Helps to Latin Translation at Sight

The aim of the present book is to help boys to translate at sight. Of the many books of unseen translation in general use few exhibit continuity of plan as regards the subject-matter, or give any help beyond a short heading. The average boy, unequal to the task before him, is forced to draw largely upon his own invention, and the master, in correcting written unseens, has seldom leisure to do more than mark mistakes--a method of correction almost useless to the boy, unless accompanied by full and careful explanation when the written work is given back.

Now that less time is available for Latin and Greek, new methods of teaching them must be adopted if they are to hold their own in our public schools. When Lord Dufferin could say, 'I am quite determined, so far as care and forethought can prevent it, that the ten best years of my boy's life shall not be spent (as mine were) in nominally learning two dead languages without being able to translate an ordinary paragraph from either without the aid of a dictionary;' and Dr. Reid could write, 'It is not too much to say that a large number of boys pass through our schools without ever dreaming that an ancient writer could pen three consecutive sentences with a connected meaning: chaos is felt to be natural to ancient literature: no search is made for sense, and the Latin or Greek book is looked upon as a more or less fortuitous concourse of words;' when Dr. Rouse can assert, 'The public schoolboy at nineteen is unable to read a simple Latin or Greek book with ease, or to express a simple series of thoughts without atrocious blunders: he has learnt from his classics neither accuracy nor love of beauty and truth'--it is obvious that, for the average boy, the system of perfunctorily prepared set-books and dashed-off unseens is a failure. The experience of every teacher who is also an examiner, and who has had to deal with public schoolboys, will confirm this; but during twenty-five years' teaching and examining of boys in almost every stage, I have found that translation at sight, taught upon the plan of this book, not only produces a good result, but teaches a boy how to grapple with the bare text of a Latin author better than the habitual practice of translating at sight without any help at all. If the average boy is to be taught how to translate, his interest must be awakened and sustained, and the standard of routine work made as high as possible. The clever boys are, as a rule, well provided for; but, even for them, the methods of this book have been found to be the shortest road to accuracy and style in translation. Moreover by this means they have gained a firsthand acquaintance with Latin literature and the sources of Roman history.

It is impossible here to enter into 'the question of the close and striking correspondence between the history, the literature, and the language of Rome. It was not until the history of Rome threw its mantle over her poetry that the dignity of the poet was recognised and acknowledged. . . . In the same way the life of the Roman people is closely bound up with the prose records, and the phenomena of the Roman Empire lend a human interest to all representative Roman writers.'[1] Considerations of this kind form a sufficient justification of the method here adopted of employing the historical records of Rome as a basis of teaching.

In this book the Introduction (pp. 1-14) is written to teach a boy how to arrive at the meanings of words (Helps to Vocabulary, pp. 1-5); how to find out the thought of a sentence through analysis and a knowledge of the order of words in Latin (Helps to-Translation, pp. 5-12); how to reproduce in good English the exact meaning and characteristics of his author (Helps to Style, pp. 13-14).

In the Demonstrations (pp. 15-58) the boy is taught to notice all allusions that give him a clue to the sense of the passage, to grapple with the difficulties of construction, to break up sentences, and to distinguish between the principal and the subordinate thoughts both in prose and verse.

The Passages have been carefully selected, and contain accounts of nearly all the important events and illustrious men of the period of history to which they belong. They are chronologically arranged and divided into six periods, covering Roman history from B.C. 753 to B.C. 44, leaving the Augustan and subsequent period to be dealt with in a second volume. The translation help given in the notes is carefully graduated. The notes to Parts I., II., III. (marked D, pp. 60-107) are thus intended to help younger boys to deal with passages which would in some cases be too difficult for them; less help in translation is given in Parts IV. and V. (marked C, pp. 108-159); while the notes to Part VI. (marked B, pp. 160-236) are mainly concerned with historical explanation, illustration, or allusion.

The Miscellaneous Passages (pp. 238-271), chosen for me by my brother-in-law, Mr. A. M. Goodhart (Assistant Master at Eton College), are added to provide occasional passages in which no help is given. It is hoped that these, which deal with subjects of general interest, and include a somewhat wide range of authors, may give variety to the book, and supply more verse passages than the historical character of the rest would admit. For the sake of variety, or to economise time, some of the passages may be translated viva voce at the discretion of the master.

The Appendices (pp. 274-363) may be referred to when a boy finds himself in doubt about the value of a Conjunction (I.), the force of a Prefix (II.), the meaning of a Suffix (III.), the Life and Times of his Author (VI.), or the historical significance of a date (VII.). In Appendix V. a Demonstration is given to show how a boy, after sufficient practice in translation by the help of analysis, may to some extent learn to think in Latin, and so to follow the Latin order in arriving at the thought.

The important question of what maps should accompany the book will be best solved by providing each boy with a copy of Murray's Small Classical Atlas, edited by G. B. Grundy, which will be found to be admirably adapted to the purpose. By the kindness of Mr. John Murray, two plans (Dyrrachium and Pharsalus), not at present included in the Atlas, have been specially drawn to illustrate passages on pp. 216 and 218, and are placed opposite the text.

As far as possible I have acknowledged my indebtedness to the Editors whose editions of the classics have been consulted. For the historical explanations I am under special obligation to the histories of Ihne and Mommsen, to the 'Life of Cicero' by the Master of Balliol, and to the 'Life of Caesar' by Mr. Warde Fowler. I have also to thank Messrs. Macmillan for allowing me to quote from Dr. Potts' 'Aids to Latin Prose,' and from Professor Postgate's Sermo Latinus. For the prose passages the best texts have been consulted, while for Livy, Weissenborn's text edited by Müller (1906) has been followed throughout. As regards the verse passages, the text adopted is, wherever possible, that of Professor Postgate's recension of the Corpus Poetarum Latinorum. For the Short Lives I have found useful 'The Student's Companion to Latin Authors' (Middleton and Mills), but I owe much more to the works of Teuffel, Cruttwell, Sellar, Tyrrell, and Mackail.

The Head Master of Eton, besides expressing his approval of the book, has kindly offered to write an Introductory Note. He has also given me an exceptional opportunity of testing more than half the historical passages by allowing them to be used in proof, until the book was ready, for the weekly unseen translation in the three blocks of fifth form, represented by the letters, B, C, D. The criticisms and suggestions made by Classical Masters at Eton, who have used the passages week by week, have been very valuable, and, in particular, my thanks are due to Mr. Impey, Mr. Tatham, Mr. Macnaghten, Mr. Wells, and Mr. Ramsay. My thanks are also due to the Lower Master, Mr. F. H. Rawlins, for kindly reading the MS. of the Introduction, Demonstrations, and Appendices I.-IV., and for giving me the benefit of his wide experience.