
Public-domain ebook
The Ragged Trousered Philanthropists
Language: en1,408 downloads on Project Gutenberg
Subjects
Public-domain ebook sourced from Project Gutenberg #3608.

Public-domain ebook
Language: en1,408 downloads on Project Gutenberg
Subjects
Public-domain ebook sourced from Project Gutenberg #3608.
Robert Tressell’s The Ragged Trousered Philanthropists is a work of political fiction that presents itself as a novel rather than a treatise, using the everyday lives of a building crew to explore the meaning of Socialism. The opening pages set the scene in a dilapidated house being renovated by a team of carpenters, painters and labourers, describing in meticulous detail the dust, the cracked plaster and the makeshift tea service. Through the banter of characters like the foreman Bob Crass, the outspoken labourer Sawkins, and the philosophically inclined Frank Owen, the narrative foregrounds the stark contrast between the abundance enjoyed by a privileged few and the chronic want experienced by the working class. The author insists that every incident is drawn from observation, promising a story that is both “true” and humorously rendered, while also positioning the novel as a vehicle for a broader social critique.
Written in the straightforward, colloquial prose of early‑20th‑century England, the book captures the cadence of working‑class speech and the gritty atmosphere of a South‑English town. Its blend of realistic dialogue, detailed description and overt political commentary will appeal to readers who enjoy socially engaged literature, labor history, or novels that foreground class struggle without sacrificing narrative drive. Those interested in the roots of socialist thought, or in a vivid portrait of pre‑World War‑I industrial life, will find Tressell’s uncompromising style both challenging and rewarding.
The opening · free to read
It may be objected that, considering the number of books dealing with these subjects already existing, such a work as this was uncalled for. The answer is that not only are the majority of people opposed to Socialism, but a very brief conversation with an average anti-socialist is sufficient to show that he does not know what Socialism means. The same is true of all the anti-socialist writers and the “great statesmen” who make anti-socialist speeches: unless we believe that they are deliberate liars and imposters, who to serve their own interests labour to mislead other people, we must conclude that they do not understand Socialism. There is no other possible explanation of the extraordinary things they write and say. The thing they cry out against is not Socialism but a phantom of their own imagining.
Another answer is that “The Philanthropists” is not a treatise or essay, but a novel. My main object was to write a readable story full of human interest and based on the happenings of everyday life, the subject of Socialism being treated incidentally.
This was the task I set myself. To what extent I have succeeded is for others to say; but whatever their verdict, the work possesses at least one merit—that of being true. I have invented nothing. There are no scenes or incidents in the story that I have not either witnessed myself or had conclusive evidence of. As far as I dared I let the characters express themselves in their own sort of language and consequently some passages may be considered objectionable. At the same time I believe that—because it is true—the book is not without its humorous side.
The scenes and characters are typical of every town in the South of England and they will be readily recognized by those concerned. If the book is published I think it will appeal to a very large number of readers. Because it is true it will probably be denounced as a libel on the working classes and their employers, and upon the religious-professing section of the community. But I believe it will be acknowledged as true by most of those who are compelled to spend their lives amid the surroundings it describes, and it will be evident that no attack is made upon sincere religion.
Chapter 1 An Imperial Banquet. A Philosophical Discussion. The Mysterious Stranger. Britons Never shall be Slaves
The house was named “The Cave”. It was a large old-fashioned three-storied building standing in about an acre of ground, and situated about a mile outside the town of Mugsborough. It stood back nearly two hundred yards from the main road and was reached by means of a by-road or lane, on each side of which was a hedge formed of hawthorn trees and blackberry bushes. This house had been unoccupied for many years and it was now being altered and renovated for its new owner by the firm of Rushton & Co., Builders and Decorators.
There were, altogether, about twenty-five men working there, carpenters, plumbers, plasterers, bricklayers and painters, besides several unskilled labourers. New floors were being put in where the old ones were decayed, and upstairs two of the rooms were being made into one by demolishing the parting wall and substituting an iron girder. Some of the window frames and sashes were so rotten that they were being replaced. Some of the ceilings and walls were so cracked and broken that they had to be replastered. Openings were cut through walls and doors were being put where no doors had been before. Old broken chimney pots were being taken down and new ones were being taken up and fixed in their places. All the old whitewash had to be washed off the ceilings and all the old paper had to be scraped off the walls preparatory to the house being repainted and decorated. The air was full of the sounds of hammering and sawing, the ringing of trowels, the rattle of pails, the splashing of water brushes, and the scraping of the stripping knives used by those who were removing the old wallpaper. Besides being full of these the air was heavily laden with dust and disease germs, powdered mortar, lime, plaster, and the dirt that had been accumulating within the old house for years. In brief, those employed there might be said to be living in a Tariff Reform Paradise—they had Plenty of Work.
At twelve o’clock Bob Crass—the painters’ foreman—blew a blast upon a whistle and all hands assembled in the kitchen, where Bert the apprentice had already prepared the tea, which was ready in the large galvanized iron pail that he had placed in the middle of the floor. By the side of the pail were a number of old jam-jars, mugs, dilapidated tea-cups and one or two empty condensed milk tins. Each man on the “job” paid Bert threepence a week for the tea and sugar—they did not have milk—and although they had tea at breakfast-time as well as at dinner, the lad was generally considered to be making a fortune.
Two pairs of steps, laid parallel on their sides at a distance of about eight feet from each other, with a plank laid across, in front of the fire, several upturned pails, and the drawers belonging to the dresser, formed the seating accommodation. The floor of the room was covered with all manner of debris, dust, dirt, fragments of old mortar and plaster. A sack containing cement was leaning against one of the walls, and a bucket containing some stale whitewash stood in one corner.
As each man came in he filled his cup, jam-jar or condensed milk tin with tea from the steaming pail, before sitting down. Most of them brought their food in little wicker baskets which they held on their laps or placed on the floor beside them.
At first there was no attempt at conversation and nothing was heard but the sounds of eating and drinking and the drizzling of the bloater which Easton, one of the painters, was toasting on the end of a pointed stick at the fire.
“I don’t think much of this bloody tea,” suddenly remarked Sawkins, one of the labourers.
“Well it oughter be all right,” retorted Bert; “it’s been bilin’ ever since ’arf past eleven.”
Bert White was a frail-looking, weedy, pale-faced boy, fifteen years of age and about four feet nine inches in height. His trousers were part of a suit that he had once worn for best, but that was so long ago that they had become too small for him, fitting rather tightly and scarcely reaching the top of his patched and broken hob-nailed boots. The knees and the bottoms of the legs of his trousers had been patched with square pieces of cloth, several shades darker than the original fabric, and these patches were now all in rags. His coat was several sizes too large for him and hung about him like a dirty ragged sack. He was a pitiable spectacle of neglect and wretchedness as he sat there on an upturned pail, eating his bread and cheese with fingers that, like his clothing, were grimed with paint and dirt.
“Well then, you can’t have put enough tea in, or else you’ve bin usin’ up wot was left yesterday,” continued Sawkins.
“Why the bloody ’ell don’t you leave the boy alone?” said Harlow, another painter. “If you don’t like the tea you needn’t drink it. For my part, I’m sick of listening to you about it every damn day.”
“It’s all very well for you to say I needn’t drink it,” answered Sawkins, “but I’ve paid my share an’ I’ve got a right to express an opinion. It’s my belief that ’arf the money we gives him is spent on penny ’orribles: ’e’s always got one in ’is hand, an’ to make wot tea ’e does buy last, ’e collects all the slops wot’s left and biles it up day after day.”
“No, I don’t!” said Bert, who was on the verge of tears. “It’s not me wot buys the things at all. I gives the money I gets to Crass, and ’e buys them ’imself, so there!”
At this revelation, some of the men furtively exchanged significant glances, and Crass, the foreman, became very red.
“You’d better keep your bloody thruppence and make your own tea after this week,” he said, addressing Sawkins, “and then p’raps we’ll ’ave a little peace at meal-times.”
“An’ you needn’t ask me to cook no bloaters or bacon for you no more,” added Bert, tearfully, ’cos I won’t do it.”
Sawkins was not popular with any of the others. When, about twelve months previously, he first came to work for Rushton & Co., he was a simple labourer, but since then he had “picked up” a slight knowledge of the trade, and having armed himself with a putty-knife and put on a white jacket, regarded himself as a fully qualified painter. The others did not perhaps object to him trying to better his condition, but his wages—fivepence an hour—were twopence an hour less than the standard rate, and the result was that in slack times often a better workman was “stood off” when Sawkins was kept on. Moreover, he was generally regarded as a sneak who carried tales to the foreman and the “Bloke”. Every new hand who was taken on was usually warned by his new mates “not to let the b—r Sawkins see anything.”
The unpleasant silence which now ensued was at length broken by one of the men, who told a dirty story, and in the laughter and applause that followed, the incident of the tea was forgotten.
“How did you get on yesterday?” asked Crass, addressing Bundy, the plasterer, who was intently studying the sporting columns of the Daily Obscurer.
“No luck,” replied Bundy, gloomily. “I had a bob each way on Stockwell, in the first race, but it was scratched before the start.”
This gave rise to a conversation between Crass, Bundy, and one or two others concerning the chances of different horses in the morrow’s races. It was Friday, and no one had much money, so at the suggestion of Bundy, a Syndicate was formed, each member contributing threepence for the purpose of backing a dead certainty given by the renowned Captain Kiddem of the Obscurer. One of those who did not join the syndicate was Frank Owen, who was as usual absorbed in a newspaper. He was generally regarded as a bit of a crank: for it was felt that there must be something wrong about a man who took no interest in racing or football and was always talking a lot of rot about religion and politics. If it had not been for the fact that he was generally admitted to be an exceptionally good workman, they would have had little hesitation about thinking that he was mad. This man was about thirty-two years of age, and of medium height, but so slightly built that he appeared taller. There was a suggestion of refinement in his clean-shaven face, but his complexion was ominously clear, and an unnatural colour flushed the think cheeks.
There was a certain amount of justification for the attitude of his fellow workmen, for Owen held the most unusual and unorthodox opinions on the subjects mentioned.
The affairs of the world are ordered in accordance with orthodox opinions. If anyone did not think in accordance with these he soon discovered this fact for himself. Owen saw that in the world a small class of people were possessed of a great abundance and superfluity of the things that are produced by work. He saw also that a very great number—in fact the majority of the people—lived on the verge of want; and that a smaller but still very large number lived lives of semi-starvation from the cradle to the grave; while a yet smaller but still very great number actually died of hunger, or, maddened by privation, killed themselves and their children in order to put a period to their misery. And strangest of all—in his opinion—he saw that people who enjoyed abundance of the things that are made by work, were the people who did Nothing: and that the others, who lived in want or died of hunger, were the people who worked. And seeing all this he thought that it was wrong, that the system that produced such results was rotten and should be altered. And he had sought out and eagerly read the writings of those who thought they knew how it might be done.
The book keeps going
Reading is free forever. Sign up and watch scenes appear while you read.



Scenes Storieta drew for other classics.
New illustrated classics
Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.