Storieta
English
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About this book

The work is a historical survey of London’s great fairs and the itinerant entertainers who populated them. Beginning with a declaration of the fairs’ importance to national social history, the author explains that the narrative will intertwine the rise, flourishing and eventual decline of the metropolitan markets with the biographies of the “old showmen”, names such as Gyngell, Scowton, Saunders and Wombwell, drawn from scarce records, newspaper advertisements and oral recollections. The opening pages outline a detailed contents list that promises chapters on origins, medieval amusements, seventeenth‑century strolling players, attempts at suppression, and the later “new race” of showmen, culminating in the extinction of the fairs. The author’s aim is to preserve what little is known of this almost vanished class of popular entertainers while offering a comprehensive account of the fairs themselves.

Written in a scholarly yet lively Victorian voice, the text combines exhaustive footnote‑style detail with vivid descriptions of rope‑walkers, bearded women, fire‑eaters and menageries. Its prose reflects the nineteenth‑century antiquarian tradition, favoring long sentences and formal diction. Readers who enjoy meticulous social history, the folklore of street performance, and the texture of early‑modern London will find it rewarding, as will anyone fascinated by the intersection of commerce, spectacle and urban life.

Who appears in The Old Showmen and the Old London Fairs

  • GyngellMiddle‑aged male showman, dark hair, moustache, waistcoat with brass buttons, top hat, holding a lantern
  • ScowtonWeather‑worn older man, grizzled beard, patched coat, battered hat, carrying a wooden staff
  • SaundersYoung energetic entertainer, crisp frock coat, cravat, polished boots, smiling, with a juggling ball in hand

The opening · free to read

PREFACE.

Popular amusements constitute so important a part of a nation's social history that no excuse need be offered for the production of the present volume. The story of the old London fairs has not been told before, and that of the almost extinct race of the old showmen is so inextricably interwoven with it that the most convenient way of telling either was to tell both. An endeavour has been made, therefore, to relate the rise, progress, and declension of the fairs formerly held in and about the metropolis as comprehensively and as thoroughly as the imperfect records of such institutions render possible; and to weave into the narrative all that is known of the personal history of the entertainers of the people who, from the earliest times to the period when the London fairs became things of the past, have set up shows in West Smithfield, on the greens of Southwark, Stepney, and Camberwell, and in the streets of Greenwich and Deptford. Those who remember the fairs that were the last abolished, even in the days of their decline, will, it is thought, peruse with interest such fragments of the personal history of Gyngell, Scowton, Saunders, Richardson, Wombwell, and other showmen of the last half century of the London fairs, to say nothing of the earlier generations of entertainers, as are brought together in the following pages.

The materials for a work of this kind are not abundant. The notices of the fairs to be found in records of the earlier centuries of their history are slight, and more interesting to the antiquary than to the general reader. Newspapers of the latter half of the seventeenth century, and the first half of the eighteenth, afford only advertisements of the amusements, and of the showmen of the former period we learn only the names. During the latter half of the last century, the showmen seldom advertised in the newspapers, and few of their bills have been preserved. No showman has ever written his memoirs, or kept a journal; and the biographers of actors who have trodden the portable stages of Scowton and Richardson in the early years of their professional career have failed to glean many incidents of their fair experiences. All that can be presented of the personal history of such men as Gyngell, Scowton, Richardson, and Wombwell, has been gathered from the few surviving members of the fraternity of showmen, and from persons who, at different periods, and in various ways, have been brought into association with them. If, therefore, no other merit should be found in the following pages, they will at least have been the means of preserving from oblivion all that is known of an almost extinct class of entertainers of the people.

CONTENTS.

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