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About this book

The work is the second volume of François‑René Chateaubriand’s sprawling autobiographical series, Mémoires d’outre‑tombe. It opens with a rapid succession of dated entries that map the author’s movements between 1802 and 1806, country‑house visits, diplomatic postings in Rome, a journey across the Savoy Alps, and a series of personal encounters with figures such as Madame de Beaumont, Madame de Caud, and the young Napoleon. The narrative then shifts to a reflective, almost essayistic tone as Chateaubriand recounts his return to France, the turmoil of the Revolution, his marriage, and the legal and familial entanglements that followed. The text is a blend of travelogue, political commentary, and intimate memoir, offering a vivid portrait of a man caught between public duty and private desire amid the upheavals of early‑19th‑century Europe.

Chateaubriand’s voice is unmistakably that of a cultured aristocrat steeped in the rhetorical flourishes of the Romantic era, yet grounded in the concrete details of diplomatic life and revolutionary chaos. His prose is dense, richly descriptive, and often introspective, weaving together personal sentiment with broader historical observation. Readers who relish immersive historical narratives, enjoy the interplay of personal and political drama, and appreciate a literary style that balances lyrical reflection with meticulous chronicling will find this volume rewarding.

Who appears in this book

  • BonaparteMiddle‑aged man in military uniform, bicorne hat, stern visage, gaunt cheekbones
  • Madame de BeaumontElegant aristocratic woman, late thirties, silk gown, powdered hair, delicate features
  • Cardinal FeschElderly cardinal, crimson robes, mitre, white beard, solemn, seated in ornate chapel

The opening · free to read

The years 1802 and 1803--Country-houses--Madame de Custine--M. de Saint-Martin--Madame de Houdetot and Saint-Lambert--Journey to the south of France--M. de la Harpe--His death--Interview with Bonaparte--I am appointed First Secretary of Embassy in Rome--Journey from Paris to the Savoy Alps--From Mont Cenis to Rome--Milan to Rome--Cardinal Fesch's palace--My occupations--Madame de Beaumont's manuscripts--Letters from Madame de Caud--Madame de Beaumont's arrival in Rome--Letters from my sister--Letter from Madame de Krüdener--Death of Madame de Beaumont--Her funeral--Letters from M. de Chênedollé, M. de Fontanes, M. Necker, and Madame de Staël--The years 1803 and 1804--First idea of my Memoirs--I am appointed French Minister to the Valais--Departure from Rome--The year 1804--The Valais Republic--A visit to the Tuileries--The Hôtel de Montmorin--I hear the death cried of the Duc d'Enghien--I give in my resignation.

My life became quite disturbed so soon as it ceased to belong to myself. I had a crowd of acquaintances outside my customary circle. I was invited to the country-houses which were being restored. One did as best he could in those half-unfurnished, half-furnished manor-houses, in which old arm-chairs and new stood side by side. Nevertheless, some of these manor-houses had remained intact, such as the Marais[447], which had come into the possession of Madame de La Briche[448], an excellent woman, whom happiness could never succeed in shaking off. I remember that my immortality went to the Rue Saint-Dominique d'Enfer to take a seat for the Marais in a wretched hired coach, where I met Madame de Vintimille and Madame de Fezensac[449]. At Champlâtreux[450] M. Molé was having some small rooms on the second floor rebuilt. His father[451], who had been killed in the revolutionary style, was replaced, in a dilapidated drawing-room, by a picture in which Matthieu Molé was represented stopping a riot with his square cap: a picture which brought home the difference in the times. A splendid intersection of roads lined with lime-trees had been cut down; but one of the avenues still remained in all the magnificence of its old shade; new plantations have since been mixed with it: this is the age of poplars.

On returning from the Emigration, there was no exile so poor but laid out the winding walks of an English garden in the ten feet of land or court-yard which he had recovered: did I myself, in days past, not plant the Vallée-aux-Loups? Was it not there that I began these Memoirs? Did I not continue them in Montboissier Park, whose appearance, disfigured by neglect, its owners were then trying to revive? Did I not lengthen them in the park at Maintenon[452], quite recently restored, a new prey for the returning democracy? The castles burnt in 1789 ought to have warned what remained of the castles to remain hidden in their ruins: but the steeples of engulfed villages which pierce through the lava of Vesuvius do not prevent new steeples and new hamlets from being planted on the surface of that same lava.

[Sidenote: The Marquise de Custine.]

Among the bees adjusting their hive was the Marquise de Custine[453], the heiress of the long tresses of Margaret of Provence[454], wife of St. Louis, whose blood flowed in her veins. I was present when she took possession of Fervacques[455], and I had the honour of sleeping in the bed of the Bearnese, as I had of sleeping in Queen Christina's[456] bed at Combourg. The journey was no trifling matter: we had to take on board the carriage Astolphe de Custine[457], then a child, M. Berstoecher, his tutor, an old Alsatian nurse, who spoke only German, Jenny, the lady's maid, and Trim, a famous dog which ate up the provisions for the journey. Would one not have thought that this colony was going to Fervacques for good? And yet the furnishing of the house was not quite finished when the signal for removal was given. I saw her who faced the scaffold with such great courage[458], I saw her, whiter than one of the Fates, dressed in black, her figure made thin by death, her head adorned only with her silken tresses; I saw her smile to me with her pale lips and her beautiful teeth when she left Sécherons, near Geneva, to breathe her last at Bex, at the entrance to the Valais; I heard her coffin pass at night along the deserted streets of Lausanne to take up its eternal place at Fervacques: she was hastening to hide herself in a property which she had possessed for but a moment, like her life. I had read on the corner of a chimney-piece in the château those bad rhymes attributed to the lover of Gabrielle:

La dame de Fervacques Mérite de vives attacques[459].

The soldier-king had said as much to many others: passing declarations of men, soon effaced and descending from beauty to beauty down to Madame de Custine. Fervacques has been sold.

I also met the Duchesse de Châtillon[460], who adorned my valley at Aulnay during my absence in the Hundred Days. Mrs. Lindsay, whom I continued to see, introduced me to Julie Talma[461]. Madame de Clermont-Tonnerre invited me. We had a common grandmother, and she was good enough to call me cousin. The widow of the Comte de Clermont-Tonnerre[462], she was married again, later, to the Marquis de Talaru[463]. She had converted M. de La Harpe in prison. It was through her that I knew Neveu, the painter, who was enrolled among the number of her cicisbei: Neveu brought me into momentary connection with Saint-Martin[464].

M. de Saint-Martin thought he had discovered in Atala a certain cant which was far from my thoughts, but which to his mind proved an affinity of doctrine between us. Neveu, in order to bring two brothers together, asked us to dinner in a top room which he occupied in the out-houses of the Palais-Bourbon. I reached the trysting-place at six o'clock; the heavenly philosopher was at his post. At seven o'clock, a discreet man-servant placed a tureen of soup upon the table, withdrew, and closed the door. We sat down and began to eat in silence. M. de Saint-Martin, who, for the rest, had a very fine manner, pronounced only a few oracular phrases. Neveu replied with exclamations, uttered with a painter's attitudes and grimaces. I said not a word.

After half an hour, the necromancer returned, removed the soup, and placed another dish on the table. The courses succeeded each other in this way, one by one, and at long intervals. M. de Saint-Martin, becoming gradually more excited, began to talk after the manner of an archangel; the more he talked, the more obscure did his language become. Neveu had hinted to me, squeezing my hand, that we should see extraordinary things, that we should hear sounds. For six mortal hours I listened and discovered nothing. At midnight, the man of visions suddenly rose to his feet. I thought that the spirit of darkness or the heavenly spirit was descending, that the bells were about to ring out through the mysterious passages; but M. de Saint-Martin declared that he was exhausted, and that we would resume the conversation another time: he put on his hat and went away. Unhappily for himself, he was stopped at the door and obliged to come back by an unexpected visit: nevertheless he was not long in disappearing. I never saw him again: he went off to die in the garden of M. Lenoir-Laroche[465], my neighbour at Aulnay.

[Sidenote: Swedenborgian nonsense.]

I am a refractory subject for Swedenborgianism; the Abbé Faria[466], at a dinner at Madame de Custine's, boasted of being able to kill a canary by magnetizing it; the canary was the stronger of the two, and the abbé, beside himself, was obliged to leave the party for fear of being killed by the canary. The sole presence of myself, the Christian, had rendered the tripod powerless.

Another time, the celebrated Gall[467], again at Madame de Custine's, dined next to me, without knowing me, mistook my facial angle, took me for a frog, and tried, when he knew who I was, to patch up his science in a way which made me blush for him. The shape of the head can assist one in distinguishing the sex in individuals, in indicating what belongs to the beast, to the animal passions; as to the intellectual faculties, phrenology will never know them. If one could collect the different skulls of the great men who have died since the commencement of the world, and were to place them before the eyes of the phrenologists without telling them to whom they belonged, they would not forward one brain to its right address: the examination of the "bumps" would produce the most comical mistakes.

I feel conscience-smitten: I spoke of M. de Saint-Martin a trifle scoffingly; I am sorry for it. That love of scoffing, which I am constantly thrusting back and which incessantly returns to me, is a cause of suffering to me; for I hate the satirical spirit as being the pettiest, commonest, and easiest of all: of course, I am bringing no charge against high comedy. M. de Saint-Martin was, when all is said and done, a man of great merit, of noble and independent character. His ideas, when they were explicable, were lofty and of a superior nature. Ought I not to sacrifice the two foregoing pages to the generous and much too flattering declaration of the author of the Portrait de M. de Saint-Martin fait par lui-même[468]? I should not hesitate to suppress them, if what I say were able to do the smallest hurt to the serious reputation of M. de Saint-Martin and to the esteem which will always cling to his memory. I am glad, for the rest, to see that my recollection has not deceived me: M. de Saint-Martin may not have received quite the same impressions as myself at the dinner of which I speak; but you will see that I have not invented the scene, and that M. de Saint-Martin's account resembles mine at bottom:

"On the 27th of January 1803," he says, "I had an interview with M. de Chateaubriand at a dinner arranged for the purpose at M. Neveu's, in the Polytechnic School[469]. It would have been a great advantage to me to have known him earlier: he is the only irreproachable man of letters with whom I have come into contact in my existence, and even then I enjoyed his conversation only during the meal. For, immediately afterwards, there came a visit which made him dumb for the rest of the evening, and I do not know when the occasion will return, because the king of this world takes great care to put a spoke in the wheel of my cart. For the rest, of whom do I stand in need except God?"

M. de Saint-Martin is worth a thousand of me: the dignity of his last sentence crushes my harmless banter with all the weight of a serious nature.

I had seen M. de Saint-Lambert[470] and Madame de Houdetot[471] at the Marais. Both represented the opinions and the freedom of days gone by, carefully packed up and preserved: it was the eighteenth century dying and married after its own fashion. One need but hold on to life for unlawfulness to become lawful. Men feel an infinite esteem for immorality because it has not ceased to exist and because time has adorned it with wrinkles. In truth, a virtuous husband and wife, who are not husband and wife, but who remain together out of consideration for their fellow-creatures, suffer a little from their venerable condition; they bore and detest each other cordially with all the ill-humour of old age; that is God's justice:

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