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Cover of Prefaces to Four Seventeenth-Century Romances
 Roger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687)

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Prefaces to Four Seventeenth-Century Romances Roger Boyle, Lord Broghill, preface to Parthenissa (1655) Sir George Mackenzie, "Apologie for romances," prefixed to Aretina, the serious romance (1660) Nathaniel Ingelo, preface to Bentivolio and Urania (1660) Robert Boyle, preface to Theodora and Didymus (1687)

by Boyle, Roger, Earl of Orrery; Ingelo, Nathaniel; Mackenzie, George

Language: en371 downloads on Project Gutenberg

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In: Novels·Essays, Letters & Speeches·British Literature

Public-domain ebook sourced from Project Gutenberg #42620.

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Fair Ladies, Your most humble Servant.

An Apologie for ROMANCES.

It hath been rather the fate, then merit of Romances in all ages, to be asperst with these vices, whereof they were not only innocent, but to whose ante-doting vertues they might justly pretend: for whereas they are judged to be both the fire, and faggots, wherby Lov’d flames are both kindled and alimented; I believe verily, that there is nothing can so easily extinguish them, for as these who have at Court, seen numbers of peerless and wel deckt beauties, can hardly become enamoured of an ordinary Country-maid; So these who have seen a =Philoclea=, or =Cleopatra=, depenciled by the curious wits of =Sidney=, and =Scuderie=, will hardly be invassalled by the (to them scarce approaching) treats of these, whom this age garlands for admired beauties. Others forsooth accuse them, for robbing us of our precious time; but this reproach is ill founded; for if the Romance be abject, none will trifle away their time in reading it, except these who would mispend it however, and if they be excellent, then time is rather spent then mispent in leafing them over. There is also a third race of detracters, who condemn them as lies; but since their Authors propose them, not with an intention to deceive, they cannot properly be reputed such: And albeit they seem but fables, yet who would unkernel them, would finde budled up in them reall truthes; and as naturalists observe, these kernels are best where the shells are hardest; and these mettals are noblest, which are mudded over with most earth. But so leave such Phanaticks in the bedlame of their own fancies, who should blush to trace in these paths, which the famous =Sidney=, =Scuderie=, =Barkley=, and =Broghill= hath beaten for them, besides thousands of Ancients, and Moderns Ecclesiasticks, and Laicks, Spaniards, French, and Italians, to remunerat whose endeavours, fame hath Wreathed Garlands (to betemple their ingenious and ingenuous heads) which shall never fade whilest Learning flourishes. I shall speak nothing of that noble Romance, written by a Bishop, which the entreaty of all the Eastern Churches could never prevail with him to disown; and I am confident, that where Romances are written by excellent wits, and perused by intelligent Readers, that the judgement may pick more sound information from them, then from History, for the one teacheth us onely what was done, and the other what should be done; and whereas Romances presents to us, vertue in its holy-day robes, History presents her only to us in these ordinary, and spotted sutes which she weares whilst she is busied in her servile, and lucrative imployments: and as many would be incited to vertue and generosity, by reading in Romances, how much it hath been honoured; So contrary wise, many are deterred by historical experience from being vertuous, knowing that it hath been oftner punished then acknowledged. Romances are these vessels which strain the christal streams of vertue from the puddle of interest; whereas history suffers the memory to quaff them of in their mixt impuritie; by these likewise lazy Ladies and luxurious Gallants, are allured to spend in their Chambers some hours, which else, the one would consecrat to the Bed, and the other to the Bordell: and albeit essayes be the choicest Pearls in the Jewel house of moral Philosophy, yet I ever thought that they were set off to the best advantage, and appeared with the greatest lustre, when they were laced upon a Romance; that so the curiosity might be satisfied, as well as the judgement informed, especially in this age Wherein the appetit of mens judgements is become so queasie, that it can rellish nothing that is not either vinegared with Satyres, or suggared with Eloquence.

I know that these who have devanced us in this imployment, will as our oldest brothers in time, have a double portion of fame bestowed upon them, and no wonder, seing they had store both of expression and invention to make choice of, and if any of us use their expressions, albeit we were only debtor to our own invention for them, yet we should be thought to plagiarize: wherefore he who writes now, should read what hath been written formerly; not to the intent that he may borrow, but least he should borrow any thing that is theirs. I perceive there have been two errours committed by the first writers of Romances: the first was, that they stuffed their Books with things impracticable, which because they were above the reach of mans power, they should never have fallen within the circle of his observation: and such was =Amadis de Gaule=, =Palmeron de Oliva= =&c.= The other errour was in the style, which because of its soaring pitch was inimitable: and as the first hath been the fault of the first writers, So the last hath been the fault of the last writers, wherefore the famous =Scuderie= hath written so, as that his invention may suit well with our practice, and his style with our discourse, and especially in his =Clelia=, wherein he professes that he hath adapted all to the present converse of the French Nation and that is really the mould wherein all tru Romances should be casten. There are some who embroider their discourse with Latin and Greek termes, thinking, like these who are charmers, that the charme loses its energie, if the words be not used in Latine. But this is as ridiculous, as if one who desires to make his face seem pleasant, should enamble it with red, blew, green, and other colours; which though they are in themselves pleasant, yet are rediculous when placed there. And this is an university style, which favours too much its pedant, and is at best but bastard oratory, seing the scope of all Orators is to perswade, and there can be no perswasion where the term is not understood; examples of this are =Brown=, =Charletoun=, =&c.= The second style, is that of moral Philosophers, where the periods are short, and the sense strong, and our experience teacheth us, that the shorter any thing be, it is the stronger: this style suits best with Preachers, whose it is to debit the grand misteries of Faith and Religion; for, seing sentences there should be weighty, if they were either many, or long, they would burden too much the hearers. The third style, is that of =Barrasters=, which is flourished with similees, and where are used long winded periods; and of all others, this is the most preferable, for seing similitude is but a harmony, this style shews that excellent harmony; and rapport, which God intended in the first Creation; and which the Philosophers of all ages have ever since admired. This Lawyers have learned from the paucitie of all humane Lawes, which makes them oft recurr to that topick, which teaches them to argument from the paritie of reason. And in this they resemble Mechanicks, who, by applying a cord, whose length they know, to any body whose length they ignore, do thereby learn its measures also. And by this way =Nathan= in the old Testament, and our Saviour in the new, repremands the errors of =David= and the self conceated Jewes. The fourth style is where the cadence is sweet, and the epithets well adapted, without any other varnish whatsoever: and this is that style which is used at Court, and is paterned to us by eloquent =Scuderie=. I hear there is now a ridiculous caball of Ladies at =Paris=, who terme themselves the precious, and who paraphrase every thing they speak of, terming a mirrour, the conselour of beauty, and a chair, the commoditie of conversation, &c. And thus they have progressed from painting of faces to paint expressions.

As for my self, since I expect no applause, I need fear no censure; and if I satisfie not others, I shall at least satisfie my self, for it was to form to my self a style that I undertook this Piece, whose defects I hope the sober readers will pardon, since their clemency will not be oft tempted with crimes of this nature: only this I begg, that these who will not do me the favour to read the last part, will not do me the wrong to read the first part; for as the Lord =Baken= very well observes, our thoughts are like our years, whereof the first are alwayes the worst; and it is no wonder, for boyling youth customarly throws the scum upmost. I have concealed my name till I see how my undertaking is relished; for which reason likewise, I have sent this Piece to the world unaccompanied, as a swatch of what I intend, reserving the web, till I see how the Stuff pleases. The subject hath made this first part serious, and my inclination shall make the second pleasant.

BENTIVOLIO AND URANIA, IN FOUR BOOKES.

By N. I. D. D.

LONDON: Printed by J. G. for RICHARD MARRIOT, and are to be sold at his shop in Saint Dunstans Church-yard Fleetstreet. MDCLX.

A PREFACE TO THE READER, CONCERNING The DESIGN of this BOOK.

It is justly esteemed by those which know themselves, as the onely work that is worthy of wise men, so to employ their better faculties and improve their time, that at last they may obtain an End, in which they may rejoyce eternally: After a sincere intention of this End, to prosecute it with a constant use of fit means, is the Character of a Prudent and Good man. Those which govern not their life by this Principle, do either suffer themselves to be benum’d with Idleness, or abuse the activity of their Souls in some vain employment.

The =first= of these two out of their great love to do nothing, can make no better wish for themselves, then that they might sleep out the other half of their time; and it is rationall to do so, if his Rule were good for any thing, who said, =He values his life at a just rate, who would be content to forgoe it for a Dream=.

The =other= make their bargain but a little better; for whilest they entertain themselves with things which correspond not with the Dignity of Reasonable Souls, instead of perfecting those rare Capacities with which their Natures are invested, by a generous endeavour to obtain that Happiness which God doth not envy us, they lessen themselves, clip the wings of their Souls, and bring them down from those degrees of Excellency which they actually enjoy, and make them degenerate into a brutish incapacity, though many times they take no notice of the weakness of their judgements: till they meet it in the miserable Consequences of their Actions.

It is not my purpose here to reckon up all the impertinencies of Mankind, which are the several instances of the forementioned folly, I would onely give a charitable notice of one, =viz. the VVriting and Reading of Romances=. This I put into the number, because for the most part it is verified in them what =Justin Martyr= said of =Homers= Poetry, Ἔστι γαρ ἡ πᾶσα ῥαψῳδία Ἰλιάδος τε καὶ Ὀδυσσείας, ἀρχὴ καὶ τέλος, γυνὴ, =i.e. The whole Rhapsody of Homers Iliads and Odysseis, beginning and end, is but a VVoman=. Yet they dote so much upon that subject, that they think with those amorous =Trojans=, that =Helen= was not onely worthy of all the labours of =Homers Quill=, but also of the sharp contentions of the =Greek= and =Trojan= swords.

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