
Public-domain ebook
The Panchronicon
Language: en6,088 downloads on Project Gutenberg
Subjects
In: Science-Fiction & Fantasy·Novels
Public-domain ebook sourced from Project Gutenberg #27682.

Public-domain ebook
Language: en6,088 downloads on Project Gutenberg
Subjects
In: Science-Fiction & Fantasy·Novels
Public-domain ebook sourced from Project Gutenberg #27682.
The Panchronicon is a science‑fiction tale that begins in a vividly rendered New England village at the close of the nineteenth century. The opening scene places us in Peltonville Center, New Hampshire, where a bustling common, a modest meeting‑house, and a store veranda frame the daily lives of Rebecca Wise, her younger sister Phoebe, and the town’s notorious rum‑drinker Copernicus Droop. Their colloquial banter about Shakespeare classes, kitchen chores, and a mysterious “business plan” quickly gives way to a conversation about sending someone back to 1876, hinting at the story’s central conceit: a scheme to travel through time using the era’s emerging technologies. The narrative launches with a blend of domestic detail and speculative intrigue, setting up a conflict between ordinary small‑town concerns and the extraordinary possibility of reshaping history.
The novel’s voice is unmistakably of the late‑Victorian period, employing dialect‑rich dialogue and a leisurely, descriptive prose that mirrors the rhythm of rural life. Its style combines humor, social observation, and a touch of melodrama, while the speculative elements are introduced through the earnest, if slightly rambling, explanations of Droop. Readers who enjoy period pieces that weave scientific imagination into everyday settings, especially those who appreciate a slower, character‑driven approach to time‑travel concepts, will find The Panchronicon an engaging glimpse into early speculative fiction.
The opening · free to read
Peltonville Center, New Hampshire, was one of those groups of neatly kept houses surrounding a prettily shaded, triangular common which seem to be characteristic of New England. Standing two miles from the nearest railway station, this little settlement possessed its own combined store and post-office, from whose narrow veranda one might watch the rising generation playing Saturday base-ball on the grassy triangle.
The traditional old meeting-house stood on the opposite side of the common, facing the store. The good old days of brimstone theology were past, and the descendants of the godly Puritans who raised this steeple "in the fear of the Lord," being now deprived of their chief source of fear, found Sunday meetings a bore, and a village pastor an unnecessary luxury.
Indeed, there seemed little need of pastoral admonition in such a town as Peltonville Center. There was a grimly commonplace and universal goodness everywhere, and the village was only saved from unconsciousness of its own perfection by the individual shortcomings of one of its citizens. Fortunately for the general self-complacence, however, the necessary revealing contrast was found in him.
Copernicus Droop was overfond of the bottle, and in spite of the prohibition laws of his State, he proved himself a blessed example and warning by a too frequent and unmistakable intoxication in public. He was gentle and even apologetic in his cups, but he was clearly a "slave of rum" and his mission was therefore fulfilled.
On this first of May, 1898, a number of idle young men sat in a row on the edge of the store veranda. Some were whittling, some making aimless marks in the dust with a stick. All leaned limply forward, with their elbows on their knees.
It was clearly not a Sunday, for the meeting-house was open, and from time to time, one or perhaps two young women together passed into the cool and silent room. The loungers at the store let none escape their notice, and the name of each damsel was passed down the line in an undertone as its owner entered the church.
A lantern-jawed young farmer at the end of the row slowly brushed the shavings from his clothes and remarked:
"Thet's the secon' meetin' of the Shekspeare class this month, ain't it?"
"Yep, an' there'll be two more afore the summer boarders comes up----"
The second speaker would have continued, but he was here interrupted by a third, who whispered loudly:
"Say, fellers, there goes Copernicus."
All eyes were raised and unanimously followed the shabby figure which had just emerged from behind the church and now started into the road leading away from the common toward the north.
"Walks pretty straight fer him, don't he?" snickered the first speaker.
"He's not ben tight fer two days."
"Bet ye a jack-knife he'll be spreein' it fer all he's wuth to-morrow."
Fortunately these comments did not reach the ears of their object, who, all unconscious of the interest which he inspired, made good his way at a fairly rapid pace.
Presently he stopped.
With muslin skirts swaying, hair rumpled, and fair young face flushed with exertion, Phoebe Wise was hurrying toward the common. She was almost running in her haste, for she was late and the Shakespeare class was a momentous institution.
"Oh, say, Cousin Phoebe," was the man's greeting, "can you tell me ef yer sister's to home?"
The young girl came to a sudden full stop in her surprise. This cousinly greeting from the village reprobate was as exciting and as inexplicable as it was unheard of.
"Why, Mr. Droop!" she exclaimed, "I--I--I s'pose so."
The truth was the truth, after all. But it was hard on Rebecca. What could this man want with her sister?
Droop nodded and passed on.
"Thank ye. Don't stop fer me," he said.
Phoebe moved forward slowly, watching Copernicus over her shoulder. She noted his steady steps and pale face and, reassured, resumed her flying progress with redoubled vigor. After all, Rebecca was forty-two years old and well able to take care of herself.
Meanwhile, Rebecca Wise, having carefully wrung out her dishcloth, poured out the water and swept the little sink, was slowly untying her kitchen apron, full of a thankful sense of the quiet hour before her wherein to knit and muse beside the front window of her little parlor.
In the centre of this room there stood a wide, round table, bearing a large kerosene-lamp and the week's mending. At the back and opposite the two windows stood the well-blacked, shiny, air-tight stove. Above this was a wooden mantel, painted to imitate marble, whereon were deposited two photographs, four curious Chinese shells, and a plaster cross to which there clung a very plaster young woman in scant attire, the whole being marked "Rock of Ages" in gilt letters at the base.
Horse-hair furniture in all the glory of endless "tidies" was arranged against walls bedight with a rainbow-like wilderness of morning-glories. The ceiling was of white plaster, and the floor was painted white and decked here and there with knitted rag-carpets, on whose Joseph's-coated surfaces Rebecca loved to gaze when in retrospective mood. In those humble floor-coverings her knowing eyes recognized her first clocked stockings and Phoebe's baby cloak. There was her brother Robert's wool tippet embalmed in loving loops with the remnants of his wife's best Sunday-go-to-meetin' ribbons. These two had long been dead, but their sister's loving eyes recreated them in rag-carpet dreams wherein she lived again those by-gone days.
Rebecca had just seated herself and was unrolling her work, when her eyes caught a glimpse of a man's form through the window. He had passed into her gate and was approaching the door. She leaned forward for a good look and then dropped back into her chair with a gasp of surprise.
"Copernicus Droop!" she exclaimed, "did you ever!"
She sat in rigid astonishment until she heard his timid knock, followed by the sound of shoes vigorously wiped upon the door-mat.
"Well, come! Thet's a comfort!" she thought. "He won't muss the carpet"--and she rose to admit her visitor.
"Good mornin'," said Droop, timidly. "I seen Cousin Phoebe a-runnin' down the road, an' I sorter thought I'd run in an' see how you was."
"Come right in," said Rebecca, in non-committal tones. She shut the door and followed him into the parlor.
"Here, give me yer hat," she continued. "Set right there. How be ye?"
Droop obeyed. In a few moments the two were seated facing each other, and Rebecca's needles were already busy. There was an interval of awkward silence.
"Well, what did ye come fer?"
It was Rebecca who broke the spell. In her usual downright fashion, she came to the point at once. She thought it as well he should know that she was not deceived by his polite pretence of casual friendly interest.
Droop settled forward with elbows on his knees and brought his finger-tips carefully and accurately together. He found this action amazingly promotive of verbal accuracy.
"Well, Cousin Rebecca," he began, slowly, "I'm lookin' fer a partner." He paused, considering how to proceed.
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