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About this book

What you have here is a social‑drama set in 20th‑century New York, cataloguing the tangled relationships of a group of acquaintances who gather for an opera. The opening thrusts the reader into a noisy backstage of cynicism, jokes, and whispered gossip, as characters like the impatient Willie, the sardonic Persis, and the self‑important Forbes trade barbs while a Wagner performance looms. Their banter quickly spirals into a commentary on the pretensions of the opera crowd, the absurdity of a “military expert” summoned from the Philippines, and the way the audience’s emotions are hijacked by the tragic love story onstage. The scene culminates in the shared, almost theatrical, grief of Forbes and Persis as they react to the death of Tristan, their hands clasped in a moment that blurs performance and reality.

The novel’s voice is brisk, witty, and heavily laced with period slang, echoing the cadence of early‑1900s newspaper columns and stage reviews. Its style mixes rapid dialogue with dense, almost theatrical description, giving the narrative a lively, almost cinematic quality. Readers who enjoy intricate character sketches, satirical takes on high society, and a glimpse into the cultural rituals of pre‑war New York, especially those who appreciate the interplay of humor and melodrama, will find this work engaging.

Characters in What Will People Say? A Novel

  • PersisElegant young woman in early 1900s attire, bobbed hair, feathered hat, silk dress, poised yet mischievous expression
  • ForbesMiddle‑aged gentleman in a dark frock coat, waistcoat, pocket watch, neatly trimmed mustache, dignified yet slightly aloof
  • WillieImpatient young man in a crisp three‑piece suit, crisp shirt, cravat, sharp eyes, restless posture

Opening lines

and Winifred may have had their suspicions. They were both amiable cynics, and always put the worst possible interpretation on any happening. But whatever their theories, they could never have guessed the actual reason for the contretemps, and Persis speedily changed the subject. But her feet remembered it and tingled with reminiscent little electric storms. And when she looked at Forbes she tittered like a school-girl. So she avoided his eyes. Willie was furious at Persis' lack of dignity, and forgot his own in complaining of it. "Cut out the soubrette spasms, for God's sake, Persis, or let us all in on the joke. If you have any comic relief for this ghastly opera let me have it. Why did you drag me here, anyway? We might have gone to Hammerstein's. It wouldn't be so bad if Caruso were singing; but Caruso knows better than to bark himself hoarse on this Wagner fella.

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