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About this book

Love and Lucy is a Victorian‑era romance that opens with a philosophic meditation on the hidden “winged souls” of its protagonists, the middle‑class solicitor James Adolphus Macartney and his wife Lucy. The narrator immediately situates the couple in the “mean of things” and then launches into a bustling dinner‑party scene, where Lucy’s playful obsession with the notion of “twelve and a half” guests becomes a vehicle for witty banter and subtle character sketches. Through a series of rapid, dialogue‑driven exchanges, Lancelot’s jokes, Lucy’s teasing retorts, and Macartney’s detached, eyeglass‑framed demeanor, the opening establishes a domestic tableau that hints at both the social conventions and the inner tensions of a well‑to‑do London household.

The voice is exuberantly ornate, peppered with Italian phrases, classical allusions, and a stream‑of‑consciousness rhythm that recalls late‑nineteenth‑century literary salons. Hewlett’s style blends elaborate description with sharp, almost theatrical dialogue, creating a tone that is at once humorous and mildly satirical. Readers who enjoy intricate social comedies, period pieces rich in dialogue, and a touch of philosophical musing will find this novel engaging, especially those drawn to the quirks of Victorian middle‑class life and the subtle interplay of marriage, ambition, and eccentricity.

Characters in Love and Lucy

  • James Adolphus MacartneyMiddle‑aged Victorian gentleman, dark hair, trimmed beard, round spectacles, frock coat
  • Lucy MacartneyElegant Victorian lady, soft brown hair, high‑necked silk dress, delicate bonnet
  • LancelotYoung Victorian gentleman, crisp waistcoat, moustache, lively eyes, cravat

The opening · free to read

Onslow Square

This is a romantic tale. So romantic is it that I shall be forced to pry into the coy recesses of the mind in order to exhibit a connected, reasonable affair, not only of a man and his wife prosperously seated in the mean of things, nel mezzo del cammin in space as well as time--for the Macartneys belonged to the middle class, and were well on to the middle of life themselves--, but of stript, quivering and winged souls tiptoe within them, tiptoe for flight into diviner spaces than any seemly bodies can afford them. As you peruse you may find it difficult to believe that Macartney himself--James Adolphus, that remarkable solicitor--could have possessed a quivering, winged soul fit to be stript, and have hidden it so deep. But he did though, and the inference is that everybody does. As for the lady, that is not so hard of belief. It very seldom is--with women. They sit so much at windows, that pretty soon their eyes become windows themselves--out of which the soul looks darkling, but preening; out of which it sometimes launches itself into the deep, wooed thereto or not by aubade or serena. But a man, with his vanity haunting him, pulls the blinds down or shuts the shutters, to have it decently to himself, and his looking-glass; and you are not to know what storm is enacting deeply within. Finally, I wish once for all to protest against the fallacy that piracy, brigandage, pearl-fishery and marooning are confined to the wilder parts of the habitable globe. Never was a greater, if more amiable, delusion fostered (to serve his simplicity) by Lord Byron and others. Because a man wears trousers, shall there be no more cakes and ale? Because a woman subscribes to the London Institution, desires the suffrage, or presides at a Committee, does the bocca baciata perde ventura? Believe me, no. There are at least two persons in each of us, one at least of which can course the starry spaces and inhabit where the other could hardly breathe for ten minutes. Such is my own experience, and such was the experience of the Macartney pair--and now I have done with exordial matter.

The Macartneys had a dinner-party on the twelfth of January. There were to be twelve people at it, in spite of the promised assistance of Lancelot at dessert, which Lucy comforted herself by deciding would only make twelve and a half, not thirteen. She told that to her husband, who fixed more firmly his eyeglass, and grunted, "I'm not superstitious, myself." He may not have been, but certainly, Lucy told herself, he wasn't very good at little jokes. Lancelot, on the other hand, was very good at them. "Twelve and a half!" he said, lifting one eyebrow, just like his father. "Why, I'm twelve and a half myself!" Then he propounded his little joke. "I say, Mamma, on the twelve and halfth of January--because the evening is exactly half the day--twelve and a half people have a dinner-party, and one of them is twelve and a half. Isn't that neat?"

Lucy encouraged her beloved. "It's very neat indeed," she said, and her grey eyes glowed, or seemed to glow.

"It's what we call an omen at school," said Lancelot. "It means--oh, well, it means lots of things, like you're bound to have it, and it's bound to be a frightful success, or an utter failure, or something of that kind." He thought about it. Developments crowded upon him. "I say, Mamma--" all this was at breakfast, Macartney shrouding himself in the Morning Post:

"Yes, Lancelot?"

"It would be awfully good, awfully ingenious and all that, if one of the people was twice twelve and a half."

She agreed. "Yes, I should like that. Very likely one of them is."

Lancelot looked extremely serious. "Not Mr. Urquhart?" he said.

"No," said Lucy, "I am sure Mr. Urquhart is older than that. But there's Margery Dacre. She might do."

Lancelot had his own ideas as to whether women counted or not, in omens, but was too polite to express them.

"Is she twenty-five, do you think? She's rather thin." Lucy exploded, and had to kiss the unconscious humourist. "Do you think we grow fatter as we grow older? Then you must think me immense, because I'm much more than twenty-five," she said.

Here was a vital matter. It is impossible to do justice to Lancelot's seriousness, on the edge of truth. "How much more are you, really?" he asked her, trembling for the answer.

She looked heavenly pretty, with her drawn-back head and merry eyes. She was a dark-haired woman with a tender smile; but her eyes were her strong feature--of an intensely blue-grey iris, ringed with black. Poising to tantalise him, adoring the fun of it, suddenly she melted, leaned until her cheek touched his, and whispered the dreadful truth--"_Thirty-one_."

I wish I could do justice to his struggle, politeness tussling with pity for a fall, but tripping it up, and rising to the proper lightness of touch. "Are you really thirty-one? Oh, well, that's nothing." It was gallantly done. She kissed him again, and Lancelot changed the subject.

"There's Mr. Lingen, isn't there?" he asked, adding, "He's always here."

"Much more than twenty-five," said his mother, very much aware of Mr. Lingen's many appearances in Onslow Square. She made one more attempt at her husband, wishing, as she always did wish, to draw him into the company. It was not too successful. "Lingen? Oh, a stripling," he said lightly and rustled the Morning Post like an aspen tree.

"Father always talks as if he was a hundred himself," said Lancelot, who was not afraid of him. He had to be content with Miss Dacre after all. The others--the Judge and Lady Bliss, Aunt Mabel and Uncle Corbet, the Worthingtons, were out of the question. As for Miss Bacchus--oh, Miss Bacchus was, at least, five hundred, said Lancelot, and wished to add up all the ages to see if they came to a multiple of twelve and a half.

Meanwhile Mr. Macartney in his leisurely way had risen from the table, cigar in mouth, had smoothed his hair before the glass on the chimney-piece, looked at his boots, wriggled his toes in them with gratifying results, adjusted his coat-collar, collected his letters in a heap, and left the room. They saw no more of him. Half an hour later the front door shut upon him. He had gone to his office, or, as he always said, Chambers.

He was rather bleak, and knew it, reckoning it among his social assets. Reduced into a sentence, it may be said of Macartney that the Chief Good in his philosophy was to be, and to seem, successful without effort. What effort he may have made to conceal occasional strenuous effort is neither here nor there. The point is that, at forty-two, he found himself solidly and really successful. The husband of a very pretty wife, the father of a delightful and healthy son, the best-dressed solicitor in London, and therefore, you may fairly say, in the world, with an earned income of some three or four thousand a year, with money in the funds, two houses, and all the rest of it, a member of three very old-fashioned, most uncomfortable and absurdly exclusive clubs--if this is not success, what is? And all got smoothly, without a crease of the forehead, by means of an eyeglass, a cold manner and an impassivity which nothing foreign or domestic had ever disturbed. He had ability too, and great industry, but it was characteristic of him to reckon these as nothing in the scales against the eyeglass and the manner. They were his by the grace of God; but the others, he felt, were his own additions, and of the best. These sort of investments enabled a man to sleep; they assured one of completeness of effect. Nevertheless he was a much more acute and vigorous-minded man than he chose to appear.

He was a solicitor, it is true, and had once been called an attorney by a client in a rage; but he could afford to smile at that because he was quite a peculiar sort of solicitor, by no means everybody's money. Rather, he was a luxury, an appanage of the great. His office, which he called "Chambers," as if it was an old house in the country, was in Cork Street; his clients were landed gentry, bankers, peers and sons of peers. The superior clergy, too: he handled the affairs of a Bishop of Lukesboro', and those of no less than three Deans and Chapters. Tall, dark and trenchant, with a strong nose and chin, and clouded grey eyes, a handsome man with a fine air of arrogant comfort on him, he stood well, and you could not but see what good clothes he wore--to my taste, I confess, a little too good. His legs were a feature, and great play was made by wits with his trousers. He was said to have two hundred pairs, and to be aiming at three hundred and sixty-five. Certainly they had an edge, and must have been kept in order like razors; but the legend that they were stropped after every day's use is absurd. They used to say that they would cut paper easily, and every kind of cheese except Parmesan.

He wore an eyeglass, which, with the wry smile made necessary by its use, had the marked effect of intimidating his clients and driving them into indiscretions, admissions and intemperate discourse. Hypnotised by the unknown terrific of which the glitter of the blank surface, the writhen and antick smile were such formidable symbols, they thought that he knew all, and provided that he should by telling it him. To these engines of mastery he had added a third. He practised laconics, and carried them to the very breaking point. He had in his time--I repeat the tale--gone without his breakfast for three days running rather than say that he preferred his egg poached. His wife had been preoccupied at the time--it had been just before Lancelot was born, barely a year after marriage--and had not noticed that he left cup and platter untouched. She was very penitent afterwards, as he had intended she should be. The egg was poached--and even so she was afraid to ask him when the time was ripe to boil it again. It made her miserable; but he never spoke of it. Of course all that was old history. She was hardened by this time, but still dreadfully conscious of his comforts, or possible discomforts.

This was the manner of the man who, you may say, had quizzed, or mesmerised, Lucy Meade into marriage. She had been scarcely eighteen; I believe that she was just seventeen and a half when he presented himself, the second of three pretty, dark-haired and grey-eyed girls, the slimmest and, as I think, by far the prettiest. The Meades lived at Drem House, which is practically within Bushey Park. Here the girls saw much society, for the old Meades were hospitable, and the Mother Meade, a Scotchwoman, had a great idea of establishing her daughters. The sons she left to Father Meade and his competent money-bags. Here then James Adolphus Macartney presented himself, and here sat smiling bleakly, glaring through his glass, one eyebrow raised to enclose it safely--and waited for her to give herself away. Swaying beneath that shining disk, she did it infallibly; and he heard her out at leisure, and accepted her.

That's poetry of course. Really, it came near to that. He had said to her at a garden-party, in his easiest, airiest manner, "You can't help knowing that I am in love with you. Now, don't you think that we should be a happy couple? I do. What do you say, Lucy? Shall we have a shot?" He had taken her hand--they were alone under a cedar tree--and she had not known how to take it away. She was then kissed, and had lost any opportunity there might have been. That was what really happened, and as she told her sister Mabel some time afterwards, when the engagement had been made public and there could be no question of going back, "You know, Mabel, he seemed to expect it, and I couldn't help feeling at the time that he was justified." Mabel, tossing her head up, had protested, "Oh, my dear, nobody knows whether he was justified but yourself;" and Lucy, "No, of course not." "The question," Mabel went on, "is whether you encouraged him or not." Lucy was clear about that: "No, not the least in the world. He--encouraged himself. I felt that I simply had to do something."

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