Public-domain ebook
Audrey Craven
by May Sinclair
Language: en410 downloads on Project Gutenberg
Subjects
Public-domain ebook sourced from Project Gutenberg #29766.
Public-domain ebook
by May Sinclair
Language: en410 downloads on Project Gutenberg
Subjects
Public-domain ebook sourced from Project Gutenberg #29766.
The opening · free to read
Everybody knew that Miss Audrey Craven was the original of "Laura," the heroine of Langley Wyndham's masterpiece. She first attracted the attention of that student of human nature at Oxford, at a dinner given by her guardian, the Dean of St. Benedict's, ostensibly in honour of the new Master of Lazarus, in reality for his ward's entertainment and instruction in the bewildering art of life.
It was thunder-weather. Out of doors, a hot and sleepy air hung over the city; indoors, the forecast was no less heavy and depressing. Not so, however, to Miss Audrey Craven. The party was large and mixed; and to the fresh, untutored mind of a tyro, this in itself was promising. The Dean pursued the ruinous policy of being all things to all men; and to-night, together with nonentities and Oxonians of European renown, there was a sprinkling of celebrities from the outside world. Among these were Mr. Langley Wyndham, the eminent novelist, and his friend Mr. Percival Knowles, the critic who had helped him to his eminence. Having collected these discordant elements around him, the Dean withdrew from the unequal contest, and hovered, smiling ineffectually, on the outskirts of his little chaos. Perhaps he tried to find comfort in a conscience satisfied for a party spoiled. But for Audrey this wild confusion was rich in possibility. However baffling to those officially responsible, it offered a wider field for individual enterprise; and if she did not possess that fine flow of animal spirits which sometimes supports lesser minds under such circumstances, she had other qualities which stood her in good stead. Conspicuous amongst these was an indomitable moral courage. She prepared to hurl herself into the breach.
Wyndham was standing a little apart from the herd, leaning against the wall, as if overcome by an atmosphere too oppressive for endurance, when he saw his friend approaching him. Knowles was looking about him with eyes alert, and that furtive but uncontrollable smile which made ladies say, "Yes; but Mr. Knowles is so dreadfully cynical, you know."
"By the way, Wyndham--I don't want to startle you, but there is a lady here who particularly wants me to introduce you to her."
Wyndham turned on him a look terrible in its dignified reproach.
"Anything but that, my dear fellow. No more introductions to-night, please. I've just suffered torture from an unspeakable youth from Aberdeen, who expected me to rejoice with him because Oxford is at last recognising the 'exeestence of a metapheesical principle in the wur-r-ld and mon----'"
"I admit that the party is dull, from a mere worldling's point of view. But it's a glorious field for the student of human nature. And here's an opportunity for exceptional research--something quite off the beaten track. The admirer of you and all your works is the lovely Miss Craven, and I assure you she's creating a sensation at the other end of the room."
"Which is she?"
"There, the girl with the copper-coloured hair, talking to Broadbent."
"Ah, that one. No, thanks. I know what you're going to tell me--she writes."
"She doesn't, but she's pretty enough to do that or anything else she chooses. Scandal says she's looking for a religion. She must be a simple soul if she thinks she can pick up the article in Oxford."
"Oh, I don't know. Religions are cheap everywhere nowadays, the supply being so remarkably in excess of the demand, and Miss Craven's soul may be immortal (we'll give it the benefit of the doubt), but its simplicity is un grand peut-etre. What's the matter?"
"It makes me ill to see the way these fellows go about leading captive silly women. Do look at Broadbent cramming his spiritual pabulum into that girl's mouth. Moral platitudes--all the old crusts he can lay his hands on, soaked in the milk-and-water of sentiment."
"And a little new wine--with the alcohol extracted by the latest process; no possible risk of injury to the bottles. Don't be uneasy; I've been watching her all evening, ever since I found her in a corner with the unspeakable youth, talking transcendentalism. A woman who can look you in the face and ask you if you have ever doubted your own existence, and if it isn't a very weird and unaccountable sensation, would be capable of anything. Five minutes afterwards she was complimenting Flaxman Reed on the splendid logic of the Roman Faith, and now I've no doubt she's contributing valuable material to Broadbent's great work on the Fourth Gospel."
He was wrong. At that moment the earnest seeker after truth was gazing abstractedly in his direction, and had left the Canon lecturing to empty benches, balancing himself on his toes, while he defined his theological position with convincing emphasis of finger and thumb. What he said is neither here nor there. Then Wyndham repented of his rudeness. He waited till Knowles was looking another way, and made for the Dean in a bee-line, approaching him from the rear to find him introducing a late arrival to his niece. He heard the name Mr. Jackson, and noted the faint shade of annoyance on the girl's face, as the interloper sat down beside her with a smile of dreamy content. It was enough to quench Wyndham's languid ardour. He was not going to take any more trouble to get an introduction to Miss Audrey Craven.
He saw her once more that evening as he turned to take leave of his host. She was still sitting beside Mr. Jackson, and Wyndham watched them furtively. Mr. Jackson was a heavy, flaxen-haired young man, with a large eye-glass and no profile to speak of. To judge by Miss Craven's expression, his conversation was not very interesting, though he was evidently exerting himself to give it a humorous turn. Wyndham smiled in spite of himself.
"Hard lines, wasn't it?" said Knowles at his elbow. "Brilliant idea of the Dean's, though--introduce the biggest bore in the county to the prettiest girl in the room."
The unconscious Mr. Jackson burst into laughter, and Audrey raised her eyebrows; she looked from Mr. Jackson to Wyndham, and from Wyndham to Mr. Jackson, and laughed a low musical laugh, without any humour in it, which echoed unmusically in the memory. Wyndham turned abruptly away, and Audrey looked after him as he turned. Her face was that of one who sees her last hope disappearing. Poor Audrey! Who would not have pitied her? After hovering all evening on the verge of an introduction to his Eminence, it was hard to bear the irony of this decline, unsustained by any sense of its comedy. He had avoided her in the most marked manner; but all the same, she wondered whether he was thinking about her, and if so, what he was thinking.
What he thought that night, and the next, and the next after that, was something like this: "My dear lady, you think yourself remarkably clever. But really there is nothing striking about you except the colour of your hair. Biggest bore in the county--prettiest girl in the room? If it weren't for your prettiness--well, as yet that may have saved you from being a bore." After that he laughed whenever he caught himself trying to piece together the image which his memory persistently presented to him in fragments: now an oval face tinged with a childlike bloom, now grey eyes ringed with black, under dark eyebrows and lashes; or a little Roman nose with a sensitive tip, or a mouth that to the best of his recollection curled up at the corners, making a perpetual dimple in each cheek. They were frivolous details, but for weeks he carried them about with him along with his more valuable property.
Scandal was mistaken. Miss Audrey Craven was not in search of a religion, but she had passed all her life looking for a revelation. She had no idea of the precise form it was to take, but had never wavered in her belief that it was there, waiting for her, as it were, round a dark corner. Hitherto the ideal had shown a provoking reticence; the perfectly unique sensation had failed to turn up at the critical moment. Audrey had reached the ripe age of ten before the death of her father and mother, and this event could not be expected to provide her with a wholly new emotion. She had been familiarised with sorrow through fine gradations of funereal tragedy, having witnessed the passing of her canary, her dormouse, and her rabbit. The end of these engaging creatures had been peculiarly distressing, hastened as it was by starvation, under most insanitary conditions.
The age of ten is the age of disenchantment--for those of us who can take a hint. For Audrey disenchantment never wholly came. She went on making the same extravagant demands, without a suspicion of the limited resources of life. It was the way of the Cravens. Up to the last her father never lost his blind confidence in a world which had provided him with a great deal of irregular amusement. But the late Mr. Craven could be wise for others, though not for himself, and he had taken a singular precaution with regard to his daughter. Not counting the wife whom he had too soon ceased to care for, he had a low opinion of all women, and he distrusted Audrey's temperament, judging it probably by his own and that of his more intimate acquaintance. By a special clause in his will, she had to wait for her majority four years longer than the term by law appointed. Further, until she reached her majority she was to spend six months of the year at Oxford, near her guardian, for the forming and informing of her mind--always supposing that she had a mind to form. And now, at the age of five-and-twenty, being the mistress of her own person, her own income, and her own house in Chelsea, she was still looking out for a revelation.
Her cousin, Mr. Vincent Hardy, believed that he had been providentially invented to supply it. But in the nature of things a cousin whom you have known familiarly from childhood cannot strike you as a revelation. He is really little better than a more or less animated platitude.
Vincent Hardy would have been unaffectedly surprised if you had told him so. To himself he seemed the very incarnation of distinguished paradox. This simply meant that he was one of those who innocently imagine that they can defy the minor conventions with a rarer grace than other men.
Certainly his was not exactly the sort of figure that convention expects to find in its drawing-rooms at nine o'clock in the evening. It was in Audrey's house in Chelsea, the little brown house with discreet white storm-shutters, that stands back from the Embankment, screened by the narrow strip of railed plantation known as Chelsea Gardens. Here or hereabouts Hardy was to be met with at any hour of the day; and late one July evening he had settled himself, as usual, near a certain "cosy corner" in the big drawing-room. His face, and especially his nose, was bronzed with recent exercise in sun and wind, his hair was limp with the steam of his own speed, and on his forehead his hat had left its mark in a deep red cincture. His loose shooting jacket, worn open, displayed a flannel shirt, white, but not too white. This much of Hardy was raised and supported on his elbow; the rest of him, encased in knickerbockers, stockings, and exceedingly muddy boots, sprawled with a naive abandonment at the feet of the owner of the drawing-room. Lying in this easy attitude, he delivered himself of the following address--
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