Neghborly Poems and Dialect Sketches

Name: Neghborly Poems and Dialect Sketches
Author: James Whitcomb Riley

by James Whitcomb Riley

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Language: en545 downloads on Project Gutenberg

Subjects

Dialect poetry, American Dialect literature, American

In: Poetry·American Literature

Public-domain ebook sourced from Project Gutenberg #37074.

The opening · free to read

"To the Editer of the Indanoplus Jurnal:

"Respected Sir--The paper is here, markin' the old swimmin'-hole, my poetry which you seem to like so well. I joy to see it in print, and I thank you, hart and voice, fer speakin' of its merrits in the way in which you do. I am glad you thought it was real poetry, as you said in your artikle. But I make bold to ast you what was your idy in sayin' I had ortent of told you it went to the tune I spoke of in my last. I felt highly flatered tel I got that fur. Was it because you don't know the tune refered to in the letter? Er wasent some words spelt right er not? Still ef you hadent of said somepin' aginst it Ide of thought you was makin' fun. As I said before I well know my own unedjucation, but I don't think that is any reason the feelin's of the soul is stunted in theyr growth however. 'Juge not less ye be juged,' says The Good Book, and so say I, ef I thought you was makin' fun of the lines that I wrote and which you done me the onner to have printed off in sich fine style that I have read it over and over again in the paper you sent, and I would like to have about three more ef you can spare the same and state by mail what they will come at. All nature was in tune day before yisterday when your paper come to hand. It had ben a-raining hard fer some days, but that morning opened up as clear as a whissel. No clouds was in the sky, and the air was bammy with the warm sunshine and the wet smell of the earth and the locus blossoms and the flowrs and pennyroil and boneset. I got up, the first one about the place, and went forth to the plesant fields. I fed the stock with lavish hand and wortered them in merry glee, they was no bird in all the land no happier than me. I have jest wrote a verse of poetry in this letter; see ef you can find it. I also send you a whole poem which was wrote off the very day your paper come. I started it in the morning I have so feebly tride to pictur' to you and wound her up by suppertime, besides doin' a fare day's work around the place.

"Ef you print this one I think you will like it better than the other. This ain't a sad poem like the other was, but you will find it full of careful thought. I pride myself on that. I also send you 30 cents in stamps fer you to take your pay out of fer the other papers I said, and also fer three more with this in it ef you have it printed and oblige. Ef you don't print this poem, keep the stamps and send me three more papers with the other one in--makin' the sum totul of six (6) papers altogether in full. Ever your true friend,

BENJ. F. JOHNSON.

"N. B.--The tune of this one is 'The Bold Privateer.'"

Here followed the poem, "Thoughts Fer The Discuraged Farmer";--and here, too, fittingly ends any comment but that which would appear trivial and gratuitous.

Simply, in briefest conclusion, the hale, sound, artless, lovable character of Benj. F. Johnson remains, in the writer's mind, as from the first, far less a fiction than a living, breathing, vigorous reality.--So strong, indeed, has his personality been made manifest, that many times, in visionary argument with the sturdy old myth over certain changes from the original forms of his productions, he has so incontinently beaten down all suggestions as to a less incongruous association of thoughts and words, together with protests against his many violations of poetic method, harmony, and grace, that nothing was left the writer but to submit to what has always seemed--and in truth still seems--a superior wisdom of dictation.

J. W. R.

Indianapolis, July, 1891.

The Old Man

Lo! steadfast and serene, In patient pause between The seen and the unseen, What gentle zephyrs fan Your silken silver hair,-- And what diviner air Breathes round you like a prayer, Old Man?

Can you, in nearer view Of Glory, pierce the blue Of happy Heaven through; And, listening mutely, can Your senses, dull to us, Hear Angel-voices thus, In chorus glorious-- Old Man?

In your reposeful gaze The dusk of Autumn days Is blent with April haze, As when of old began The bursting of the bud Of rosy babyhood-- When all the world was good, Old Man.

And yet I find a sly Little twinkle in your eye; And your whisperingly shy Little laugh is simply an Internal shout of glee That betrays the fallacy You'd perpetrate on me, Old Man!

So just put up the frown That your brows are pulling down! Why, the fleetest boy in town, As he bared his feet and ran, Could read with half a glance-- And of keen rebuke, perchance-- Your secret countenance, Old Man!

Now, honestly, confess: Is an old man any less Than the little child we bless And caress when we can? Isn't age but just a place Where you mask the childish face To preserve its inner grace, Old Man?

Hasn't age a truant day, Just as that you went astray In the wayward, restless way, When, brown with dust and tan, Your roguish face essayed, In solemn masquerade, To hide the smile it made Old Man?

Now, fair, and square, and true, Don't your old soul tremble through, As in youth it used to do When it brimmed and overran With the strange, enchanted sights, And the splendors and delights Of the old "Arabian Nights," Old Man?

When, haply, you have fared Where glad Aladdin shared His lamp with you, and dared The Afrite and his clan; And, with him, clambered through The trees where jewels grew-- And filled your pockets, too, Old Man?

Or, with Sinbad, at sea-- And in veracity Who has sinned as bad as he, Or would, or will, or can?-- Have you listened to his lies, With open mouth and eyes, And learned his art likewise, Old Man?

And you need not deny That your eyes were wet as dry, Reading novels on the sly! And review them, if you can, And the same warm tears will fall-- Only faster, that is all-- Over Little Nell and Paul, Old Man!

O, you were a lucky lad-- Just as good as you were bad! And the host of friends you had-- Charley, Tom, and Dick, and Dan; And the old School-Teacher, too, Though he often censured you; And the girls in pink and blue, Old Man.

And--as often you have leant, In boyish sentiment, To kiss the letter sent By Nelly, Belle, or Nan-- Wherein the rose's hue Was red, the violet blue-- And sugar sweet--and you, Old Man,--

So, to-day, as lives the bloom, And the sweetness, and perfume Of the blossoms, I assume, On the same mysterious plan The master's love assures, That the self-same boy endures In that hale old heart of yours, Old Man.

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