says he: 'Jones, you want a drink. Come with me and have a Scotch.' That was a good drink. I 'ad the best part of 'arf a bottle without water, and it done me no 'arm. Next morning I found I'd put in the night on the parson's bed in me boots, and 'e was asleep on the floor."
SEPTEMBER 17, 1915. I had crossed from France to Fleet Street, and was thankful at first to have about me the things I had proved, with their suggestion of intimacy, their look of security; but I found the once familiar editorial rooms of that daily paper a little more than estranged. I thought them worse, if anything, than Ypres. Ypres is within the region where, when soldiers enter it, they abandon hope, because they have become sane at last, and their minds have a temperature a little below normal. In Ypres, whatever may have been their heroic and exalted dreams, they awake, see the world is mad, and surrender to the doom from which they know a world bereft will give them no reprieve.
There was a way in which the office of that daily paper was familiar. I had not expected it, and it came with a shock. Not only the compulsion, but the bewildering inconsequence of war was suggested by its activities. Reason was not there. It was ruled by a blind and fixed idea. The glaring artificial light, the headlong haste of the telegraph instruments, the wild litter on the floor, the rapt attention of the men scanning the news, their abrupt movements and speed when they had to cross the room, still with their gaze fixed, their expression that of those who dreaded something worse to happen; the suggestion of tension, as though the Last Trump were expected at any moment, filled me with vague alarm. The only place where that incipient panic is not usual is the front line, because there the enemy is within hail, and is known to be another unlucky fool. But I allayed my anxiety. I leaned over one of the still figures and scanned the fateful document which had given its reader the aspect of one who was staring at what the Moving Finger had done. Its message was no more than the excited whisper of a witness who had just left a keyhole. But I realized in that moment of surprise that this office was an essential feature of the War; without it, the War might become Peace. It provoked the emotions which assembled civilians in ecstatic support of the sacrifices, just as the staff of a corps headquarters, at some comfortable leagues behind the trenches, maintains its fighting men in the place where gas and shells tend to engender common sense and irresolution.
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