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About this book

This work is a romanticized historical sketch that treats Empress Josephine not merely as Napoleon’s consort but as a figure of universal grace. The author opens with a sweeping tribute that juxtaposes Napoleon’s battlefield triumphs against Josephine’s softer, enduring charm, then moves into a lyrical portrait of her early life on Martinique. The narrative recounts her birth in 1763, the disappointment of a daughter instead of an heir, and the family’s relief at the peace that follows the Seven Years’ War. A vivid description of the catastrophic hurricane that razed the island’s plantations provides a dramatic backdrop for her childhood, while the subsequent passage details her upbringing in a convent, where she receives a genteel education in writing, needlework, arithmetic, music and dance. The prose is steeped in the language of the nineteenth‑century romantic tradition, presenting Josephine as a timeless embodiment of beauty, loyalty and patronage.

The voice is ornate and reverent, employing long, flowing sentences and frequent classical allusions that echo the style of early‑19th‑century German romantic literature. Its tone is admiring rather than critical, aiming to elevate Josephine to a symbolic heroine of universal humanity. Readers who enjoy richly descriptive, almost poetic biographies, particularly those interested in the Napoleonic era, the role of women in history, or the romantic idealization of historical figures, will find this sketch engaging. It appeals to those who appreciate a blend of historical detail and lyrical storytelling, rather than a strictly factual or analytical account.

Characters in Empress Josephine

  • JosephineElegant 18th‑century French lady, dark hair in loose curls, delicate face, silk gown with pastel ribbons, pearl necklace, poised portrait
  • NapoleonShort, stern man in early‑19th‑century military uniform, dark coat, white waistcoat, bicorne hat, gaunt visage, hand on sword

The opening · free to read

“I win the battles, Josephine wins me the hearts.” These words of Napoleon are the most beautiful epitaph of the Empress Josephine, the much-loved, the much-regretted, and the much-slandered one. Even while Napoleon won battles, while with lofty pride he placed his foot on the neck of the conquered, took away from princes their crowns, and from nations their liberty--while Europe trembling bowed before him, and despite her admiration cursed him--while hatred heaved up the hearts of all nations against him--even then none could refuse admiration to the tender, lovely woman who, with the gracious smile of goodness, walked at his side; none could refuse love to the wife of the conqueror, whose countenance of brass received light and lustre from the beautiful eyes of Josephine, as Memnon’s statue from the rays of the sun.

She was not beautiful according to those high and exalted rules of beauty which we admire in the statues of the gods of old, but her whole being was surrounded with such a charm, goodness, and grace, that the rules of beauty were forgotten. Josephine’s beauty was believed in, and the heart was ravished by the spell of such a gracious, womanly apparition. Goethe’s words, which the Princess Eleonore utters in reference to Antonio, were not applicable to Josephine:

“All the gods have with one consent brought gifts to his cradle, but, alas! the Graces have remained absent, and where the gifts of these lovely ones fail, though much was given and much received, yet on such a bosom is no resting-place.”

No, the Graces were not absent from the cradle of Josephine; they, more than all the other gods, had brought their gifts to Josephine. They had encircled her with the girdle of gracefulness, they had imparted to her look, to her smile, to her figure, attraction and charm, and given her that beauty which is greater and more enduring than that of youth, namely loveliness, that only real beauty. Josephine possessed the beauty of grace, and this quality remained when youth, happiness, and grandeur, had deserted her. This beauty of grace struck the Emperor Alexander as he came to Malmaison to salute the dethroned empress. He had entered Paris in triumph, and laid his foot on the neck of him whom he once had called his friend, yet before the divorced wife of the dethroned emperor the czar, full of admiration and respect, bowed his head and made her homage as to a queen; for, though she was dethroned, on her head shone the crown in imperishable beauty and glory, the crown of loveliness, of faithfulness, and of womanhood.

She was not witty in the special sense of a so-called “witty woman.” She composed no verses, she wrote no philosophical dissertations, she painted not, she was no politician, she was no practising artist, but she possessed the deep and fine intuition of all that which is beautiful and noble: she was the protectress of the arts and sciences. She knew that disciples were not wanting to the arts, but that often a Maecenas is needed. She left it to her cousin, the Countess Fanny Beauharnais, to be called an artist; hers was a loftier destiny, and she fulfilled that destiny through her whole life--she was a Maecenas, the protectress of the arts and sciences.

As Hamlet says of his father, “He was a man, take him for all in all, I shall not look upon his like again;” thus Josephine’s fame consists not that she was a princess, an empress anointed by the hands of the pope himself, but that she was a noble and true wife, loving yet more than she was loved, entirely given up in unswerving loyalty to him who rejected her; languishing for very sorrow on account of his misfortune, and dying for very grief as vanished away the star of his happiness. Thousands in her place, rejected, forgotten, cast away, as she was--thousands would have rejoiced in the righteousness of the fate which struck and threw in the dust the man who, for earthly grandeur, had abandoned the beloved one and disowned her love. Josephine wept over him, lamented over his calamities, and had but a wish to be allowed to share them with him. Josephine died broken-hearted--the misfortunes of her beloved, who no more loved her, the misfortunes of Napoleon, broke her heart.

She was a woman, “take her for all in all”--a noble, a beautiful woman, a loving woman, and such as belongs to no peculiar class, to no peculiar nation, to no peculiar special history; she belongs to the world, to humanity, to universal history. In the presence of such an apparition all national hatred is silent, all differences of political opinion are silent. Like a great, powerful drama drawn from the universal history of man and represented before our eyes, so her life passes before us; and surprised, wondering, we gaze on, indifferent whether the heroine of such a tragedy be Creole, French, or to what nation she may owe her birth. She belongs to the world, to history, and if we Germans have no love for the Emperor Napoleon, the tyrant of the world, the Caesar of brass who bowed the people down into the dust, and trod under foot their rights and liberties--if we Germans have no love for the conqueror Napoleon, because he won so many battles from us, yet this does not debar us from loving Josephine, who during her lifetime won hearts to Napoleon, and whose beautiful death for love’s sake filled with tears the eyes of those whose lips knew but words of hatred and cursing against the emperor.

To write the life of Josephine does not mean to write the life of a Frenchwoman, the life of the wife of the man who brought over Germany so much adversity, shame, and suffering, but it means to write a woman’s life which, as a fated tragedy or like a mighty picture, rises before our vision. It is to unfold a portion of the world’s history before our eyes--and the world’s history is there for our common instruction and progress, for our enlightenment and encouragement.

I am not afraid, therefore, of being accused of lacking patriotism, because I have undertaken to write the life of a woman who is not a German, who was the wife of Germany’s greatest enemy and oppressor. It is, indeed, a portion of the universal drama which is unfolded in the life of this woman, and amid so much blood, so much dishonor, so many tears, so much humiliation, so much pride, arrogance, and treachery, of this renowned period of the world’s history, shines forth the figure of Josephine as the bright star of womanhood, of love, of faithfulness--stars need no birthright, no nationality, they belong to all lands and nations.

CHAPTER II. THE YOUNG MAID.

On the 23d of July, 1763, to the Chevalier Tascher de la Pagerie, ex-lieutenant of the royal troops, a resident of the insignificant spot of the Trois Islets, on the island of Martinique, was borne by his young, rich, and beautiful wife, a first child.

The loving parents, the relatives and friends had longed for this child, but now that it was come, they bade it welcome without joy, and even over the brow of the young father hung the shadow of a cloud as he received the intelligence of the birth of his child. For it was a girl, and not the wished-for boy who was to be the inheritor of the valuable family-plantation, and the inheritor also of the ancient and respectable name of Tascher de la Pagerie.

It was, however, useless to murmur against fate. What was irrevocable had to be accepted, and welcome made to the daughter, who, instead of the expected heir, would now lay claim to the rights of primogeniture. As an inheritance reserved for him who had not come, the daughter received the name which had been destined to the son. For two hundred years the name of Joseph had been given to the eldest son of the family of Tascher de la Pagerie, but now that there was none to whom the Chevalier, Ex-lieutenant Joseph de la Pagerie could leave his name as a legacy, the family had to be satisfied to give the name to his daughter, and consequently she received at baptism the name of Joseph Marie Rosa.

There was, however, one being who gladly and willingly forgave the fault of her birth, and who consecrated to the daughter the same love she would have offered to the son. This being was the mother of the little Joseph Marie Rosa.

“Contrary to all our wishes,” writes she to her husband’s sister, the beautiful Madame Renaudin, in Paris--“contrary to all our wishes, God has given me a daughter. My joy is not therefore diminished, for I look upon my child as a new bond which binds me still closer to your brother, my dear husband, and to you. Why should I have such a poor and meagre opinion of the female sex, that a daughter should not be welcomed by me? I am acquainted with many persons of our sex who concentrate in themselves as many good qualities as one would only with difficulty find in the other sex. Maternal love already blinds me and fosters in me the hope that my daughter may be like them, and if even I cannot enjoy this satisfaction, yet I am thankful to my child that by means of her existence I am gathering so much happiness.”

Indeed, extraordinary joy, since the birth of the child, reigned in the house of M. Tascher de la Pagerie; joy reigned all over Martinique, for the long war between France and England was ended, and a few months before the birth of little Joseph Marie Rosa, the peace which secured to France the possession of her maritime colonies had been signed. Martinique, so often attacked, bombarded, besieged by English ships--Martinique was again the unconditional property of France, and on the birthday of the little Marie Joseph Rosa the French fleet entered into the harbor of Port Royal, landed a French garrison for the island, and brought a new governor in the person of the Marquis de Fenelon, the nephew of the famous Bishop de Fenelon.

Joyously and quietly passed away the first years of the life of the little Joseph, or little Josephine, as her kind parents called her. Only once, in the third year of her life, was Josephine’s infancy troubled by a fright. A terrible hurricane, such as is known to exist only in the Antilles, broke over Martinique. The historians of that period know not how to depict the awful and calamitous events of this hurricane, which, at the same time, seemed to shake the whole earth with its convulsions. In Naples, in Sicily, in the Molucca Islands, volcanoes broke out in fearful eruptions; for three days the earth trembled in Constantinople. But it was over Martinique that the hurricane raged in the most appalling manner. In less than four hours the howling northwest’ wind, accompanied by forked lightning, rolling thunder, heavy water-spouts, and tremendous earth-tremblings, had hurled down into fragments all the houses of the town, all the sugar-plantations, and all the negro cabins. Here and there the earth opened, flames darted out and spread round about a horrible vapor of sulphur, which suffocated human beings. Trees were uprooted, and the sugar and coffee plantations destroyed. The sea roared and upheaved, sprang from its bounds, and shivered as mere glass-work barks and even some of the larger ships lying in the harbor of Port Royal. Five hundred men perished, and a much larger number were severely wounded. Distress and poverty were the result of this astounding convulsion of nature.

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