
Public-domain ebook
Gabriel and the Hour Book
Language: en3,618 downloads on Project Gutenberg
Subjects
In: Historical Novels·Children & Young Adult Reading
Public-domain ebook sourced from Project Gutenberg #27916.

Public-domain ebook
Language: en3,618 downloads on Project Gutenberg
Subjects
In: Historical Novels·Children & Young Adult Reading
Public-domain ebook sourced from Project Gutenberg #27916.
The work opens in a stark stone room of St. Martin’s Abbey, where young Gabriel is summoned from the bustling scriptorium to assist Brother Stephen, an embittered illuminator tasked with a royal commission. The narrative establishes a 15th‑century French monastic setting, describing the painstaking hand‑crafted books that still dominate a world just emerging from the invention of the printing press. Through Gabriel’s innocent curiosity and Stephen’s reluctant artistry, the story weaves together the daily routines of monks, the politics of the abbey hierarchy, and the looming demand of King Louis XII for an “hour book” to honor his bride, Anne of Brittany. The opening scenes lay out a conflict between personal freedom and ecclesiastical duty, while also hinting at the beauty of illuminated manuscripts that the brotherhood preserves.
Written in a measured, descriptive style that echoes the didactic tone of juvenile historical fiction, the prose reflects the language of early‑modern French chronicles translated into English. Its focus on monastic life, art, and the tension between obedience and creative yearning will appeal to readers who enjoy richly detailed historical settings, especially younger audiences fascinated by medieval art, the birth of printing, and the inner world of a French abbey. Those who appreciate a narrative that balances factual exposition with the emotional growth of its youthful protagonist will find this book engaging.
The opening · free to read
The room in which he stood had plain stone walls and a floor of paved stone, and little furniture, except a number of solidly made benches and tables. These were placed beneath a row of high windows, and the tables were covered with writing and painting materials and pieces of parchment; for the brotherhood of St. Martin's was very industrious.
In those days,--it was four hundred years ago,--printed books were very few, and almost unknown to most people; for printing-presses had been invented only a few years, and so by far the greater number of books in the world were still made by the patient labour of skilful hands; the work usually being done by the monks, of whom there were very many at that time.
These monks, or brothers, as they were often called, lived in monasteries and abbeys, and were men who banded themselves together in brotherhoods, taking solemn vows never to have homes of their own or to mingle in the daily life of others, but to devote their lives to religion; for they believed that they could serve God better by thus shutting themselves off from the world.
And so it came about that the brothers, having more time and more learning than most other people of those days, made it their chief work to preserve and multiply all the books that were worth keeping. These they wrote out on parchment (for paper was very scarce so long ago), and then ornamented the pages with such beautiful painted borders of flowers and birds and saints and angels, and such lovely initial letters, all in bright colours and gold, that to this day large numbers of the beautiful books made by the monks are still kept among the choicest treasures of the museums and great libraries of the world.
And few of all those wonderful old illuminations (for so the painted ornaments were called) were lovelier than the work of the brotherhood of St. Martin's. Gabriel felt very proud even to grind the colours for them. But as he passed over to one of the tables and began to make ready his paint mortar, the monk who had charge of the writing-room called to him, saying:
"Gabriel, do not get out thy work here, for the Abbot hath just ordered that some one must help Brother Stephen, who is alone in the old chapter-house. He hath a special book to make, and his colour-grinder is fallen ill; so go thou at once and take Jacques's place."
So Gabriel left the writing-room and passed down the long corridor that led to the chapter-house. This was a room the brothers had kept for years as a meeting-place, when they and the Abbot, who governed them all, wished to talk over the affairs of the Abbey; but as it had at last grown too small for them, they had built a new and larger one; and so the old chapter-house was seldom used any more.
Gabriel knew this, and he wondered much why Brother Stephen chose to work there rather than in the regular writing-room with the others. He supposed, however, that, for some reason of his own, Brother Stephen preferred to be alone.
He did not know that the monk, at that moment, was sitting moodily by his work-table, his eyes staring aimlessly ahead of him, and his hands dropped idly in his lap. For Brother Stephen was feeling very cross and unhappy and out of sorts with all the world. And this was the reason: poor Brother Stephen had entered the Abbey when a lad scarcely older than Gabriel. He had come of good family, but had been left an orphan with no one to care for him, and for want of other home had been sent to the Abbey, to be trained for the brotherhood; for in those days there were few places where fatherless and motherless children could be taken care of.
As little Jean (for this was his name before he joined the monks, when one's own name was always changed) grew up, he took the solemn vows which bound him to the rules of the brotherhood without realizing what it all would mean to him; for Brother Stephen was a born artist; and, by and by, he began to feel that while life in the Abbey was well for most of the brothers, for him it was not well. He wanted to be free to wander about the world; to paint pictures of many things; and to go from city to city, and see and study the work of the world's great artists.
It is true he spent the greater part of his time in the Abbey working on the illuminated books, and this he loved; yet it did not wholly satisfy him. He longed to paint other things, and, above all, his artist nature longed for freedom from all the little rules of daily life that governed the days of the brotherhood.
Brother Stephen had brooded much over this desire for freedom, and only the day before had sought out the Abbot of St. Martin's and asked to be released from the vows of obedience which he had taken years before, but which now he found so hard to live up to. But, to his great disappointment, the Abbot had refused to grant his request.
The Abbot had several reasons for this refusal; one of them was that he himself dearly loved all the little daily ceremonies of the Abbey, and he could not understand why any one who had once lived there could prefer a life in the world. He really thought it was for Brother Stephen's own good that he should stay in the brotherhood.
And then, too, perhaps there was another reason less to the Abbot's credit; and this reason was that of all the beautiful illuminated books for which the Abbey of St. Martin's had become so famous, none were quite so exquisitely done as those made by Brother Stephen. So perhaps the Abbot did not wish to lose so skilful an artist from the work-room of the Abbey, and especially at this particular time. For just before Brother Stephen had had his talk with the Abbot, a messenger from the city of Paris had come to the Abbey, bearing an order from the king, Louis XII., who reigned over France, and Normandy also, which was a part of France.
Now the following winter, the king was to wed the Lady Anne of Bretagne; and as Lady Anne was a great admirer and collector of beautiful painted books, the king thought no gift would please his bride quite so much as a piece of fine illumination; and he decided that it should be an hour book. These books were so called because in them were written different parts of the Bible, intended to be read at certain hours of the day; for most people at that time were very devout, and the great ladies especially were very fond of having their hour books made as beautiful as possible.
As King Louis thought over the best places where he might have his bride's gift painted, at last he made up his mind to send to the monks of St. Martin's. He commanded that the hour book be done in the most beautiful style, and that it must be finished by the following December.
The Abbot was delighted with the honour the king had shown the Abbey in sending this order; and he determined that Brother Stephen should stay and make the entire book, as no one else wrote so evenly, or made quite such lovely initials and borders as did he.
When the Abbot told this to Brother Stephen, however, it was a pity that he did so in such a cold and haughty way that altogether Brother Stephen's anger was aroused, for he had a rather unruly temper; and so, smarting under the disappointment of not receiving his liberty, and feeling that the book for Lady Anne was one cause of this, he had spoken angrily and disrespectfully to the Abbot, and refused point-blank to touch the king's order.
At this the Abbot in his turn became angry, and declared that Brother Stephen should be compelled to paint the hour book whether he wished to or not; that he must do it as punishment for his unruly conduct; and the Abbot threatened, moreover, that if he did not obey, he would be placed under the ban of the Church, which was considered by all the brotherhood as a dreadful misfortune.
And so with this threat hanging over him, that very morning, just before Gabriel reached the Abbey, Brother Stephen had been sent to the old chapter-house, where he was ordered to work by himself, and to begin the book at once. And to complete his humiliation, and for fear he might try to run away, the Abbot caused him to be chained to one of the legs of the heavy work-table; and this chain he was to wear every day during working hours.
Now all this made Brother Stephen very angry and unhappy, and his heart was full of bitterness toward the Abbot and all of the brotherhood and the world in general, when all at once he heard Gabriel's knock at the door; and then, in another moment, the door was softly pushed open, and there, on the threshold, stood the little boy.
"I am Gabriel Viaud, Brother Stephen," answered the boy, "and I have come to help you; for they told me Jacques is fallen ill. What would you like me to do first?"
To this Brother Stephen scarcely knew what to reply. He was certainly in no mood for work. He was still very, very angry, and thought himself terribly misused by the Abbot; and though he greatly dreaded the latter's threats, he had almost reached the point of defying him and the king and everybody else, no matter what dreadful thing happened to him afterward.
But then as he looked again at the bright-faced little boy standing there, and seeming so eager to help, he began to relent more and more; and besides, he found it decidedly embarrassing to try to explain things to Gabriel.
So after a little pause, he said to him: "Gabriel, I am not ready for thee at this moment; go sit on yonder bench. I wish to think out a matter which is perplexing me." Then as Gabriel obediently went over to the bench and seated himself, he added: "Thou canst pass the time looking at the books on the shelf above thee."
So while Brother Stephen was trying to make up his mind as to what he would do, Gabriel took down one of the books, and was soon absorbed in its pages. Presently, as he turned a new one, he gave a little involuntary exclamation of delight. At this Brother Stephen noticed him, and--
"Ah!" he said, "what hast thou found that seems to please thee?"
"Oh, sir," answered Gabriel, "this is the most beautiful initial letter I have ever seen!"
Now Gabriel did not know that the book had been made a few years before by Brother Stephen himself, and so he had no idea how much it pleased the brother to have his work admired.
Indeed, most people who do good work of any kind oftentimes feel the need of praise; not flattery, but the real approval of some one who understands what they are trying to do. It makes the workman or artist feel that if his work is liked by somebody, it is worth while to try to do more and better.
Poor Brother Stephen did not get much of this needed praise, for many of the other monks at the Abbey were envious of him, and so were unwilling really to admire his work; while the Abbot was so cold and haughty and so taken up with his own affairs, that he seldom took the trouble to say what he liked or disliked.
So when Brother Stephen saw Gabriel's eager admiration, he felt pleased indeed; for Gabriel had a nice taste in artistic things, and seemed instinctively to pick out the best points of anything he looked at. And when, in his enthusiasm, he carried the book over and began to tell Brother Stephen why he so much admired the painting, without knowing it, he really made the latter feel happier than he had felt for many a day. He began to have a decided notion that he would paint King Louis's book after all. And just then, as if to settle the matter, he happened to glance at the corner of the table where Gabriel had laid down his bunch of flowers as he came in.
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