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About this book

Edgcumbe Staley’s work is a sprawling, fact‑laden biography that treats the life of René I, the flamboyant French prince of the mid‑fifteenth century, as a series of vivid episodes drawn from court chronicles. The opening pages plunge the reader into a rapid succession of names, titles, and incidents, royal births, tournaments, pilgrimages, and scandals, each linked to one of René’s seven consorts, from Yolanda d’Arragona to Marguerite d’Anjou. Staley frames René’s many titles, King of Jerusalem, Duke of Anjou, Count of Provence, and his manifold talents as a soldier, poet, architect, and patron, then proceeds to catalogue the deeds, marriages, and intrigues of his queens, interspersed with colorful asides about troubadours, highwaymen, and courtly games. The result is a dense, encyclopedic portrait that reads more like a chronicle of courtly life than a conventional narrative, offering a panoramic view of French Renaissance politics and culture.

The text is written in a Victorian‑era scholarly voice, marked by long, clause‑heavy sentences and a penchant for digressive commentary. Staley’s style mixes earnest historical exposition with occasional rhetorical flourish, reflecting the 19th‑century taste for moralizing biography and antiquarian detail. Readers who relish exhaustive reference material, enjoy the page‑turning of names and titles, and have a taste for the ornate prose of early historical writers will find this volume rewarding. It especially appeals to students of late medieval France, admirers of chivalric culture, and anyone fascinated by the tangled alliances of royal women in the age of the Renaissance.

Who appears in King René d'Anjou and His Seven Queens

  • René IMid‑15th‑century French prince, dark hair, trimmed beard, ornate doublet with gold embroidery, jeweled collar, holding a sword
  • Yolanda d'ArragonaYoung noble queen, auburn hair in a braided crown, fine silk gown with gold embroidery, delicate veil, pearl necklace
  • Louis II d’AnjouLate‑15th‑century French duke, short hair, trimmed beard, lavish crimson cloak, chain of office, fleur‑de‑lis emblem

Opening lines

A Queen in labour--Natural children--Princess Juanita--“La Gaya Ciencia”--Troubadours--Iolande de Flandres--Bar-le-Duc--Highwaymen--Recruits--Fêtes galants--Court of Love--Juan I., King of Aragon--A beauteous damsel--L’Académie des Jeux Floraux--A royal Mainteneuse--Nails in their heads!--“Plucking the turkey”!--“Quite as good as you!”--“A gay woman”--A royal baptism--Princess Yolanda--The Salic Law--A bridegroom-elect--Mauled by a wolf--A silver throne--“The Queen!”--Bullfights--A royal trousseau--A brilliant cavalcade--Louis II. d’Anjou--Attractive girls--Castle of Montpellier--A royal progress--“The Loves of Louis and Yolanda”--A King-suitor in disguise--An ardent kiss--A royal marriage--Beautiful Arlésiennes--“A lovely creature!”--A splendid dowry--Gardens at Tarascon--Legend of St.

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