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About this book

The December 1867 issue of The Atlantic Monthly presents a sprawling, serialized narrative that reads like a stage‑coach drama set in a provincial village. The opening scene follows Kitty, a sharp‑tongued servant, as she relays a cryptic warning to the nervous Mr Bradshaw about a “big cake” at a wedding and a hidden envelope that may decide a contested estate. From there the story unfurls a tangled web of court‑room intrigue, secret letters, and a love triangle involving Myrtle Hazard, the ambitious lawyer Bradshaw, and a mysterious young gentleman. The prose moves swiftly through conversations, inner monologues, and plotted schemes, all anchored in the detailed domestic setting of the Poplars inn and the surrounding garret where crucial documents are concealed.

The voice is unmistakably Victorian, with its elaborate sentences, formal diction, and a penchant for moral reflection disguised as melodrama. Dialogue is rendered in dialect‑spiced vernacular, giving characters like Kitty and Miss Cynthia a vivid regional flavor. Readers who enjoy long‑form period fiction, particularly those fascinated by nineteenth‑century social customs, legal maneuverings, and the psychological tension of unrequited love, will find this installment rewarding. Its blend of genteel romance, suspenseful plotting, and keen observation of character makes it a compelling glimpse into the literary tastes of an era when magazines served as the primary venue for serialized storytelling.

Characters in this book

  • KittyYoung Victorian maid, dark hair tied in a bun, plain linen dress and apron, modest features
  • Mr BradshawMiddle‑aged gentleman in a dark frock coat, waistcoat, cravat, trimmed beard and moustache, authoritative bearing
  • Miss Myrtle HazardRefined young lady, silk gown of muted pastel, coiffed hair with ribbons, delicate gloves, poised expression

The opening · free to read

Kitty departed, communing with herself in this wise:--"Ockipied, is it? An' that's what ye cahl it when ye're kapin' company with one young gintleman an' don't want another young gintleman to come in an' help the two of ye? Ye won't get y'r pigs to market to-day, Mr. Bridshaw,--no, nor to-morrow, nayther, Mr. Bridshaw. It's Mrs. Lindsay that Miss Myrtle is goin' to be,--an' a big cake there'll be at the weddin', frosted all over,--won't ye be plased with a slice o' that, Mr. Bridshaw?"

With these reflections in her mind, Mistress Kitty delivered her message, not without a gleam of malicious intelligence in her look that stung Mr. Bradshaw sharply. He had noticed a hat in the entry, and a little stick by it which he remembered well as one he had seen carried by Clement Lindsay. But he was used to concealing his emotions, and he greeted the two older ladies, who presently came into the library, so pleasantly, that no one who had not studied his face long and carefully would have suspected the bitterness of heart that lay hidden far down beneath his deceptive smile. He told Miss Silence, with much apparent interest, the story of his journey. He gave her an account of the progress of the case in which the estate of which she inherited the principal portion was interested. He did not tell her that a final decision which would settle the right to the great claim might be expected at any moment, and he did not tell her that there was very little doubt that it would be in favor of the heirs of Malachi Withers. He was very sorry he could not see Miss Hazard that evening,--hoped he should be more fortunate to-morrow forenoon, when he intended to call again,--had a message for her from one of her former school friends, which he was anxious to give her. He exchanged certain looks and hints with Miss Cynthia, which led her to withdraw and bring down the papers he had intrusted to her. At the close of his visit, she followed him into the entry with a lamp, as was her common custom.

"What's the meaning of all this, Cynthia? Is that fellow making love to Myrtle?"

"I'm afraid so, Mr. Bradshaw. He's been here several times, and they seem to be getting intimate. I couldn't do anything to stop it."

"Give me the papers,--quick!"

Cynthia pulled the package from her pocket. Murray Bradshaw looked sharply at it. A little crumpled,--crowded into her pocket. Seal unbroken. All safe.

"I shall come again to-morrow forenoon. Another day and it will be all up. The decision of the court will be known. It won't be my fault if one visit is not enough.--You don't suppose Myrtle is in love with this fellow?"

"She acts as if she might be. You know he's broke with Susan Posey, and there's nothing to hinder. If you ask my opinion, I think it's your last chance: she isn't a girl to half do things, and if she has taken to this man it will be hard to make her change her mind. But she's young, and she has had a liking for you, and if you manage it well there's no telling."

Two notes passed between Myrtle Hazard and Master Byles Gridley that evening. Mistress Kitty Fagan, who had kept her ears pretty wide open, carried them.

Murray Bradshaw went home in a very desperate state of feeling. He had laid his plans, as he thought, with perfect skill, and the certainty of their securing their end. These papers were to have been taken from the envelope, and found in the garret just at the right moment, either by Cynthia herself or one of the other members of the family, who was to be led on, as it were accidentally, to the discovery. The right moment must be close at hand. He was to offer his hand--and heart, of course--to Myrtle, and it was to be accepted. As soon as the decision of the land case was made known, or not long afterwards, there was to be a search in the garret for papers, and these were to be discovered in a certain dusty recess, where, of course, they would have been placed by Miss Cynthia.

And now the one condition which gave any value to these arrangements seemed like to fail. This obscure youth--this poor fool, who had been on the point of marrying a simpleton to whom he had made a boyish promise--was coming between him and the object of his long pursuit,--the woman who had every attraction to draw him to herself. It had been a matter of pride with Murray Bradshaw that he never lost his temper so as to interfere with the precise course of action which his cool judgment approved; but now he was almost beside himself with passion. His labors, as he believed, had secured the favorable issue of the great case so long pending. He had followed Myrtle through her whole career, if not as her avowed lover, at least as one whose friendship promised to flower in love in due season. The moment had come when the scene and the characters in this village drama were to undergo a change as sudden and as brilliant as in those fairy spectacles where the dark background changes to a golden palace and the sober dresses are replaced by robes of regal splendor. The change was fast approaching; but he, the enchanter, as he had thought himself, found his wand broken, and his power given to another.

He could not sleep during that night. He paced his room, a prey to jealousy and envy and rage, which his calm temperament had kept him from feeling in their intensity up to this miserable hour. He thought of all that a maddened nature can imagine to deaden its own intolerable anguish. Of revenge. If Myrtle rejected his suit, should he take her life on the spot, that she might never be another's,--that neither man nor woman should ever triumph over him,--the proud, ambitious man, defeated, humbled, scorned? No! that was a meanness of egotism which only the most vulgar souls could be capable of. Should he challenge her lover? It was not the way of the people and time, and ended in absurd complications, if anybody was foolish enough to try it. Shoot him? The idea floated through his mind, for he thought of everything; but he was a lawyer, and not a fool, and had no idea of figuring in court as a criminal. Besides, he was not a murderer,--cunning was his natural weapon, not violence. He had a certain admiration of desperate crime in others, as showing nerve and force, but he did not feel it to be his own style of doing business.

During the night he made every arrangement for leaving the village the next day, in case he failed to make any impression on Myrtle Hazard and found that his chance was gone. He wrote a letter to his partner, telling him that he had left to join one of the regiments forming in the city. He adjusted all his business matters so that his partner should find as little trouble as possible. A little before dawn he threw himself on the bed, but he could not sleep; and he rose at sunrise, and finished his preparations for his departure to the city.

The morning dragged along slowly. He would not go to the office, not wishing to meet his partner again. After breakfast he dressed himself with great care, for he meant to show himself in the best possible aspect. Just before he left the house to go to The Poplars, he took the sealed package from his trunk, broke open the envelope, took from it a single paper,--it had some spots on it which distinguished it from all the rest,--put it separately in his pocket, and then the envelope containing the other papers.

The calm smile he wore on his features as he set forth cost him a greater effort than he had ever made before to put it on. He was moulding his face to the look with which he meant to present himself; and the muscles had been sternly fixed so long that it was a task to bring them to their habitual expression in company,--that of ingenuous good-nature.

He was shown into the parlor at The Poplars; and Kitty told Myrtle that he had called and inquired for her, and was waiting down stairs.

"Tell him I will be down presently," she said. "And, Kitty, now mind just what I tell you. Leave your kitchen door open, so that you can hear anything fall in the parlor. If you hear a book fall,--it will be a heavy one, and will make some noise,--run straight up here to my little chamber, and hang this red scarf out of the window. The left-hand side-sash, mind, so that anybody can see it from the road. If Mr. Gridley calls, show him into the parlor, no matter who is there."

Kitty Fagan looked amazingly intelligent, and promised that she would do exactly as she was told. Myrtle followed her down stairs almost immediately, and went into the parlor, where Mr. Bradshaw was waiting.

Never in his calmest moments had he worn a more insinuating smile on his features than that with which he now greeted Myrtle. So gentle, so gracious, so full of trust, such a completely natural expression of a kind, genial character did it seem, that to any but an expert it would have appeared impossible that such an effect could be produced by the skilful balancing of half a dozen pairs of little muscles that manage the lips and the corners of the mouth. The tones of his voice were subdued into accord with the look of his features; his whole manner was fascinating, as far as any conscious effort could make it so. It was just one of those artificially pleasing effects that so often pass with such as have little experience of life for the genuine expression of character and feeling. But Myrtle had learned the look that shapes itself on the features of one who loves with a love that seeketh not its own, and she knew the difference between acting and reality. She met his insinuating approach with a courtesy so carefully ordered that it was of itself a sentence without appeal. Artful persons often interpret sincere ones by their own standard. Murray Bradshaw thought little of this somewhat formal address,--a few minutes would break this thin film to pieces. He was not only a suitor with a prize to gain, he was a colloquial artist about to employ all the resources of his specialty.

He introduced the conversation in the most natural and easy way, by giving her the message from a former schoolmate to which he had referred, coloring it so delicately, as he delivered it, that it became an innocent-looking flattery. Myrtle found herself in a rose-colored atmosphere, not from Murray Bradshaw's admiration, as it seemed, but only reflected by his mind from another source. That was one of his arts,--always, if possible, to associate himself incidentally, as it appeared, and unavoidably, with an agreeable impression.

So Myrtle was betrayed into smiling and being pleased before he had said a word about himself or his affairs. Then he told her of the adventures and labors of his late expedition; of certain evidence which at the very last moment he had unearthed, and which was very probably the turning-point in the case. He could not help feeling that she must eventually reap some benefit from the good fortune with which his efforts had been attended. The thought that it might yet be so had been a great source of encouragement to him,--it would always be a great happiness to him to remember that he had done anything to make her happy.

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