Storieta
Sign up

The opening · free to read

Illustrated by DICK FRANCIS

[Transcriber's Note: This etext was produced from Galaxy Science Fiction May 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.]

The only kind of gag worth pulling, I always maintained, was a cosmic one--till I learned the Cosmos has a really nasty sense of humor!

There were three of them. Dozens of limp little mutants that would have sent an academic zoologist into hysterics lay there in the metabolic accelerator. But there were three of them. My heart took a great bound.

I heard my daughter's running feet in the animal rooms and her rollerskates banging at her side. I closed the accelerator and walked across to the laboratory door. She twisted the knob violently, trying to hit a combination that would work.

I unlocked the door, held it against her pushing and slipped out so that, for all her peering, she could see nothing. I looked down on her tolerantly.

"Can't adjust your skates?" I asked again.

"Daddy, I've tried and tried and I just can't turn this old key tight enough."

I continued to look down on her.

"Well, Dad-dee, I can't!"

"Tightly enough."

"What?"

"You can't turn this old key tightly enough."

"That's what I _say_-yud."

"All right, wench. Sit on this chair."

I got down and shoved one saddle shoe into a skate. It fitted perfectly. I strapped her ankle and pretended to use the key to tighten the clamp.

Volplas at last. Three of them. Yet I had always been so sure I could create them that I had been calling them volplas for ten years. No, twelve. I glanced across the animal room to where old Nijinsky thrust his graying head from a cage. I had called them volplas since the day old Nijinsky's elongated arms and his cousin's lateral skin folds had given me the idea of a flying mutant.

When Nijinsky saw me looking at him, he started a little tarantella about his cage. I smiled with nostalgia when the fifth fingers of his hands, four times as long as the others, uncurled as he spun about the cage.

I turned to the fitting of my daughter's other skate.

"Daddy?"

"Yes?"

"Mother says you are eccentric. Is that true?"

"I'll speak to her about it."

"Don't you know?"

"Do you understand the word?"

"No."

I lifted her out of the chair and stood her on her skates. "Tell your mother that I retaliate. I say she is beautiful."

She skated awkwardly between the rows of cages from which mutants with brown fur and blue fur, too much and too little fur, enormously long and ridiculously short arms, stared at her with simian, canine or rodent faces. At the door to the outside, she turned perilously and waved.

Again in the laboratory, I entered the metabolic accelerator and withdrew the intravenous needles from my first volplas. I carried their limp little forms out to a mattress in the lab, two girls and a boy. The accelerator had forced them almost to adulthood in less than a month. It would be several hours before they would begin to move, to learn to feed and play, perhaps to learn to fly.

Meanwhile, it was clear that here was no war of dominant mutations. Modulating alleles had smoothed the freakish into a beautiful pattern. These were no monsters blasted by the dosage of radiation into crippled structures. They were lovely, perfect little creatures.

My wife tried the door, too, but more subtly, as if casually touching the knob while calling.

"Lunch, dear."

"Be right there."

She peeked too, as she had for fifteen years, but I blocked her view when I slipped out.

"Come on, you old hermit. I have a buffet on the terrace."

"Our daughter says I'm eccentric. Wonder how the devil she found out."

"From me, of course."

"But you love me just the same."

"I adore you." She stretched on tiptoe and put her arms over my shoulders and kissed me.

My wife did indeed have a delicious-looking buffet ready on the terrace. The maid was just setting down a warmer filled with hot hamburgers. I gave the maid a pinch and said, "Hello, baby."

My wife looked at me with a puzzled smile. "What on Earth's got into you?"

The book keeps going

Keep reading, and see it illustrated

Reading is free forever. Sign up and watch scenes appear while you read.

Illustrated scene from FrankensteinIllustrated scene from The Great GatsbyIllustrated scene from Pride and Prejudice

Scenes Storieta drew for other classics.

New illustrated classics

A new classic, drawn, in your inbox.

Once or twice a month: the latest books to get full character casts, scene art, and free comic editions. No account needed.