Said an eminent artist, as he stood and gazed on the picture his mind, genius, and hand had wrought--a picture so wonderful in its grandeur, and in the vividness with which the subject was portrayed, "I have painted for eternity." His picture was but the portrayal of his thoughts, his vision, as the subject had impressed him, and by his act he gave it life, and it spoke, and will ever speak to mankind. So have each of us painted in and upon our minds, pictures of the exciting scenes through which each passed, and of which he was a part, that transpired in our Country from April, 1861, to the close of the war in 1865. Wonderful, grand, heroic pictures they were that were painted day by day through those years. On the brain, the mind, the memory of each of us were they painted, not with the graceful curves, the evenly drawn lines, and pleasing blending of colors given by the professional artist in the quiet of his studio, but in the alarm that came in the sudden midnight attack of armed hosts, the bursting of the tempest of battle in the early dawn, or it was made in vivid coloring as the sun went down and closed a day of carnage and death. The lines are heavy and deep-shaded; the figures stand out as living, moving men and horses; the guns, and cannon, and trappings seem to be real, not painted things. Pictures these are that all time cannot efface, nor is there one of us to-day that would, if he could, blot them out of existence.
The busy marts of trade may shut them out for a while, but ever and anon, in the crowded thoroughfare and in the rush and throng of men, a face meets us that brings to the mind, like a sudden flash of light in the darkness, scenes where that face met your gaze in the storm of battle, the eye all ablaze in the excitement of the hour. A voice comes to your ears out of the noise and turmoil of the crowded city. That voice arrests your steps and causes the heart to leap and throb as it has not done for years. There is a veil over the picture, or it has grown dim from the dust and heat and rush of the great metropolis. But there is something in the tones of that voice that sets you to brushing away the dust from the picture; for you know there is a picture somewhere obscured, and at last it stands out with wondrous vividness on the canvas of your memory, and you see, back through more than a score of years that have passed since that picture was painted, him whose voice you have just heard as he cheered on his men to victory, or rallied his brave comrades for another daring effort to stem the tide of battle that was going against us. And with that voice and face in mind, you see, not the comrades, the companions that gather about us to-night, with beard and hair grizzled and gray, with steps that are halting and lame, but the boys and associates of our boyhood days, with elastic step, and eyes bright with the vigor of young manhood. If these pictures do not come to you with the sun at meridian, they come to you at "low twelve," as in your dreams you see the columns move out with flying flags and waving banners. You see the dusty roads over which you marched, the streams at which you slacked your thirst; mountain and plain, river and forest, come and go. The scene changes, and you see the lines set in battle array, and follow in your dream from the first shot of the skirmishers on through the various figures of that wondrously faithful battle picture, on and on, until in a shout of victory, or a command for a charge in the heat of the contest, you suddenly waken and realize that you were viewing the pictures you helped to paint on the great canvas of our Nation's history.
It is said that no two persons see the same rainbow, and it is especially true that each officer or soldier sees a different picture of the same battle. Each had his special duty to perform, each was to know nothing except as conveyed to him in brief but forcible orders. Theirs only to meet duty and perform it intelligently and bravely; theirs to see nothing except such matters as might come within their observation in the narrow compass of their duties with company, regiment, or command. Each, according to his nature, painted or had painted on his mind each varying, shifting scene through those battles--scenes of battles lost and battles won.
To-night I propose to give, not a detail of the orders that were issued, nor to give minutely the various movements made, but only to give you the impressions, pictures, if you will, that were made on my mind, and as thoroughly engraven on the tablets of my memory as if written thereon with an engraver's pen, of that battle that took the Army of the Cumberland into Chattanooga, and though by most considered a defeat and disaster, was in fact the battle that made it possible for us to occupy Chattanooga and hold it.
Leaving Murfreesboro in June, 1863, we had marched to McMinville, Tenn., and had there spent the summer as one of the out-posts of Gen. W. S. Rosecrans' army, while the remainder of his army advanced toward Chattanooga. Leaving McMinville when the time had fully come for the final advance, we marched to join the remainder of the army at Bridgeport. When we reached Bridgeport, however, we found the army had crossed the Tennessee River and was pushing on toward Chattanooga, and followed on. Our first view of Chattanooga was had as our division, Van Cleve's, of Crittenden's Corps--the 21st--passed around the point of Lookout Mountain, where it touches the Tennessee River down below the town opposite Moccasin Point. There seemed nothing specially inviting to us in the little old town off to our left; in fact, the invitation came to us to go in another direction. Obeying the order we there received, we hastened away up the valley toward Rossville, and on toward Ringgold, in pursuit of Bragg, who was at the time reported to be retreating before Rosecrans' army. On we pushed, joining the remainder of our corps and the cavalry at Ringgold. It was a delightful march; the roads were smooth, the weather was perfect, the enemy kept out of our way, and, in fact, we felt as though now there would be no more serious fighting. Had we not driven the Confederate army out of Kentucky, had whipped it at Stone River, and driven it all the way down from Murfreesboro, and out of their stronghold--Chattanooga--and were yet in pursuit? Certainly the war would soon be over. So the men thought and talked. When we reached Ringgold, we found, for some reason not clearly defined in words, that we would not advance any further in that particular direction. In fact, it was deemed advisable that our corps should advance (?) over the same route by which we had come, back up into Lookout Mountain valley. Two weeks in that pleasant early autumn of 1863 we spent somewhat after the manner described in the old song, we
"Marched up the hill, and then marched down again."
We made a reconnoissance now here, now there, each time becoming more and more convinced that Gen. Bragg was in no very great hurry to get away, and speedily end the war; in fact, we became fully persuaded that he preferred to remain in our immediate front; nay, more, we were fast making the discovery that the enemy was for some reason becoming more and more aggressive. The reconnoissance that was made by the Third Brigade of Van Cleve's Division on Sunday, September 13th, beyond Lee & Gordon's mills, developed the fact that the enemy's lines were stronger than ever before, and that all our efforts to dislodge him were in vain. That the Confederates were receiving reinforcements could not be longer doubted, and that a battle was imminent was now apparent to all; just where or when, whether our army would make the attack or be attacked, were the unsolved questions of the problem. Each day, as it came and passed, seemed to bring to all a more certain conviction that the conflict, when or wheresoever it should come, would be a most terrible one. In this uncertainty, and with certain feverish restlessness that is always engendered in anticipation of a battle, the 21st Corps lay about Crawfish Springs and Lee & Gordon's mills. Extra ammunition had been issued to the troops as a precaution against any emergency that might arise. Each company officer had received orders to keep his men in camp; the horses of the artillery stood harnessed; everything seemed to be in readiness, come what might. Such was the condition of affairs with our portion of the army on Friday, the 18th of September, 1863. The forenoon of that day had been spent in general talk, both among officers and among men, on the now all-absorbing question as to the probabilities of a battle. Our brigade, the Third, commanded by Col. Geo. F. Dick, of the 86th Indiana, lay near Crawfish Springs. We had just finished our noon-day meal and pipes were lighted, and we were preparing to spend the hours of the afternoon as best we might, when we caught the sound of a distant artillery shot off toward Ringgold. This proved to be the first shot of what was so soon to be the battle of Chickamauga. The shots grew in number, and more and more distinct. It required but little time for each officer and soldier to take in the situation and realize the condition of affairs. We knew from the sounds that were borne to us that the army of Gen. Bragg had ceased to retreat and to act on the defensive, and was now advancing upon our army. This action was proof that the enemy had been largely reinforced, and now felt itself not only able to meet us in battle, but confident in its ability to defeat and put us to rout, and to recover all they had lost.
Not much time was given for thought or talk before our brigade was ordered to "fall in," and we were moved out down to the left, and past Lee & Gordon's mills, to the relief of our hard-pressed cavalry, now falling back onto our main army. How urgent the need of assistance to our cavalry we soon learned as we saw them coming in wounded and broken, riderless horses, ambulances filled with wounded and dying--all coming together told how fierce the onslaught that had been made on them, and they who were yet unwounded were contesting, with all the bravery and stubbornness that men could, every part of the distance that lay between us and the enemy. Our lines were formed, and we moved forward, checking the enemy's advance for the day. Our skirmish line and pickets were strengthened, and our brigade remained on duty through the night, and listened to the ominous sounds that came to us through the darkness, the distant rumbling of artillery wheels, the sound now and then of axes, all telling us of the preparations that were being made, and the perfecting of plans for the terrible contest of the morrow.
In the early morning of the 19th we were relieved from duty, and were sent back toward Lee & Gordon's mills, into an open field, there to prepare our breakfasts and get such sleep and rest as we could, until such time as our services would be demanded. The sun had scarcely appeared when a shot was heard over on the right of our line; in a short time another, as if one army or the other were feeling its way. Soon another shot, which brought an answering shot; then came the opening artillery duel that seemed to shake the very earth. From this, shots came from all along our lines, showing that the enemy had got well into position along our entire front during the night. Now the firing increases on our right, and between the artillery shots we catch the sound of musketry; stronger and stronger the contest grows, and nearer, too, for now comes one continuous roar of artillery from the right, and volley after volley of musketry tells that the two armies have come together in the first charges of the battle. The contest gathers in strength, starting down from the right, on it comes to the lines in our front, and on past us toward the left, until at length it becomes one commingled roar of artillery and rattle of musketry from right to left. We see none of the lines engaged, but it must be that the Union army is holding its position against the furious charges that are being made upon it. A lull for a few moments comes in the contest, and you hear only scattering shots along the line; but looking off to our front, through an opening in the trees, could be seen, crossing the ridge, the marching columns of the enemy as they moved toward our left, preparatory to the terrible work of that Saturday afternoon. Again the sound of the contest begins to gather and grow in strength. It comes on like the blasts of the tornado, sounding louder and louder, growing stronger and stronger until it comes in a great rush and roar of sound, before which those who hear and are not of it stand in awe and look each the other in the face, but dare not speak. Over on the right it again breaks forth, and with renewed strength rolls on down the lines, growing fiercer and fiercer, and louder and louder, as additional forces are brought into the contest, until it reaches the extreme left, when backward it would sweep again to the right, only again to go rolling, and jarring, and crashing in its fury as backward and forward it swept. It was as when the ocean is lashed to fury by the tempest, when great rolling waves come chasing one the other in their mighty rage, until they strike with a roar upon the mighty cliffs of stone, only to be broken and driven back upon other incoming waves as strong, or stronger, than they had been, so came to our ears the sound of that mighty tempest of war--volley after volley of musketry rolling in waves of dreadful sound, one upon the other, to which was added the deep sounding crash of the artillery, like mighty thunder peals through the roar of the tempest, making the ground under your feet tremble as it came and went, each wave more terrible than the former.